Category Archives: The Writing Life

Experience: The Best Way to Gain Wisdom

Jumping off rocks

Jumping off rocksI love the challenge of this month’s theme. It catapults me right out of my comfort zone. I write big novels where I can take the time to explore concepts to whatever end and it’s common to pound out over 10,000 words in a single day.

A story made up of only 55? Bring it on.

 

There’s a great saying:

Wisdom is knowing how to avoid making stupid mistakes.

Wisdom is gained by making stupid mistakes.

My story was inspired by a recent four-day hiking trek along the beautiful Lower Rogue River Trail. Thirteen hearty souls embarked on the 42+ mile journey and most of us reached the far end intact, with a few blisters and, in my case, the loss of one toenail. And what better activity to do during a long, hot hike along a river than to find the best rocks for jumping from the heights into the cold waters below?

We had a blast.

I hope you enjoy my story: The Plunge

Everyone else had hesitated before jumping, so of course I leaped without even looking.
Weightless, exhilarated, laughing, I looked down.
What an idiot!
Definitely time to scream.
The impact was brutal as I plunged into icy depths, feet stinging, and water shooting up my nose.
I surfaced, but smiled away their worry.
“Piece of cake.”

 

About the Author: Frank Morin

Author Frank MorinA Stone's Throw coverFrank Morin loves good stories in every form.  When not writing or trying to keep up with his active family, he’s often found hiking, camping, Scuba diving, or enjoying other outdoor activities.  For updates on upcoming releases of his popular Petralist YA fantasy novels, or his fast-paced Facetakers scifi time travel thrillers, check his website:  www.frankmorin.org

The Talking Heads

Last year, during a writing conference, I was introduced to Hemingway’s short story, Hills Like White Elephants. Since then I’ve been exploring the power of dialogue in my story telling. I’ve always enjoyed writing dialogue, but everything can be taken to a new level.

For my fifty-five word short story, I decided to forget all of those pesky descriptors and stick with talking heads. Enjoy.

“Dude, are you gonna eat that?”

“What? No.”

“Still pining for Jadan?”

“Just finish so we can go.”

“Thought so. And if I told you she just walked in?”

“Shut up.”

“I hope you’ve been practicing. Hey Jadan!”

“What are you doing?”

“I’m just giving you a…whoa. Really? Oh man. Abort mission. Cookies tossed.”

 

The Last Line

While every word in a flash fiction piece is important, often pulling double or triple-duty, in most cases it is the last line that makes a flash piece effective and memorable. Personally, I find flash stories that completely change because of the last line to be the hardest to do and the most enjoyable type of fiction. It’s akin to poetry in prose form.

Let me whip up an example 55-word flash piece for you:

The Final Bully
Oh, how they loved me when I arrived. Two years later and I’m the pariah, all mistakes that were not my fault.
I can’t stand this hatred.
Open the antique desk drawer, ignore the pistol.
Press the red button next to it.
It’ll take ten minutes before the planet-busting bomb shockwave reaches the White House.

It took me eleven minutes to write that. Everything up to the last two lines are there to set up the story and to allow your brain to automatically fill in the empty spaces between the words. Even the title of the piece, not part of the story according to the rules but available to misdirect the reader, can be utilized to give the final line some additional impact. The concept works today because suicides are all over the news and the toxic political atmosphere during this election cycle. This story wouldn’t be as effective if I wrote it back in 1977. It relies on the reader to bring along the news of the time into the reading experience.

The last line spins the story from where most readers expect the plot to go towards something completely different. It turns out that the final bully is an insane politician with science-fiction weaponry at their disposal. Note there is no actual clue if the president is male, female, non-binary, or even a lizard person. It is a far future event, unless we’ve invented planet-busting bombs and are hiding them in Montana. It brings along the rhetoric about presidential temperament from this year to add more background to the story without writing the words.

By making the reader think one thing and then adding a twist, the tale tends to go from a vignette towards a full story. Those last words gives a true ending. I personally find that the shorter the word count, the more important the twist is for my writing. It is also the thing that readers remember long after they’ve closed the book or surfed elsewhere on the Internet.

 


 

About the Author:DeMarco_Web-5963

Guy Anthony De Marco is a disabled US Navy veteran speculative fiction author; a Graphic Novel Bram Stoker Award® nominee; winner of the HWA Silver Hammer Award; a prolific short story and flash fiction crafter; a novelist; an invisible man with superhero powers; a game writer (Sojourner Tales modules, Interface Zero 2.0 core team, third-party D&D modules); and a coffee addict. One of these is false.
A writer since 1977, Guy is a member of the following organizations: SFWA, WWA, SFPA, IAMTW, ASCAP, RMFW, NCW, HWA. He hopes to collect the rest of the letters of the alphabet one day. Additional information can be found at Wikipedia and GuyAnthonyDeMarco.com.