Happy Halloween!

halloweenselfiesThe dead arise
with a skeleton sheen.
Be careful when you’re out
on Halloween!

October draws to a creepy close, full of little witches, ghosts and goblins out to fill their pillowcases and plastic pumpkins with tooth-decaying treats. Remember not to take a selfie in the moonlight or you may discover you don’t look as well as you did this morning.

We hope you enjoyed our October theme of dark fiction with a twist of pulp history tossed in for good measure. There are plenty of long-deceased authors whose works survive in tattooed dead-tree format and electronic mediums. Several of our Fictorians have dark fiction works for sale, or you can even check out Gutenberg.org and search for “ghost” to find scary tales from folks like Algernon Blackwood and Charlotte Perkins Gilman.  If you prefer to get a nice collection, perhaps consider Ancient Terrors Volume 1, since both authors are contained therein.

Everyone here at the Fictorians wish you and yours a delightfully scary and fun Halloween. Above all, be safe, be warm, and make sure you brush your teeth after gorging on sweets!

Adventures in Zookeeping

Adventures in Zookeeping, an anthology that will support MileHiCon Denver with the net proceeds, was released on October 28, 2016.

Adventures in Zookeeping CoverAt MileHiCon 47, several authors, publishers, and editors headed a panel called So You Want to Be in an Anthology? The audience selected the theme for the anthology, and only the people who attended the panel were eligible to submit short stories for publication. The authors would experience having their manuscript run through the editing process and receiving a contract.

ISBN: 978-1-62225-198-8
Cover design by Sam Knight
Available on Amazon now, with other markets and eBooks to follow.

The Contributors:

Edited by Sam Knight

  • Foreword – Sam Knight
  • Zookeeper’s Dilemma – Beverly Coutts
  • Eternity’s Ark – J.L. Zenor
  • The Jeweled Black Quaver – C.S. Peterson
  • Bound by Death – Ashley Vasquez
  • Picket Line – Sheila Hartney
  • The Corpse Flower – Carolyn Kay
  • So Who Would You Tell? – Aylah Foureste & Deena Larsen
  • The Niwotlei Fund Raiser – Ian Brazee-Cannon
  • Nightmare Menagerie – Jessica Lauren Gabarron
  • Plant a Zoo & Watch It Grow – Aaron Spriggs
  • The Menace of Markenshire – N. Alan Miller
  • Love Hunters – Rod Spurgeon
  • Ari’s Song – Rick Duffy
  • All in a Day’s Work – Tonya L. De Marco
  • Sanctuary – Susan Adams
  • A Tale of an African Zoo – Sean Jones
  • The Glass Fairy – Sage Gabarron
  • The Lost Phoenix – Jodi M. Franklin
  • The Looking Glass – Patrick F. Smythe
  • The ReligioZoo – Lisa Mahoney
  • The Fourth Lemur – Sarena Ulibarri
  • Monsters of Yesterday – Alicia Cay
  • Afterword – Guy Anthony De Marco

The Truth About Dark Fiction

The truth about dark fiction is very simple. It’s all about us.

I’ve always thought of myself, as a science fiction writer, clearly on the side of optimism versus doom and dystopia. As a kid, I was certainly a fan of Star Wars and Battlestar Galactica and their themes of human conflict, but I remember watching Star Trek with a different set of eyes. I only really appreciated Star Wars after traveling halfway around the world during high school. Star Trek pulled me in because it portrayed our current terribly flawed and imperfect society at its absolute theoretical pinnacle in the very near future. Even with the latest movies, in the alternate “Kelvin” timeline, that future world is a darker place than before, but that relentless optimism is there. If you look across the plethora of recent popular books and movies, there is a very strong lean towards darkness and dystopia. Why is that?

It’s very simple. We see the worst of the world every night when we turn on the news. Even the newscasts that end with that thirty-second “water skiing squirrel-type” video are full of dark, depressing themes. It’s no wonder that it calls to us as writers. Apocalyptic and post-apocalyptic dystopias are easy to imagine because all we have to do is turn the creative knobs to eleven or twelve and our worst fears are easy to explore. The truth of dark fiction is very simple. It’s a reflection of our society, and in some cases, how we view our future selves in the worst way possible. And as writers, it’s pretty damned easy to wrap it around us like a blanket.

Let’s be clear, I’m not disrespecting dystopian, apocalyptic, or post-apocalyptic fiction. Nor am I saying it’s easy to write and build these worlds. I’m discussing something that writers sometimes fail to notice – our own attitudes seep into our writings. When we’re convinced the world is a terrible place, it’s a little easier to write dark fiction. When we’re happy, writing happy subjects is a little easier as well. Our own personal attitudes and emotions often come with us to the keyboard and until we understand it, there’s nothing we can do to mitigate their effects.

How do I mitigate those effects? Music. There are quite a few folks I know who couldn’t imagine listening to music while writing, but it really helps me leave things behind when I sit down to the keyboard. What music? Whatever fits the mood. For my novels, I usually create a playlist while I’m developing the early outline. Sometimes a song really captures the emotional vibe of a scene. Sometimes, I need a song (or three!) to get me into the mood to even look at the book again. Watching the blinking cursor of doom for a little while without music is almost certainly going to send me on a miserable writing time adventure. On those nights (when I do most of my writing), having that go-to playlist helps me put the day behind me and focus on the next 2,000 words I want to write. That focus, and understanding that the way negativity can crawl inside our heads, is critical.

But what about when I want to look into the darkness? Well, because of my own experiences, it’s even easier for me to capture that emotion than listening to music. I’ve blogged on Fictorians before about a life-threatening illness I faced in 2014. As I recovered, my own attitudes were dark and depressed and I wanted desperately to get back to polishing the draft of SLEEPER PROTOCOL, but I couldn’t. Writing just wasn’t a positive experience. Ironically, the two stories I wrote during my recovery were much darker pieces than I’d ever written before. When I need to get dark, remembering that experience and bringing that attitude to my writing is fairly easy. Experience, especially those that are dark and uncomfortable, helps us tap into dark fiction. I’d wager that our happy dreams and goals are equally powerful, but darkness tends to have a greater connection to us because we’ve lived through it or we are living through it at a given time.

But, we have to come up for air. Not everything is wine and roses in the real world, but we can’t let our miserable world drag us down on a daily basis. We have a choice to respond to every emotion, stimulus, and action we face daily. There are times it’s okay to delve into the darkness and craft the story that needs to be written. It’s human nature to explore the abyss, after all. Just don’t sit there staring for too long. The world needs you and your voice up here. Your characters need you. Dark fiction is all about us, but so is optimistic fiction. There’s no balance to it – it’s a continuum. We’re all out there somewhere. If you’re too far down the dark side and feel like you can’t slide back the other direction, please reach out. I’ll be happy to help.

Meet the Fictorians: Kim May

“Come in, — come in! and know me better, man!” -Charles Dickens, A Christmas Carol

We’d love for you, our wonderful readers, to get to know us better. That’s why, each month, Kristin Luna will interview a member of The Fictorians. We’ll learn more about each member, such as their writing processes, their work, where they live, and what they prefer to drink on a crisp Fall day. We hope you enjoy this monthly installment of Meet the Fictorians.

Meet the Fictorians:

Kim May

Kristin Luna (KL): Hi Kim! How are you doing and what are you drinking?

Kim May (KM): Nothing exciting. Just water.

KL: If you don’t mind me sharing, you live in the beautiful state of Oregon. Do you like living there, and do you find that it influences settings in your stories?

KM: It definitely does. Oregon has very diverse terrain which makes setting research much easier. I think tundra and tropical rain forest are all we’re missing. Plus there’s fun historical sites like the Shanghai Tunnels (which I did set a story in) and places so full of enchantment that it’s not hard to imagine fairies flitting between the firs.

KL: Besides blogging for The Fictorians, you have your own successful blog Ninja Keyboard. Tell us about it!

KMNinja Keyboard is where I post updates what I’m up to, new release announcements, general thoughts on the industry or a movie, or anything else I feel a burning need to talk about. I try to keep it all about me and my work. You’ll never see a political rant or religious treatise on my blog.

KL: You’ve been published numerous times in Fiction River. Tell about your stories and how we can purchase Fiction River.

KM:  Fiction River is a bi-monthly short story magazine published by WMG Publishing. Each issue has a different editor and different theme that can be anything from historical mystery or thrillers to sci-fi and steampunk. There’s something for everyone! It’s a lot of fun writing so many different genres and it’s definitely expanded my capabilities as a writer. Before I got involved with Fiction River I never thought I could write anything other than sci-fi and fantasy. Now I can say that I have published stories of four different genres.

Another great thing about Fiction River is because they’re published like books, none of the back issues have gone out of print! They’re available for purchase online on Amazon, iBooks, Kobo, and on the Fiction River and WMG websites. Reader’s Guide and Powell’s stores in Oregon have print copies of the issues I’m in on hand as well.

KL: Of your short stories published, which one is your favorite and why?

KM: Gosh! That’s like picking a favorite chocolate bar! I love all of them for different reasons. I love Blood Moon Carnival because that’s the story I channeled my grief for my 19 year old cat into. (She died the day I finished it.) I love Void around the Sword’s Edge because it’s my action packed “stripper saves the world” story. Moonshine is a tribute to my favorite grandmother. The Fukuda Cube was my first RPG tie-in story, and it was by far the most challenging to write. In Keep Portland Weird I got to do an ode to Pacific Rim in Larry Correia’s Monster Hunter universe. In When A Good Fox Goes To War I got to play in feudal Japan, and Schrodinger’s Bar has my coolest ending!

KL: All of those sound really fun and interesting! Are you working on any longer fiction right now?

KM: I am! I’m finishing up two novels. The first is a new adult contemporary fantasy that I’m going to indie publish sometime next year and the other is a techno-thriller I’m going to pitch around.

KL: What are some of your writing goals for 2017?

KM: I just want to survive 2017. I’ve got three short stories and a novel coming out next year…and that’s just what’s on my publishing schedule right now. I’d also like to write the sequel to the new adult book I mentioned earlier. That’s all in addition to working a full-time day job and managing my arthritis, which are exhausting by themselves.

KL: What’s some of the best writing advice you’ve received so far?

KM: This is something I’ve talked about on this blog and on my own. It’s WTFS. Write the (bleep) sentence. I used to spend so much time agonizing on what the perfect phrasing would be or if description A was better than description B. I needed to understand that a first draft is just that: the first of many drafts. It doesn’t need to be perfect right away. It’s better to put something, anything, on the page and fix it later.

KL: What writers are most influential to you and why?

KM: Anne McCaffrey, Brandon Sanderson, Jacqueline Carey, Peter S Beagle, Mary Robinette Kowal, and Patrick Rothfuss are my favorite storytellers. I easily get lost in the worlds they’ve created. Choose Your Own Adventure books were pretty influential too. As a kid I read each of them three or four times. The first time I’d find the ending I liked best and then backtrack to find the path I had to follow to get there. After reading it that way I’d re-read it to find out why the other paths ended the way they did.

KL: What is your favorite Fictorians post so far?

KM: My first post is my favorite: Stockholm Syndrome Barbie. It’s a slice of me with a cherry on top. Stockholm Syndrome Barbie – The Fictorians.

***

If you have any questions for Kim, please leave a comment below. Thank you for reading!