Category Archives: The Writing Life

Critiques ““ Part 1 ““ Understanding the Process

Recently I gave a presentation to a local writers’ group on the art of giving critique. To fully understand and engage in the critique process we need to first understand why we write, what a critique is, how an author can help the process and how to give a critique. In this blog, we’ll talk about why we write and why receiving a critique can be so difficult.

Why do we write?

When we understand why and what makes us so sensitive to feedback, it actually becomes easier to absorb the information we receive in an impartial way.

I, like many of you, write because I’m miserable when I don’t. As others need to breathe, so I need to write. We all write because we are story tellers – we have something to say, we see worlds and creatures and characters the average person does not, we give commentary about the human condition, our politics, our society, our values, our relationships – we are observers with a unique way of expressing ourselves – BUT most important, for us, writing is fun and it is who we are.

We have an idea – that is personal. We think. We sweat, we write and rewrite hoping that the story we tell is understood by others. The crux is that we, the writers become so intimate with the process and the material that it feels personal – and it is because every fabric of our being has been poured into the story.

So when someone doesn’t like what we’ve done and how we’ve done it, it feels personal even when it isn’t. But, when we focus on the need to express the characters and world we see, it becomes much easier to accept feedback.

This is not dissimilar to mining for gems. We find the diamond. It is rough. It is uncut. We cut. We polish. We wanting to reveal the heart of the stone – the heart we know is there. We work with experts who can help us get the angle just right on every facet. Then we polish until it sparkles.

Writing is no different. We have a gem stone of an idea. We hone our tools. We dig. We scrape. Sometimes we cut and reshape, making every facet as stellar as it can be. And then we must ask if others see what we do.

The critique process should help us polish our gems, to make the story stronger, to make its heart shine brighter. And, if you have a good critique group, they’ll help you do just that.

When we understand that our goal is to express an idea, to create a story which is both entertaining and enlightening, the feedback feels less personal, more constructive because we know that everything we do makes our gem shine brighter.

There are two other things to remember:

1) learning that the gem we polished isn’t as bright as it can be, hurts. And it can hurt a lot. That’s part of being human. Part of being a writer is understanding that and gracefully going forward by thoughtfully considering the comments.

2) the person giving the critique can get it wrong. As the writer you must also figure that out. But generally, most don’t get it wrong if there are problems with grammar, structure, story arc and character development. And let’s face it, if we don’t solve these problems before submitting, no editor will read the story, let alone help you polish your gem.

The next time we meet, we’ll talk about what a critique is and how to give a good critique.

Writing Stillness

On a quest to recharge my writing energies, I sit on a sandy beach of a lake in northern Saskatchewan. After two days of billowing clouds, flash lightening and rain storms, the blistering sun bakes away all cares. But not all cares disappear.

Guilt.

Guilt for not writing every day niggles me – taunting, chastising. The niggling stops when a loud splash in the lake is followed by a wild cheer! A young boy is no longer the monkey in the middle  – he caught his dad’s poorly thrown ball. And I watch the young lad struggle to throw the ball over his dad’s flailing arms so his brother can catch it.

A cooing mom adjusts the umbrella over her toddler so she can comfortably play in the sand. A beer can snaps open. A sunbather sprays tanning oil across her almost naked body. Knee boarders leap in the air behind speeding boats while kayaks bob in their wake.

Guilt suddenly disappears when I realize that I’m honing my writing skills amidst summer’s languid frenzy.

Pacing.

It’s all about pacing not only my stories but myself.

We call our characters to action, ramp up the tension, put them into mortal danger and write them into such tough spots that only the ingenuity of imagination can save them. We twist their lives, beat them and those closest to them by raising the stakes in ways no mortal can survive.

And we do the same for ourselves. Yes, we writers set the stakes high thinking that if we do not remain faithful to those lofty goals, and if we do not meet our self imposed expectations that we as masters of our fate, will fail miserably.

Yet, like our characters, we need to pause to recharge, to reflect, to consider our options, to find help where we can get it – take the detour, the side road which may reveal its own treasures.

So I sit in the shade, nursing tender pink skin, watching children and adults play in the lake, dogs taking people for a walk, and I sip my wine, absorbing the stillness.

And I am thankful, that the writer of my life found the pause button, set the pace a little slower for a moment so that I may reflect and recharge. And maybe, just maybe, I’ll be a little kinder to my characters too.

Have a happy summer!

Sunday Reads: 15 July 2012

10 reads worth your time:

Agent Kristin explains the difference between action and activeness in Writing Craft: Action vs Active Openings to Grab Attention.

Dean Wesley Smith dispells the perception that being picked up by a traditional publisher means the book will actually make it onto bookstore shelves in The Secret Myth of Traditional Publishing.

Anne R Allen has tips on guest blogging in How to Blog VI.

Amber West also has tips for bloggers in Do Writers Need To Blog?

Rachel Kent shares Twitter and Facebook tips in Why Do Readers Connect With You Online?

The Savvy Book Marketer looks at how writers can utilise Goodreads in Promote Your Book on the Goodreads Network.

The Bluestocking Blog examines how not to annoy your followers in Balancing Promotion.

Porter Anderson demystifies the @ symbol in Get A Grip On Twitter Handles.

For inspiration: Writer’s Digest has 72 of the Best Quotes About Writing.

For writing contests: check out the list at Bucks County Writers’ Group.

 

Missed any Fictorians articles this week?

Guest poster Mignon Fogarty – “OK”, “Okay”, and How to Deal with Other Troublesome Style Choices

Clancy Metzger – Writing Guerilla Warfare Style

KD Alex – Writing Between Naps

 

Writing Between Naps

I’m probably a little bit late to the party, but I heard about a little thing called burst writing that I thought I’d share.

Burst writing is this wonderful technique: You set an alarm clock for everything from 15 minutes to like an hour. As soon as the countdown begins, you just start writing. Whatever, wherever, however. You can’t take your fingers off the keyboard until the clock says stop.

I’ve got a rambunctious 16 month old and two equally feisty cats that take up every waking moment of my personal time. So whatever time I have to spend writing is spent scooping poop, picking up cat hair, potty training, and following the kids around with a dust pan and broom as I clean up the wreckage from the tornado they inflict on my house in their daily life.

But I don’t need an alarm clock. You see, I have one that’s much louder and much more urgent. It’s called nap time is over.

Previously, I used to take that wonderful hour and bask in the solace of silence. It was daddy’s time to eat lunch and sit on the couch reflecting on everything we think about over the course of the day. It was a time I learned to finally shut up and appreciate.

If you can turn the white noise of your brain off and focus the waves to instead awake your inner creative, well, then that’s time well spent.

And it’s not time you didn’t have before. It’s always been there. I just wish I didn’t wait 10 months to figure it out.

It finally clicked in my head maybe two weeks ago. I’ve been spending the past few months living out the whole “woe is me” thing. There’s no room, there’s no time, there’s no yadayadayada…

The only recurring theme in there was the word “NO.”

And that’s not a nice word. Just ask my kid. She doesn’t like hearing it, but she lo-oves saying it.

And apparently so do I. It’s what I’ve been telling myself probably since November. So, I started giving in and working around my schedule. On the first night I gave it a shot, I popped out 1200 words in one sitting. That was 1200 more than I’ve had in so long. And you know what? It felt great.

So, today I one-upp’d myself. I finished a chapter.

Sure, I only had two scenes to write. But, still. I -finished- a chapter!

This is huge news for me. Because it woke something up inside that I thought I lost somewhere over the rainbow. It led me onto other writing related tasks that I’ve pretty much been putting off forever. Things like finishing my writing, working on my 3d modeling, redesigning covers, burning excerpts, so forth and so on..

And I’m doing it all in burst time.

Who’d have thought that this whole thing only required me to put her to bed.

On a good day, I get two bursts per day while the baby’s napping. On a really good day, I get two naps, early bed time, and then my bed time.

All I really needed to do was figure out how to manage my time better. Maybe that’s all it takes you.

Give yourself a time management exercise…

Take an hour out of your day. Not when you’re at work. You know, the time when you’re home waiting for dinner, or when the laundry is cycling.

Figure out what you do with that time.

It just might be that time could be applied to something else.

I’ll rest when I’m dead.

For now, I’ve got books to write and webpages to finish. =)