Preemptive Guide to Avoid Evil-Doers

Every day, a batch of people decide to write a short story or a novel. For the vast majority, the realization that writing is a difficult task to accomplish will push them back to Netflix or trying to catch Squirtle on their “Pokemon Go!” game.

For those who do manage to finish a piece of work, they may look at it and realize they’re not quite ready for publication. The hours of work are shoved into a trunk and they begin their next project, understanding that every iteration they go through develops their skills. Soon enough, they finish a project that they feel is ready for submission.

It is at this point where they begin to look around for places to send in their work. Unfortunately, there are sharks in the uncharted waters, all looking for a quick feast. How does a newbie author avoid the hazards that almost every established author already knows?

Ask Questions.

Asking questions on Facebook, of friends, or even at convention panels is an excellent way to avoid some of the more common scams. Mention Author Solutions or Publish America and every knowledgeable author shudders. They’re familiar with some of the most famous scams and methods of fleecing newbie writers. Those of you who know should be helping the newbies by answering their questions. It’s a way to give back to the writing community that was there for you when you were just starting out.

When you see someone asking questions, take the time to be helpful. Even pointing them to articles or websites can prevent someone from becoming another empty wallet. If you look out for others, they will certainly remember your name. With any luck, they’ll buy your next book and perhaps even leave you a nice review. Whether they do or not, others will remember you as someone who was helpful, and that’s a good reputation to have.

Check Writer Beware.

Writer Beware is a website attached to SFWA and endorsed by the Mystery Writers of America and the Horror Writers Association. Started by A. C. Crispin and Victoria Strauss in 1998, the project lists many agents, editors, and publishers with questionable reputations. They include plenty of details, plus give a “recommended” or “not recommended” rating when appropriate.

The website has an extensive series of articles, reviews, recommendations, and red flags for both the newbie writer and the experienced author. It’s always a good idea to check the latest when sending in projects that took a lot of time to develop. Sometimes good publishers go bad, and sometimes others redeem themselves. The website is updated often by a dedicated team.

A good example of what they offer can be found in their Small Press section.

Check Preditors and Editors.

Hosted by the Critters Writing Workshop and Dr. Andrew Burt, this website may make your eyes water with its 1990’s-era design, but it is chock-full of excellent advice on publishers, editors, services, and agents. Each section lists hundreds of entries and if they are recommended or not.

A good example is their Agents section. Each known listing includes as much details as is known, plus some are shown to be members of the AAR or are recognized as professionals by groups such as the Romance Writers of America. If there are any issues, those are spelled out, sometimes with a red Not Recommended rating to warn users against submitting any work to them.

Check the Absolute Write forums.

The Absolute Write “water cooler” is a forum open to anyone who registers. Should anyone have an issue with a publisher, agent, or service, this is one of the first places they go to in order to lodge a public complaint. In fact, if you cannot get a reply back after repeated attempts over a long period of time, posting a query here asking if anyone else has had problems can suddenly wake up the sleeping editors and publishers. Nobody wants to get discussed in a negative way on this website. It is important to note that this should be more of a “last resort”, not a first to-do when they don’t answer your email as quick as you would like.

There are many different forum sections, but the most apropos one for our discussion is at the Bewares, Recommendations & Background Checks forum. You have to register to post, but you can read without doing so. This is a great place to do a cursory search for the name of the business you’re interested in. Remember, just because one person had an issue doesn’t mean that fifty others have nothing but praise. Read through the posts, especially the most recent ones, to get a feel for how they are operating currently.

Professional Organizations.

The pro organizations have some excellent benefits for members. Some, like the Horror Writers Association, have a lower-tier membership for folks who haven’t sold any professional-rate work yet but have been published in semi-pro or “exposure” markets. Others require at least one sale at a professional rate, which SFWA determined is six cents per word in an approved market. Others genres may vary.

Most of the pro organizations have a grievance committee. These assist writers when there is a problem, which can range from contract issues to non-payment for accepted stories. Getting listed as a banned market in a professional organization can be a death-knell for a publisher. Note that the grievance committee works as a go-between when there is a legitimate disagreement. Only if a publisher or agent is found to be dishonest with more than one author will they be considered for a public notification that works published there are not acceptable for professional organization membership.

For those writers who are considering joining a pro org, this is one of the best benefits. Another one is a contract committee, which SFWA does have. This committee has articles on contract ‘gotchas’ to avoid and they can also answer questions on your contract.


And with that, you are now at least starting out your Dungeons and Dragons adventure with leather armor and a sword instead of a raggedy old cloak and a stick. Enjoy your trek, and remember to make new friends along the way.

 


About the Author:DeMarco_Web-5963

Guy Anthony De Marco is a disabled US Navy veteran speculative fiction author; a Graphic Novel Bram Stoker Award® nominee; winner of the HWA Silver Hammer Award; a prolific short story and flash fiction crafter; a novelist; an invisible man with superhero powers; a game writer (Sojourner Tales modules, Interface Zero 2.0 core team, third-party D&D modules); and a coffee addict. One of these is false.
A writer since 1977, Guy is a member of the following organizations: SFWA, WWA, SFPA, IAMTW, ASCAP, RMFW, NCW, HWA. He hopes to collect the rest of the letters of the alphabet one day. Additional information can be found at Wikipedia and GuyAnthonyDeMarco.com.

Damage Control

“The best laid schemes o’ mice an’ men gang aft a-gley.”  –Robert Burns

fossilWriters, like everyone else, make plans and budget their time.  We need to keep track of when manuscripts are due and the closing dates of submission periods.  We write on a schedule that works for us (for some, that’s daily; for others, it’s “bursts;” for still others, it’s five days a week, or four, or weekends…but whatever it is, we’re writing regularly).  We’re signing contracts and reviewing edits and receiving author copies in the mail.

At least…we should be.

Sometimes, despite our best-laid plans, something goes wrong.  A wrench is thrown into the gears.

Now what?

This month is about damage control.  Sometimes it’s personal:  there’s a crisis in your life that’s making it difficult to concentrate on your writing career.  Sometimes it’s got nothing to do with your actions at all:  the publisher who accepted your story has unexpectedly gone out of business, or someone is giving you nasty one-star reviews that seem baseless,  or your computer keeps crashing, or you’ve just realized you’re not going to be able to afford to do any cons this year.  Sometimes it’s your story:  why won’t this plot come together?  Why do people say my main character is “unlikable?”

One of the major differences between professionals and amateurs is in the way they respond in a crisis.  This month’s posts contain insights from the Fictorians on how to handle the flying wrenches that come our way with grace and professionalism.

“Life is what happens when you are busy making other plans.”  –Allen Saunders

Meet the Fictorians: Ace Jordyn

“Come in, — come in! and know me better, man!” -Charles Dickens, A Christmas Carol

We’d love for you, our wonderful readers, to get to know us better. That’s why, each month, Kristin Luna will interview a member of The Fictorians. We’ll learn more about each member, such as their writing processes, their work, where they live, and what they prefer to drink on a warm summer’s day. We hope you enjoy this monthly installment of Meet the Fictorians.

Meet the Fictorians:

Ace Jordyn

Kristin Luna (KL): Hi Ace! How are you doing and what are you drinking?

Ace Jordan (AJ): Hi Kristin! I’m still waking up! It’s 7 a.m. and this is my prime writing time. I’m drinking a green rooibos tea called Sea Buckthorn Green. Its aroma is earthy and it has a delicate taste of macadamia nuts and sea buckthorn berries with a smooth hint of cream and caramel.

KL: You’ve done some pretty exciting traveling lately. Tell us more about that!

AJ: This summer’s main adventure was to northern Saskatchewan to a cabin in the woods. It was fun and busy with a family reunion and seeing many old friends. It’s just remote enough that you have to drive a couple kilometers out to get a cell signal for the phone and internet service doesn’t exist. There are landlines and electricity but otherwise, it’s pretty laid back.

KL: That sounds wonderful! Do you often travel? And do your travels find their way into your work?

AJ: My travels always get into my stories one way or another. For example, I’ve been to Morocco twice and what strikes me every time I’m there is how a civilization has flourished in such a harsh environment. That harsh environment is a setting in a novel. The island of Crete, with all its ancient Minoan sites has inspired a series set 4,000 years ago. I like to take history, or a historical site, and twist it into a fantasy which isn’t necessarily historically accurate. New places are jumping off points. And that can happen in the back yard too like with a rock in a creek which inspired a trilogy. I wanted to know where that rock came from, its journey from the Rocky Mountains, and why it was so important. When I asked those questions, I discovered a whole new world I’d have never imagined otherwise.

The cool thing about being in a new culture where I don’t know the language and the customs, is a sense of being alien, not fitting in. That always puts me in a position of child-like wonder about the surroundings. Also, it reminds me, as a writer, not to take things for granted, especially value systems, cultural norms, and daily life issues. It reminds me not to impose my values and reactions on characters – they must react and be authentic to their world, which usually conflicts with how I live and perceive my own life. Here’s a post about this experience.

KL: I’d love to travel to Morocco. Maybe someday I will! So what are you working on right now?

AJ:  Right now I’m working on two projects (maybe more, and that depends on the day). I’m back to world building for a steampunkish fantasy novel. Here’s my process: I get a flicker of an idea and I write it down. I do some character building. I write the first few chapters to get a feel for the story. I sketch an outline, then do more character work. For this novel, I decided that a female protagonist would work better than a male protagonist so I rewrote the first chapters. Now, I’m doing a little more world building. I find that if I nail the character and world details at the start, it sets the tone and the rest of the novel writes itself.

I’m also writing short stories. New fables and folk tales for children. I just had one (When Phakack Came to Steal Papa, a Ti-Jean Story) accepted for Volume 27 No 4 by On Spec, The Canadian Magazine of the Fantastic. Here, I twisted up history and fantasy in a Canadian context.

KL: Where can we find and buy your work?

AJ: I coedited Shanghai Steam Anthology. It is recommended reading in Orson Scott Card’s book Writing Fantasy & Science Fiction: How to Create Out-of-This-World Novels and Short Stories.

I also have an independently published middle grade book Painted Problems which deals with the impact graffiti has on a community.

When Phakack Came to Steal Papa, a Ti-Jean Story can be obtained through On Spec next month.

As for my other novels and short stories, they’re being subbed to traditional publishers. My reason for doing this rather than self-publishing is because of distribution. My target market is middle grade and YA. Traditional publishers have access to a distribution system that I can’t access on my own.

KL: What’s your favorite thing you’ve ever written?

AJ: My favorite thing is whatever I’m currently working on. How can it not be? If I don’t love it, it won’t be written.

KL: From what I understand, you’ve been in the Fictorians from the beginning. Were you one of the first?

AJ: Yes. I attended the first Superstars Seminar and it was a great experience not only for the instruction we received but also for the people I met. As we got to know each other, we realized that we all wanted a web presence but weren’t necessarily ready to have our own website. But most importantly, we wanted to provide meaningful information, to share our experiences and knowledge so that others could benefit from what we’ve learned. So we formed the Fictorians and it’s been a wonderful experience for us and hopefully for our readers too.

KL: What’s the best writing advice you’ve ever gotten?

AJ: Hmmm …. There has been lots of advice, but the best one, the earliest one ever was receiving permission to be mean to my characters. I didn’t have to be nice – isn’t that what we’re taught as kids, to play nice? But as a writer, I don’t have to be nice. It’s better if I’m not. Characters need to struggle, they need to make mistakes, and they need to take readers on a journey that hits the all the emotional points.

KL: What advice would you give to a new writer?

AJTake your time and write a lot. Don’t be in a rush to publish (self or traditional) your first novel or short story. By all means, do so if you want for some have had great success in doing that. Most of us don’t. I think what’s important for all writers is to find their storytelling voice. That takes time and refinement of the craft. Here’s my story with this: I couldn’t write a short story. The form eluded me forever. Anything I tried always sounded like a long pitch for a novel. After six or seven novels, short story writing clicked. Why? Because I had found my voice. I had discovered my passion, or niche as some would call it. And that passion is for folk tales and fables. Finding your voice does wonderful things – that’s how the Ti-Jean story got written and it’s the first ever fable published by On Spec.

My novels incidentally, aren’t folk tales or fables – they’re a tidbit of history with a fantasy twist. So I guess that means I have two writing voices.

KL: Great advice. And finally, what’s your favorite Fictorians post that you’ve written so far?

AJ: My favorite is the one I wrote about using Maslow’s Hierarchy to write pitches and get to the heart/moral premise of a story. Discovering that I could use Maslow in that way was astounding and it’s a lot of fun. It’s a tool that can be used when you’re trying to write a pitch or when brainstorming a new story and you need to nail down the moral premise. I refer to that post a lot.

Thanks for this opportunity to chat with you, Kristin. I wish you and all our readers many great inspired moments!

***

If you have any questions for Ace, please leave a comment below. Thank you for reading!

Double-Double: Story + Article

The Story:


Milk

They finally cornered him, his creamy mustache still visible. “You owe us for twelve bottles!”

The thief’s eyes surveyed the dank alleyway looking for an escape route. “I didn’t take them, I’m lactose intolerant!”

The oldest sister, breathless from running while carrying a lead pipe, said, “We know. We tracked your gaseous trail since dawn.”


The Article:


Tips for Writing Flash Fiction

Fictorians – Flash Fiction Tips

Writing flash fiction is a lot like writing poetry. Because of the word limitations, one must take their time discovering concepts and language that speaks beyond the text on the page. Sometimes the selected words must pull double- or triple-duty to get as much information across to the reader.

Here are some tips for writing effective flash fiction.

Consider writing poetry.

Poetry focuses on the same concepts and construction of flash fiction. In particular, learning how to write using recognized poetic forms like sonnets, pantoums, and sestinas can help train you to write conservatively and with precision. Even something as simple as a limerick or a haiku can be surprisingly difficult for a writer to construct effectively.

As one writes poetry, they expand their language skills and vocabulary. Understanding the different subtle definitions of a word can help one write with an overt initial reading with rippling undertones. This skill can help an author to evolve beyond writing a story that happens to be really short.

Find writing challenges.

There are several writing prompt websites such as Fish of Gold and Writing.com’s Daily Flash Fiction Challenge. Google can help to connect you to more. Forcing your brain to write with a specific concept or object in mind can both help you to focus and to open your mind to non-typical stories. These will also help to expand your skills and, at times, can even get you a publication credit.

Educate yourself with story construction lessons.

There are plenty of story construction articles and books to assist you with truly understanding how a story is built. Understanding the high-level concepts of story building can help you to write flash fiction (and longer projects.) Take the time to learn the tropes of the different genres, including ones you do not necessarily read on a regular basis. Suggested books include Story Engineering by Larry Brooks or one of the Writer’s Digest series. If you have the time, try one of Open University’s free courses on writing.

Practice makes better.

Practice doesn’t make you perfect, but it certainly does help you to improve. The more you focus on writing, the better you will become as a writer. The work you produce should be edited and sent out like the rest of your writing. You won’t get rich writing flash fiction, but you can occasionally make a few bucks and progress in your professionalism skills.

By the way, what is flash fiction?

There are several definitions and variants of what is considered flash fiction. Some venues believe flash is 300 words or less, while most consider 1,000 or less to be flash. Here are some common variants:

  • 1,000 words or less: Flash Fiction
  • 750-500 words: Sudden or Immediate Fiction
  • 300 words or less: Micro Fiction
  • 100 words exactly: Drabble
  • 55 words exactly: Double-nickel Fiction
  • 50 words exactly: Dribble

 


 

About the Author:DeMarco_Web-5963

Guy Anthony De Marco is a disabled US Navy veteran speculative fiction author; a Graphic Novel Bram Stoker Award® nominee; winner of the HWA Silver Hammer Award; a prolific short story and flash fiction crafter; a novelist; an invisible man with superhero powers; a game writer (Sojourner Tales modules, Interface Zero 2.0 core team, third-party D&D modules); and a coffee addict. One of these is false.
A writer since 1977, Guy is a member of the following organizations: SFWA, WWA, SFPA, IAMTW, ASCAP, RMFW, NCW, HWA. He hopes to collect the rest of the letters of the alphabet one day. Additional information can be found at Wikipedia and GuyAnthonyDeMarco.com.