Category Archives: The Writing Life

This is Only the Beginning

What do I do once the first draft is finished?

Finishing a rough draft is no easy task, and it should be celebrated. So do something fun. Have a drink. Eat some cheesecake. Go to a movie. Go for a run. Whatever makes you happy. Give yourself the satisfaction of being finished for at least five minutes. Then you can move on to the real fun.

I’m an outliner. This does not mean that my first draft resembles the outline I made before I started. In general, things start to go off the rails at the midpoint of the story, and it often goes downhill from there. So by the time I’m finished, the last half of my book is a sometimes delightful, sometimes horrifying surprise.

If I’m not on a tight deadline, I’ll let the first draft sit for at least a week. Work on something else. Preferably something different. Some short fiction, or edit a different piece. Read a book from an author I love. Cleanse my pallet.

I don’t know about anyone else, but if I write a rough draft in a hurry (which I prefer, because creating is more difficult for me than editing so I use the rip-the-Band-Aid-off fast approach) I’ll actually forget things I wrote. So it’s kind of fun to go back a week or a month later and re-discover what happened to my poor characters that I hadn’t planned the first time around.

Once I’m ready to jump back in, I put a notebook in front of me and read through my first draft. You can also do this on the computer, but I still prefer paper and pen. I write down any number of things, including:

  • Things that pull me out of the story
  • What I think my theme is and what sticks with it and what doesn’t
  • Specifics on characters (eye color, height…because even if I have a wiki I don’t always look at it)
  • Parts that work
  • Parts that don’t work
  • Where the story slows down
  • Where the story is rushed

In the margins if the file (I use Word) I will make more specific notes. Things like:

  • How to fix a slow/rushed part
  • Where I might need humor
  • Plot ideas I have for revisions
  • Specifics on how to fix a scene
  • My most often typed note is: “Either use this or take it out.”

My first drafts are often bloated with little clues that lead nowhere, so I mark them as I go through so I can, as I said above, either use them or take them out. Because for some reason readers don’t love fruitless details.

Once I’m finished with the read through, I go back to my outline and change it to match what I have. Then I figure out what sort of hybrid I need to come up with between the original and what I have, and then I start again.

I prefer to use two monitors when possible, because I start with a blank document and then copy and paste from the original to the new one as I go.

While the process is less than perfect, it works for me. Does anyone else have a process they love that hasn’t been mentioned? Let us know!

 

When Torcs Fly – Celebrating a Launch

When Torcs FlyIt seems we don’t get nearly enough days to celebrate a completed project. We work for weeks, months, and sometimes even years to release a book worthy of our fans. The celebration is never big enough or long enough, but there’s nothing like holding a new book in your hands (even if it’s a kindle copy).

Today is a celebration day!

When Torcs Fly – a Petralist novella – released in ebook form Marcy 30th!

It will release in paperback in May.

Tomas and Cameron enjoy good insults as much as they enjoy great bash fights. These elite fighters and determined goofballs have an unbreakable streak of disrespect and contempt for authority. Even the mighty Captain Rory depends on them.

Their places were not always so secure.

Rewind a few years to the day they first try to win acceptance into the Fast Rollers special-forces company. Their brawn-over-brains approach is exactly the wrong way to make the attempt, and chances of making the team are less than winning a kiss from an angry pedra.

With their most cherished dreams on the line, these two bash fighters must risk thinking deeper thoughts, learn to work together against a band of crafty Grandurians, and prove they’re smarter than the average torc.

Fans of fast-paced, humorous fantasy will love this hilarious adventure.

Check out When Torcs Fly, along with the main Petralist series on Amazon,

or on my website.

Petralist Series 1-3

 

Couch Potato Time For Health and Profit

Finishing a novel is a HUGE achievement (and I’m not just talking about word count). It doesn’t matter if it’s your first or your fiftieth, it’s still a huge weight off your shoulders knowing that the first draft is done.  Well, at least it is until you remember that now you have to do revisions and edits.

In my experience, starting all that tough, nit-picky work so soon after finishing the draft isn’t good for you. If I dive back in so soon I get sick of my own work, and sometimes even resent it for depriving me of the time to watch the backlog of shows on my DVR or the cool new thing on Netflix. The last thing I want to happen, is for me to hate my own work for something so petty — especially after all the hard work I put into it. That’s why I treat myself to two things after the completion of the first draft. The first is a tangible treat that somehow ties in to something I love about that particular story. Sometimes it’s a piece of inexpensive jewelry, and sometimes it’s a piece of clothing or art. What’s the second thing?

Nothing.

That’s right. Nothing.

After finishing the first draft I give myself permission to not write or do any other work on that draft for one week. During that week I can veg on the couch and watch as many shows and movies as I want. I can also read as many books in my bedside stack as I want. The obvious reason for this is that I can’t resent my work for keeping me from watching the new season of Forged in Fire if I’ve already watched it. I can’t be tempted by the new lovely in my reading stack if I’ve already read it. Plus the growing backlog of episodes, and the growing stack of awesome books, become the carrots that are dangled before me while I’m working on that initial draft.

The less obvious reason is that it allows the creative side of my brain to rest and renew while the more studious side of my brain can pick apart the plots of the shows and books I’m partaking of. It’s hard, especially after taking one of Dave Wolverton’s writing courses, to turn my brain completely off when taking in a story. It doesn’t matter if the medium is visual, audio, or printed. I can’t stop myself from poking a metaphorical finger at other people’s plot holes, or admiring some great pacing and then reviewing that section over and over to figure out exactly how they did it. So my vacation suddenly becomes an educational experience that can improve my own writing. Yay!

Okay. I realize that it probably looks like a cheat to be studying someone else’s writing when I’m taking a break from writing. Well, it’s not. The break is from my own writing. Besides, heaven forbid I resent my vacation from writing for keeping me from doing the writerly things that I love. If the studious side of my writer brain is busy looking for tropes and Chekov’s arsenal, the rest of me can enjoy the break without conflict.

I also find that one week is the perfect length of time. I can make a noticeable dent in the backlog of stories to partake of, but it’s not so long a break that my readers start to wonder if I’ll ever truly finish my next book.

It can be a tricky balance to maintain — sacrificing for your work without hating the necessity of making sacrifices — but it can be maintained. For me this is one of the small ways I can maintain that balance while preventing burn out. In the spirit of Your Miles May Vary, a shorter or longer interval may work better for you. Instead of TV it may be gaming that you need the break for. I know authors who write short stories between drafting and editing as their break/treat. Whatever works best for you. Burn out and self-resentment are terrible things that have destroyed too many writing careers. It’s important to know what treat you respond best to and to use that to maintain a healthy balance that will keep you engaged and interested in the work now and in the years to come.

Conquering First Draft Fear: How to Proceed with the First Round of Revisions

You’ve done it! You’ve written the first draft of your book! A very merry congratulations to you, and you deserve a beer. Maybe even a vacation. At the very least, a trip to the gas station to buy three packets of candy. If you feel proud of yourself, you absolutely should. If you don’t feel very proud of yourself, then congratulations again, that just means you’re a writer.

Any good writing website or book worth its salt will tell you your next step is to revise the sucker. Yes, you must do this step. Yes, everyone else hates it, too. Some books or fellow writer humans will advise you to put the book down for a set period of time to let it “rest,” like a good yeast bread needs a good rise. Unfortunately for your book, it doesn’t keep getting better in that resting period like bread does. No, no. It’s still the piece of crap you left a few weeks ago. So instead of the story rising like bread, think of it this way: YOU’RE doing the rising. You walked away for a few weeks and grew wise enough to rise above the piece of crap you made in order to come to a place where you can look past your subjective love of the story and objectively say, “Ah yes, indeed, this is a piece of crap.”

That might sound a bit dreary, but I know you. *winks* I know you because you’re a writer like me, and although you see what you’ve written as a piece of crap in front of you, you still love it and will do the work necessary to make sure it’s a remarkably great piece of crap instead of just a regular, old piece of crap.

First, may I just confirm what you’ve already been feeling? Yes, it’s hard. It’s going to be difficult at times. But let me reassure you as well: if you’ve already written the first draft, you can certainly complete these revisions. Not only that, you can do it in less then ten years. Maybe even less than five. If you’re lucky and ignore all of your adult responsibilities, a month.

Let me tell you the secret of doing revisions. You’re going to be surprised, because you’ve already learned this lesson when you were writing the first draft.

Ready?

Here it is.

You make yourself do them.

Just like you made yourself sit down and write when you didn’t feel like it, when you didn’t feel inspired to do so. You get yourself in the zone however you did when you were writing. You sit down with your cup of tea. You put on the music that gets you going, and you do it.

Everything else is just details. Should a comma go there? Is her hair dark brown or more of a medium brown? Do I italicize internal dialogue? Is the book long enough? Will people like it? Will I ever make it through all these stupid edits?

All of those fears and questions? Just the details.

Keep yourself focused on the big task in front of you: Just. Do. The. Revisions.