Category Archives: Writing Tools

A discussion of the various software that authors employ to write, plot, backup, and ultimately use to write a novel.

Sunday Reads: 8 April 2012

Welcome back! Another week gone and here’s another 10 of our favourite reads.

 

Considering writing in first person? James Scott Bell discusses some of the pitfalls in First Person Boring.

Kidlit.com talks about drawing the reader in by Eliminating the Frame.

Time to start those rewrites? Writer Unboxed has a great post about How to Think Like An Editor.

Tim Kane has a cooking-inspired post in Layering Flavors In Your Writing.

AC Wise made me stop and think hard about my current manuscript with Heroine Quest, or The Fairytale Problem.

And while we’re talking about heroines, Marcy Kennedy discusses How To Keep Strong Female Characters Likeable.

Terrible Minds highlights 25 Lies Writers Tell (And Start To Believe In).

Over at Rock Your Writing, they’re talking about How To Build a Writer’s Support Network.

Jane Friedman outlines 5 Principles for Using Facebook.

Jody Hedlund has 3 Ways To Find the Perfect Opening For Your Story.

And James V Smith Jr explains The Dos and Don’ts of Novel Endings.

 

 

Method Writing

Ever had your heart broke?  Or lost someone you love? Or been in a traumatic accident?  Or been scared witless?  Or held your baby for the first time?  Or got married? Or any host of circumstances where you felt an emotion strongly, so strong that even remembering it causes your heart to race or your skin to get goosebumps?  Method actors use sense memory to recreate an emotion they can tap into for acting scenes.  I’m going to suggest that writers do the same thing.  It’s not the only way – but it is one way.

If we can connect with our emotions to write a better scene, I think we should.  Not gonna say it can’t be exhausting, but then it depends on the emotion – right?  Being really in tune with our feelings is not always easy, remembering difficult ones  – even harder.  But, if I can make a reader cry because my character is sad over a loss, then I am doing my job.   

When I read, I read to feel a certain emotion.  David Wolverton/Farland said (and I’m paraphrasing) that we like genre fiction because of the emotions it brings out in us and they are mostly named for the sense of what they inspire in us – SciFi/Fantasy – a sense of wonder, romance – romance, mystery/suspense – a thrill of suspense….and so on…. Seems obvious, right?  But, I’ll admit I hadn’t thought of it until he said it.  And, I have to be in the right mood to read a certain genre.  And, I have to know what the genre is before starting or I will have an incorrect set of promises to be kept by the writer.

As a tangent – ever start reading something expecting one thing and then it doesn’t meet your expectations?  Every time this has happened to me, it was because the rules of the genre weren’t being met.  We make contracts with our readers (again paraphrasing Dave and others) by identifying with a genre.

When I read romance, I better know right away who my hero and heroine (h/h) are and no matter the ups and downs (required) they have to go through they better end up in love at the end.  That’s what I expect when I pick up a romance and that’s what I better get or I am going to be one unhappy camper.

Each genre has their own specific rules or expectations and we, as writers, need to follow them in order to keep our readers reading.  Tangent over.

Now – why are these emotions so important and why would I want to relive potentially painful memories in order to write?  Because if I can remember how I felt living that emotion, I may be better able to convey it to my reader.  I write romance, so when the h/h are having troubles and are feeling sad or angry over those troubles, I need to have my reader identifying with that sadness or anger.  I want them to cry or ball up their fists alongside the character.  I want them to laugh or get turned on right beside the character.  The emotion should resonate with them.  No matter what that emotion is.

So, I challenge you as writers to remember those strong emotions, recall what was going on with your body – shallow breathing, increased heart rate, tight chest, big smile, chills, and so on.  Remember and write from that place.
Gift your readers that experience.  Be a Method Writer.

 

 

Sunday Reads: 1 April 2012

Wow, another week has gone by already and we’re now 25% of the way through the year (you really wanted to know that, didn’t you?).  So once again, here are some of our favourite recent reads.

Looking forward to a writerly get-together? Kait Nolan discusses the etiquette of talking to writers.

Over at Romance University, Laura Griffin discusses chapter hooks.

Nathan Bransford talks about the war on ebook pricing.

And while we’re talking ebooks, David Gaughran goes through the basics of self publishing.

Wondering how the length of your current WIP matches up against expectations? Aaron Stanton discusses average book length for various genres.

At Writer Unboxed, Anna Elliott talks about the necessity of trusting your own instincts.

For a laugh: Word count envy

For fun: How fast do you read?

For inspiration: how will we obtain additional resources once we exhaust the earth’s supplies?

And just because it’s cool: over at The Accidental Author, our very own Joshua Essoe talks about working as an editor.

 

 

Sunday Reads: 25 March 2012

Welcome to our new feature, Sunday Reads.  This is a collection of the cool/interesting/thought-provoking articles we’ve read during the week.

I thought I was the only person in the world who hates chapter titles.  Apparently not, according to Navigating the Slush Pile.

Jami Gold made me laugh with her post Multiple Personality Disorder? No, I’m a Writer.

Over at YA Muses, they’re talking about how to create a satisfying end.

(And thank you to The Golden Haystack for drawing my attention to this post.)

Struggling with the difference between a pitch and a synopsis?  Check out Agent Kristen’s video.

Roni Loren has a great collection of books to cure a variety of writerly woes.

Over at Civil War Horror, Robert Walker talks about e-book pricing.

Magical Words has worldbuilding for writers who hate it (and it’s written by a fantasy writer!).

For a laugh: check out SlushPile Hell.

For fun: the sharpest teeth in the world.

For inspiration: real world locations for fantasy worldbuilding.

And just because it’s cool: an animated short of a post-apocalyptic world.

Happy reading!