Category Archives: The Writing Life

Writing Guerilla Warfare Style

This last weekend I spent four days in a large house in the middle of the woods with seven other women.  It was understood from the get-go that this was a writing retreat, so excessive visiting would not be tolerated.  While there, we had a morning snack, lunch, an afternoon snack and dinner (we ate really good), and each of us was responsible for preparing one snack and one meal.  We had to clean up after as well, but that was the only time we really had to take out of our writing time.  We would stand around chatting for a few minutes during snacks and we would all eat together and check on our progress during meals.  This was fun and bonding for all of us.  But mostly, we were writing from when we woke up till we went to sleep.

Our commander-in-chief (and retreat organizer) aka the “Write or Die Nazi” said she would keep us on task. And she did.  We used Dr. Wicked’s Write or Die program ($10) and competed against each (I even did this virtually with a friend who didn’t come).  If you’re not familiar with this program, you set a word goal and a time limit – I use 1000 words in 60 minutes most of the time – and then hit the WRITE button.  It opens a new screen and this is where you start typing.  It shows you how many words you’ve typed and how much time you have left to go.  If you pause for too long, the screen starts turning pink and will go to red while simultaneously a heinous sound of your choosing starts blaring at you, but as soon as you start typing again, it will go away.  Trust me when I say this keeps you motivated.  When done, you can then copy/cut and paste your text into your main document.

Not all of us would participate all the time, but several times a day, our Nazi would call out, “Write or Die” and whoever wanted to join in would get ready and when called, we would all start at the same time.  An hour later, we’d check in and see how we each did.  After the brief cheers, we’d go back to writing.  Some would turn the sound off so as not to bother others (the red screen still keeps you hopping) and do it by themselves in between the group competitions.  We were writing almost all day of every day there.

The energy was supercharged and we all kept each other going longer and more productively than we would have if home alone.  This was exceptionally good for me because I’ve had a hard time writing lately.  I sit there thinking, fingers hovering over the keyboard, waiting for ideas to come.  At the retreat, I did this the afternoon of Day 1 and the first half of Day 2 and I had 800 words to show for it.  I was frustrated.  I had the Write or Die program on my computer but hadn’t used it in a really long time.  So, the next challenge that was called, I participated.  I did more words in that hour than I had in the eighteen hours prior combined.  I used the program and the challenges the rest of the  retreat and ended up getting almost 18,000 words done by the time I went home.  Our highest gal did 24,000 total.  We are romance writers who write in our free time when jobs, husbands, kids and everything else in our lives allows.  Some are better at making that time and being productive, others less so, but no one left from this retreat left with less 15,000 new words.

There are many of you out there that can produce like this or better without breaking a sweat, but for me it was huge.  Having the pressure of the red screen/screeching violins looming kept my brain from sabotaging me.  My inner editor couldn’t keep rereading and fixing the same material or searching for the perfect word.  My doubt couldn’t sneak in and plague me with whether I was going the right direction.  I couldn’t stall by doing research ad nauseam. I had to just write.  And I did.  Sure, I have to go back and edit it and add a lot of details that do take some thought, but it’s easier to do that when you have something to work with.  Surprisingly, it was even good material.  It’d been in my mind, I’d been thinking on it for a long time, but I’d been sabotaging my efforts to get it on the page.  Write or Die was like guerilla warfare blitzing my inner adversary.

If you are one of those who can produce consistently, I applaud you and hope to join your ranks sooner than later.  For those who may need some assistance, Write or Die may help.  I know that even since I’ve been home, if I use the program, I get more done.  I turn to it as a tool when I find my fingers hovering instead of typing.

Have you used it?  Do you use other types of warfare?  The more tools I have, the better.  Let’s hear it, troops.

Mignon Fogarty: “OK,” “Okay,” and How to Deal with Other Troublesome Style Choices

A guest post by Mignon Fogarty

 

Since becoming Grammar Girl six years ago, I’ve gradually come to the realization that English is a troublesome language. We do have some hard-and-fast rules: “A lot” is always two words, and we use semicolons a certain way. But a surprising number of words and punctuation marks swirl around us like rowdy schoolchildren shouting “Except when…!” and “Style choice!” When even language mavens disagree, what’s a writer to do?

We’ll figure it out by looking at an example.

Recently, Robert M. posted this question on the Facebook page for alumni of the Superstars Writing Seminar:

“Attention all you grammar aficionados: Do you have any objections to using “OK’ instead of “Okay’? Opinions please.”

“OK” or “Okay” Are Both All Right

“OK” is one of the words I wrote about in 101 Troublesome Words You’ll Master in No Time, and Robert was on the mark when he asked for opinions because English has two acceptable spellings for “OK.” Which one you prefer is a matter of opinion, and of course, in response to his request for opinions he got some strong ones, including a comment about slang and losing battles. Oh, the demise of our language!

Fiction Writers: Use “Okay”

However, if you’re a professional fiction writer, you should be relying on the Chicago Manual of Style, not your friends’ opinions. Chicago requires “okay.” End of story.

News Writers: Use “OK”

On the other hand, the conclusion is entirely different if you write press releases or articles for you local newspaper. The Associated Press Stylebook requires “OK.” End of story.

Know Your Style Guide

I’m routinely shocked by the number of e-mail questions I get from people who claim to be writers but obviously don’t own a style guide (or can’t be bothered to open it). “I remember that my fourth grade teacher said…” and “I prefer…” don’t cut it in the professional world. Traditional publishers have designated a style guide, and you should use it. Chicago is the standard for fiction. “Okay” is the only spelling that is acceptable. The Associated Press Stylebook is the standard for news writing. “OK” is the only spelling that is acceptable. The solution for a struggling writer? Know which style guide your industry uses and buy it.

When You Get to Decide

The time for opinions is when you’re writing for yourself or someone who hasn’t designated a style-when you’re writing blog posts, e-mail messages, and so on. When choosing for myself, I like to look at a word’s history, its etymology. That’s why I prefer “OK.”

The best evidence available points to a newspaper reporter coining the term in 1839. It was an abbreviation for a jokey spelling of “all correct”: “oll korrect.” Apparently, for a few years, it was trendy to coin these kinds of misspelled abbreviations, but “OK” was the only one that survived because it was used in slogans for Martin Van Buren’s presidential campaign.

I confess that I’m so enamoured with the “OK” etymology that I insist on “OK” instead of “okay” in my books, even though my publisher follows Chicago style. I’m probably being foolish picking a fight over this one little word, but we all have our foibles. Since my books are about language, I feel like my publisher should give me some leeway on the language, and they seem to agree-or at least they don’t think it’s worth the energy to resist. But the advice I give to any other writer, especially writers who are just starting out, is to follow your industry’s style. It’s the safest, wisest choice.

Guest Bio: Mignon Fogarty is better known as Grammar Girl and is the author of eight books on language, including her new book, 101 TROUBLESOME WORDS YOU’LL MASTER IN NO TIME.

Sunday Reads: 8 July 2012

Wow, we’re already into the second half of the year.  What writing goals do you have for the next six months?  I’m hoping to finish edits on the WIP by early October but that seems a long way off yet.  If you’ve finished your writing for the day, here’s 10 reads worth your time:

Kristine Kathryn Rusch talks audio rights in The Business Rusch: Time and the Writer.

Jody Hedlund has 8 Reasons Not to Quit Social Media When You’re Burned Out.

At SF Signal, Zack Parsons Talks With Authors About Writing and Music.

Craig Mod discusses the changing role of the book cover in Hack the Cover.

Raphyel M Jordan discusses the importance of sci fi writers staying up-to-date with scientific advances in The ISS Caught a Dragon’s Tail. So What?

Ed Cyzewski looks at the need for a head for business in When Self-Publishing Is More Useful as a Marketing Tool.

RD Meyer talks about what he learnt during the writing of his latest manuscript in Wrongful Death – Lessons Learned.

Eugenia Williamson considers whether self-published writers are really better off in The dead end of DIY publishing.

Damien Walter advises writers to respect their fans in Fandom matters.

And, finally, Fictorian Evan Braun’s first novel, The Book of Creation, secures a lovely review by the Winnipeg Free Press.

 

Missed any Fictorians articles this week?

Brandon M Lindsay – Never Surrender!

Evan Braun – A Matter of Perspective

Kylie Quillinan – First Drafts: The Good, The Bad and the Ugly

 

 

First Drafts: The Good, The Bad and the Ugly

My first drafts are ugly. I have friends who talk about plotting and planning for months before they ever write a word on a new manuscript. I can’t see myself doing that. I’m getting better at plotting but even so, it doesn’t seem to matter how much I plan and ponder, dream and think, my first drafts are still rough.

For me, a first draft is largely an exploration of the plot. It’s also about me trying to get to know the characters. It’s not until I’ve gone all the way through a draft that I start to get a handle on the sub-plots and themes, and it’s only then that I start understanding my characters. So my first drafts are perhaps more what other people call planning.

I’d love to be one of those writers who can complete a manuscript to satisfaction in just a couple of drafts. It usually takes me about three drafts to really nail down the plot and it’s only then that I can start worrying about the details – sensory, emotional, visual. This is when I start looking at issues like what time of year events occur in and what the weather is like. For some reason, my characters are always trapped in an “unseasonal heatwave”. Here in Australia, we have very hot summers so perhaps this is the reason for my obsession with heatwaves.  At about the dozen draft mark, I start feeling comfortable with what I’ve written and it’s really only then that I start to feel like I have a manuscript that’s getting towards being half decent.

I’m currently working on the first round of edits for a manuscript that I meticulously – for me, at least – planned prior to writing. I even used index cards – lots of them – and I thought I did a much better job of laying out the plot than I ever have before. However now that I’m finally re-reading this draft for the first time, I’m realising all that planning has left me with a first draft that really isn’t any better than what I usually produce. There are still massive plot holes, contradictions and things I just haven’t figured out yet.

So I’m wondering whether all that planning was a waste of time. Perhaps this is just the way my brain works. Maybe I need to go through that process of laying the story out, in the form of a first draft, to get my head around it. Perhaps what I’ve been thinking of as a first draft is really my planning stage. Other people use index cards, character notes, and synopses for planning. I guess I’m doing much the same, only mine is 80,000 words long.

So I’m wondering whether I’m approaching this the wrong way. All this time I’ve been telling myself I need to plan better, but perhaps what I’ve been thinking of as a first draft really is my planning process. It’s just a little longer than what some other people do. But then again, maybe I’m kidding myself.  Am I just being lazy and avoiding planning properly because I find it so difficult? That’s the problem with writers, isn’t it.  We can convince ourselves of just about anything by justifying it as our “creative process” instead of laziness.

So tell me: what planning process do you go through prior to writing your first draft?