This month we’ve given you some ideas about what to do when everything goes wrong.

It can be frustrating, even scary, when you feel that everything is happening to you, for reasons you couldn’t have foreseen. Negative things are coming your way and they’re not the consequences of your actions in any way that you can identify. What do you do when bad stuff just seems to be thrown at you, the undeserving target?

We’ve had advice on what not to do. Public tantrums in the name of venting won’t do anything for your reputation as a professional. Take some time, talk in private, cool your head, and approach the problem calmly and thoughtfully.

Rejections can become similarly emotional, particularly when you’ve invested a big piece of yourself in your work. It’s hard not to take rejections personally. But rejections can be a tool for improvement if you’re able to analyze why you got them. And sometimes, you get them for no apparent reason–maybe your tastes just don’t match the editor’s–and all you can do is carry on.

Similarly, it’s difficult to offer your work up for edit, or to receive a copy back from a publisher demanding major changes. It’s up to you to decide whether or not to accept those changes. If you can recognize that your work isn’t perfect and understand that your editor is trying to help improve your work, you’ll be better positioned to judge whether a change truly threatens your vision or whether it simply makes your story more appealing.

Criticism: what is it good for, anyway? Thoughtful criticism can point out areas of improvement. Often, though, critics are looking for something different than the story you provided, and they’ll say so with varying degrees of civility. It’s hard to divorce yourself emotionally from negative reviews, but where is your energy better spent: being upset that someone on the internet didn’t like your book, or concentrating on making your new book the best that it can be?

It would be great if stories wrote themselves smoothly from start to finish, but few of us are that lucky! Sometimes we have to make minor revisions to get our stories back on track–and sometimes we need to make major revisions. Don’t use a band-aid when surgery is required (or vice versa; the art is learning to tell the difference!)

Stories aren’t the only things that can require major surgery. When you’ve got a health crisis, a family emergency, or financial struggles, a previously balanced life can fall wildly off-balance. Take care of yourself and your needs and, when you can, write.

And, of course, there’s things we can do in advance to help stave off crises before they happen. Backing up our work, understanding our contracts before we sign them, investigating publishers before we submit to them, keeping track of submission deadlines: these are all examples of how a little work now can save a lot of grief later.

One of the major differences between amateurs and professionals is in how they respond to crisis.

If you’re a hobby writer, then it’s perfectly okay to give up writing if your real life gets stressful or if the story’s not working out or if the hobby just isn’t fun any more. If writing’s your career, then it’s not as easy as finding another interest. Either you find yourself another career, or you do some damage control and keep your writing career afloat. When you encounter rough waters–as all of us do–hopefully this month’s ideas and tips will help.

Meet the Fictorians: Dave Heyman

September 29, 2016

Kristin Luna

“Come in, — come in! and know me better, man!” -Charles Dickens, A Christmas Carol

We’d love for you, our wonderful readers, to get to know us better. That’s why, each month, Kristin Luna will interview a member of The Fictorians. We’ll learn more about each member, such as their writing processes, their work, where they live, and what they prefer to drink on a warm summer’s day. We hope you enjoy this monthly installment of Meet the Fictorians.

Meet the Fictorians:

Dave Heyman

Kristin Luna (KL): Hi Dave! How are you and what are you drinking?

Dave Heyman (DH): I’m doing great! I’m drinking my one and only vice, which is coffee. I prefer instant to brewed. Blasphemy, I know, but it’s easier on my stomach. When traveling I prefer Dunkin’ to Starbucks, and love that I can just say “Medium hot, 3 and 3” at the counter and get what I want. It’s a New England thing.

Coffee. Love it.

KL: I actually prefer instant as well! I don’t speak that out loud, of course, and it sounds like you know exactly why. If you don’t mind me sharing, you live in Maine. Tell us a little about that.

DH: I’ve been a New Englander most of my life. I was stationed in Maine during one of my Navy tours and after that I knew I would be back. We raised our kids in New Hampshire but the plan was always to move back to Maine and I’m thrilled we’ve executed on that plan.

To me, Maine is New England in its most concentrated form. I love the climate, I love the ocean views and the foliage and I love the people. There’s nowhere else like it on earth. There’s just a hundred places you can go in Maine and just soak in the beauty.

KL: Do you find that a little bit of Maine comes through in your writing from time to time?

DH: More than a little. My stories often have a strong seafaring component to them, that’s influenced by my Navy career but also by Maine. Earlier this year I wrote a complete fantasy short story set in Maine that I’m making the submission rounds with right now. I also have a pair of lighthouse-related stories that have a lot of Maine wrapped up in them.

KL: You’ve completed a couple of novels. Tell us more about those, what they’re about and what your plans are for them.

DH: The first novel I completed was called ‘Ash Princess’, which I started during Nanowrimo of 2013. It’s an epic fantasy, the first draft clocks in at about 130,000 words. It the novel I carried around in my head for twenty years, always with the plan of writing it “someday”. After a close friend had a brush with death, I realized “someday” needed to become “now” and got busy. It took me about six months and writing it was a great learning experience. I have no intention of publishing it, but I pull it out to look at every now and then. It’s… not awful.

The second novel is a fantasy dystopian (is that a thing? I’ve decided that’s a thing) titled ‘Shades of the Sea’. After writing one novel, I wanted to see if I could write a second one without having two decades of prep time. Between the two novels I took a David Farland workshop, and a lot of those techniques paid off with this story. It’s still in its first draft, at about 100k words. It’s a pretty good story, I might pull it out again some day to see if it can be whipped into publishable shape.

Both of those novels were less about being published and more about learning how to be a writer, developing a process that worked for me and finding my voice. I think some aspiring authors can get stuck forever polishing that first novel and never get past it. For me, it was more a case of looking at what I did and saying “Ok, neat. Now what else can I do?”

KL: What writers do you find most influential?

DH: As a kid growing up in the 70s and 80s, I started with Tolkien and Clarke- -they were my primers on fantasy and science fiction. I read some Asimov and Heinlein too, but they never connected with my the way Clarke did. For fantasy, after Tolkien I moved on to Weis & Hickman, Eddings, Anne McCaffery and Katherine Kurtz. I also have a deep and abiding love for the world building in Stephen R. Donaldson’s books, even as I acknowledge the unpleasantness of his main characters. I also read a ton of Stephen King, Clive Barker and Dean Koontz.

As an adult aspiring author, I have been very influenced by some of the people whose workshops I have taken. Influenced by their prose, but more importantly in how they treat their peers and students and the passion with which they speak of the field. David Farland, Jeanne Cavelos, Mary Robinette Kowall, Kevin J. Anderson, Dean Wesley Smith- -all people I have learned a ton from and try to model myself after.

KL: You mentioned you were in the Navy. Do you find that that influences your writing? Military fantasy or sci-fi? If it doesn’t now, would you see yourself incorporating it in your future writing?

DH: I couldn’t be prouder of my time in the Navy. It was an amazing experience, and it does influence my writing, though not in the way you might expect. I didn’t leave the Navy with a love for the hardware of war, even if I love reading a good war book as much as the next person. What struck me the most in the military is the esprit de corps- -the bond that is struck amongst people working together in stressful situations. I have tapped that feeling in most of the things I’ve written, it is a powerful emotion to experience.

I do have a series planned that revolves around a military ship in a fantasy setting, so I’m sure I’ll pull on lots of my Navy times there.

KL: What’s your favorite work you’ve written so far?

DH: I have a novella that is about 75% complete (but 100% plotted) called The Fifth Interdictor. In short, it is a fantasy about a seemingly unstoppable guardian who slowly learns that her whole life has been engineered, with many layers of secrets hidden from her. She pulls the pieces of her true life together, but at the cost of her power- -becoming weaker and more vulnerable the more she truth she uncovers. Strangers become family, allies become enemies and her own identity is questioned. Is she a hero, or a monster?

It is my favorite thing I have written, with both my favorite protagonist and my favorite antagonist. I expect to complete it next year (another project muscled its way to the front of the line) and once it is done I will be finding a way to get it in people’s hands.

KL: What are some of your long-term goals with writing?

DH: Up until about six months ago I was running with no real plan. From 2013 when I got serious about doing this every day I was just focused on writing, writing and writing. Growing, learning, evaluating. I submitted a few short stories here and there, but nothing beyond that. I figured when I was ‘ready’ I would know.

Six months ago I decided I would write a novel that was intended not for growth, but for publication. The novel is a historical fantasy set in Nepal in 1950, titled Under Everest. I am working on it right now, and I expect to complete it in about another two months. I also have the aforementioned Fifth Interdictor, which I intend to compete and publish, as well as a nautical fantasy series I expect to start late this year.

KL: I love that – having projects specifically for growth and some specifically for publication. Do you have any stories available that our readers can buy or read online? Any plans for that in the future?

DH: Nothing out there yet. I am hopeful that 2017 will change all of that.

KL: I know you’re relatively new to the Fictorians, but what is your favorite Fictorians post you’ve written so far?

DH: I’m super excited and honored to be a full time Fictorian! My favorite Fictorians post is the first guest post I did, “Petting the Dog in Space”. I was so taken by the plight of little Philae the comet lander and I was very happy with how the post came out.

***

If you have any questions for Dave, please leave a comment below. Thank you for reading!

Back it Up

September 28, 2016

Jace Killan

Finish It! Jace Killan Rewriting Software The Writing Process 1 Comment

A few months ago, the fam had gone out of town, which meant I could get some serious writing done. I was zipping along when all of the sudden my words turned to what you see to the left.

I closed it down, opened it back up and nothing changed. Frantic, I called my IT guy and he walked me through a few things to try—still no good. I sent it to a couple other folks, tried a slew of suggested remedies, but nothing worked—It was gone.

Turns out the last time I had saved the file was about a month earlier. Also turns out I’d been really rocking on this project for the last month and so my previous version looked about 150 pages shy.

“Jesus Saves. You Should Too.”

I received this advice from a friend. He was right. It would have taken just a couple seconds to save the file—essentially sparing me a month’s worth of rework. I write on a laptop, so I never really shut down the computer. I did save it. I saved it often. But I never made a backup copy. I just saved on top of the old version making a new one.

I’m told that the file had grown so large (to about 4MB) that Word couldn’t handle it and wigged out and this had something to do with RAM.

Word sucks by the way, but it is part of my writing process. I haven’t been able to make Scrivener part of my process yet.

So now I save. I save everyday. Multiple times a day. In multiple versions. I saved a file today with 916 at the end, indicating to me that it is the version done in September 2016. I put a letter after 916 so I can go right on through the alphabet with different versions.

Now while this was extremely painful, and many of you probably winced at the thought, let me assure you that I got through it. After a night of depression, I awoke, determined to redo it. I spent the next two days writing. In the end, I caught up to where I was before my misfortune.

The new version was shorter by about 20 pages. And it was better. Only by the time I finished, I was spent on the project and my pantser mind went on to other things. I have yet to circle back to finish the dang thing.

Moral of the story:

Safe often. Save in different names and locations. Email it. Flash drive it. Google Drive it.
A rewrite can be a good thing.

I live in Arizona with my family, wife and five kids and a little dog. I write fiction, thrillers and soft sci-fi with a little short horror on the side. I hold an MBA and work in finance for a biotechnology firm.

I volunteer with the Boy Scouts, play and write music, and enjoy everything outdoors. I’m also a novice photographer.

You can read some of my works by visiting my Wattpad page and learn more at www.jacekillan.com.

What “Rejection” Really Means

September 27, 2016

fictorians

Being Gentle With Yourself Damage Control David Farland Dealing With Personal Calamities Making Progress as a Writer Motivation Publishing Rejection Superstars Writing Seminars Teaching The Writing Life Writers/Illustrators of the Future No Comments

A Guest Post by David Farland

For the last few weeks I’ve been scurrying to finish up judging on a large contest. I’ve had to “reject” thousands of stories. I hate the word “reject,” because it doesn’t really express what I want to say.

Very often I will read the opening to a story and it is obviously the first work of a very young writer. It may have a multitude of problems—from simple typos, to a lack of understanding as to how to set a scene, to clunky dialog. I know that I can’t accept the story for publication, but at the same time, I wish that I could shout some encouragement to the budding writer, much the way that my mentor Algis Budrys did to a young Stephen King.

I think that people need encouragement. It may be the only thing that will spur a young writer to greater effort.

So what does the word “rejection” mean to you as a writer? I think it’s simply: “Try harder.”

A lot of fine works get rejected. The bestselling works in nearly every genre experienced rejection. Lord of the Rings was rejected by several American publishers. Dune was rejected by all of them. Gone with the Wind made its rounds through every major publisher. Harry Potter was rejected by all of the biggest houses, and Twilight was rejected by a dozen agents before it got picked up—yet all of these novels became the bestsellers in their fields.

So does that mean that these were all bad novels? Of course not. It means that the author didn’t find an editor with a matching taste, a matching vision, right at the first.

Very often when I read a manuscript that is close to being publishable, I think, It’s a shame that the author didn’t try a little harder to . . . That’s what “rejected” means to me.

I was talking to international bestselling author Laurell K. Hamilton last week, and asked her to confirm a rumor that I’d heard. With her first novel, she received over 200 rejections before she made a sale. She said, “When people tell me that they’ve been rejected five or ten or twenty times, I just tell them that ‘I don’t want to hear about it.’”

Laurell has the perfect attitude toward rejection. Try harder.