Hey Folks!

This June I’d like to showcase some great posts about misconceptions often seen in stories. Research can be hard, so we’ve done the grunt work for you!

Good research in writing is absolutely essential to me because even though I write about immortals and dead elder gods and paranormal entities, I like realism in my stories, dammit.

These are abnormal things happening in a normal world and the little, but accurate, details accentuate that contrast between what is real and what isn’t. If the world doesn’t seem real because the demographics, geography, tools, or physics are off, it can take a reader out of the story. Immersion can be important to pacing, so anything that takes your reader out of the story will ruin the “…Just one more chapter” effect you’re going for.

People, even mistakenly, take information from books. It’s how we learn about the world when we can’t or haven’t yet experienced it ourselves. Even in fantasies, even in anything fiction, if the reader can find something similar to their world, they’ll apply it subconsciously as learned information.

They trust you did your research as the author. Misinformation from the media we consume is spread and impacts people’s’ lives because we don’t remember where we learn information, just what was said. Even if it’s wrong.

If you write about a character being chased by a black bear and they escape by climbing a tree, you think that person isn’t going to try to climb a tree to escape a black bear? What other information did they have? They trusted you.

But if you have the character learn, “Oh wait! Black bears will totally climb the tree after you!”, then very likely that person will NOT climb the tree. And hopefully survive anyway.

…Why yes I did get chased by a black bear once, why do you ask?

So please enjoy this month’s collection of misinformation to avoid as necessary in your writing, and perhaps some suggestions on how to do it better.

Meet the Fictorians: Kevin Ikenberry

May 31, 2016

Kristin Luna

Author's Perspective Day Jobs Interview Kevin Ikenberry Kristin Luna Science Fiction The Fictorians The Writing Life No Comments

“Come in, — come in! and know me better, man!” -Charles Dickens, A Christmas Carol

We’d love for you, our wonderful readers, to get to know us better. That’s why, each month, Kristin Luna will interview a member of The Fictorians. We’ll learn more about each member, such as their writing processes, their work, where they live, and what they prefer to drink on a warm summer’s day. We hope you enjoy this monthly installment of Meet the Fictorians.

Meet the Fictorians:

Kevin Ikenberry

Kristin Luna (KL): Hi Kevin! How are you doing, and what are you drinking?

Kevin Ikenberry (KI): The snow seems to have finally left Colorado behind, so I’m doing very well. As for the drinking thing, lots and lots of water. Living over a mile above sea level (around 6800ft) requires constant hydration, which I offset occasionally with a cold adult beverage.

KL: Colorado is great! Do you take advantage of all the hiking as Kevin J. Anderson does? What do you like to do when you’re not writing?

KI: KJA is a hiking machine! My family likes to hike, though with a little one we don’t hit the challenging treks very often, but we still get out in the sun and fresh air. When I’m not writing, I like to be active – I’m an avid golfer and I enjoy swimming and exercising. There’s nothing better than a nice evening walk with my family, though.

KL: You have a military background. Can you tell us about that, and how it fits into your writing?

KI: I served just under 24 years as a commissioned officer in the Army until my medical retirement in March. I survived a necrotizing fasciitis infection but my ability to do the hard, physical requirements of the Army was compromised. I served as an Armor officer (tanks and cavalry) and later in my career as a Space Operations officer. Military service has a ton of unique experiences and good “there I was” stories that can easily find their way into fiction and bring a huge amount of realism.

In a way, my military service led to my writing. In 2009, I was teaching ROTC and I started making notes for a story that I realized was going to be a novel. Being on a college campus, I went back and took Creative Writing and started writing for publication as a result. There’s a lot more to that story, but being in uniform for more than half of my life made an impact on me and as I began to write, my military experiences came through.

KL: Speaking of those notes for your first novel, tell us a little more about Sleeper Protocol.

KI: Sleeper Protocol was my debut novel and it was published in early January from Red Adept Publishing. This was originally a longish short story that my writing group encouraged me to develop a bit more. It became a 40,000 word novel, then a 75,000 word novel before there was an epiphany that changed the story completely.

Sleeper Protocol is the story of a man, cloned from our time, who awakens three hundred years in the future in a wheelchair overlooking Sydney Harbor. He is given one year to determine his identity through experiences or he will be euthanized. What he knows could save Earth from a coming war. Whether he believes the future is worth saving is another matter.

Sleeper Protocol is a military character study set against a partially dystopian setting with a touch of psychological thriller. A friend of mine said it was “military science fiction without being typical military science fiction.” I believe he’s right. Originally, Sleeper Protocol was going to be a standalone novel. However, my editor called me one day and asked a very simple question that has already bred a sequel and will make this a series of likely four books.

KL: My dad’s going to be very happy to hear that! He’s already read Sleeper Protocol and adored it. I see Runs in the Family just came out in January of this year. Is that a stand alone or will that be a series?

KI: Runs In The Family is a military science fiction novel set in the same universe as Sleeper Protocol, except about twenty-five years earlier during The Great War. The story follows a young woman who receives a memory imprint from a long-dead ancestor who is a near perfect genetic match. She goes to war, falls in love, and is forced to make very tough choices along the way. This will be an ongoing series, though I have scrapped the original outlines for books two and three. I’m working right now on a revised outline for book two and am very happy with where this particular story is going.

KL: What are you working on now? Anything coming out that we can look forward to?

KI: I recently contracted the prequel novel for Runs In The Family with Strigidae Publishing and we’ll be starting edits later this summer. Right now, I’m tidying up the sequel to Sleeper Protocol (working title Vendetta Protocol). My beta readers have sent it back with solid feedback and loved it, so I’m hopeful to turn that in to my publisher mid-summer.

KL: Now for a very important question. Dogs or cats or neither?

KI: We have two cats, Charlize and Binx. Charlize is a sleepy, sweet black and white ball of fur. Binx is a black cat who is cuddly and wants attention. If we could get them to stop fighting, it would be great. I’ve always been a dog person, but it’s been years since I’ve had one. Our cats are good with our kids, so we’ll stay with two pets for now. A dog may enter the picture in a few years, who knows?

KL: What’s the best writing advice you’ve received to date?

KI: That you, as a writer, are responsible for the contract that you sign. I received a contract on Sleeper Protocol from a small press before it sold to Red Adept. Because the contract was not something I felt comfortable signing, and the publisher would not negotiate at all, I walked away. Given the success of both Sleeper Protocol and Runs In The Family, I believe I made the right decision and I still scrutinize every contract (short story or novel) that comes my way.

KL: What advice would you give a new writer?

KI: Seeking the advice and counsel of mentors. When I started writing with the intent of getting published, the best thing I did was to find mentors and learn from them. All of us writers, funnily enough, like to share and teach. We want to see others avoid the mistakes we made and help in any way we can. My mentors have been phenomenal in my growth as a writer and as a person. That’s something I want to continue in any way that I can.

KL: I know you’re new to the Fictorians, but what has been your favorite post so far that you’ve written?

KI: A couple of years ago, I was asked to guest post on Fictorians about my stranger than fiction illness and recovery. It’s probably the best, more coherent, telling of the story. You can find the story here: http://www.fictorians.com/2014/09/15/based-on-a-true-story-2/

***

If you have any questions for Kevin, please leave a comment below. Thank you for reading!

Looking For The Fun Factor

May 29, 2016

fictorians

Action & Adventure Jacqui Talbot Movies No Comments

A guest post by Jacqui Talbot

First off, let me be clear, I’m a consumer. Not a critic. When it comes to movies, I watch for one reason—entertainment. And when it comes to said entertainment, I have very specific tastes. I like big adventure flicks, full of explosions, gunfights—or even better, swordfights—and the occasional one-liner.

So, as you can imagine, DEADPOOL was my jam.

But that’s a blog for another day.

Today, I want to discuss a different, imperfect film full of weak character motivations, structural issues, and plot holes big enough to accommodate a Mondoshawan spaceship and a giant black ball of skull fire.

That’s right, people. I’m talking about THE FIFTH ELEMENT.

A few weeks ago, I watched an interview with Gary Oldman about his most iconic roles. When THE FIFTH ELEMENT came up, he admitted that he only did it as a favor to the director, and that he didn’t even read the script. When the interviewer reminded Oldman that the film is now considered a cult classic, he laughed and said, “I know. That’s the wacky world we live in.”

Now, I’m not a huge fan of Mr. Oldman (or his political views) but I will freely admit that the man is a great actor. And that interview started me thinking. Why would someone so talented denigrate one of my favorite movies? Was I wrong about THE FIFTH ELEMENT? After all, it had been a while since I last watched it. Could it be that my memory—faded by too much time and tequila—was ascribing greatness to something that wasn’t all that great?

So, I dug out my old copy and popped it into the VCR. (Yes, I still have a VCR. Don’t judge me.) And I found, to my surprise, that the movie still held up. The costumes were just as outrageous, the comedy as broad, and the action as blood-pumping as I remembered. I laughed. I cried—mostly from laughing. And I wanted to watch it again as soon as it was over.

Now, I’ve seen plenty of action movies in my time. And, on paper, they all have the same attributes—swordfights, gunfights, explosions, and at least one gratuitous shot of a sweaty, muscular hero sans shirt. What more could a gal ask for?

Just one simple ingredient—fun. Remember this guy? (If not, you can watch the scene play out in the link below.)

See what I mean? Sure, THE FIFTH ELEMENT may have some major logic and pacing issues, and the acting is hardly Oscar-worthy. But, if you’re looking for a goofy, gleefully over the top movie that doesn’t take itself too seriously, then this is the one for you.

Don’t get me wrong, as an author, I know that movies are great resources that offer valuable insight on story structure, character development, and visual storytelling. But in the end, for me, it’s all about being entertained.

So, whether you’re outlining, writing, revising, or editing, always look for the fun factor—that special bit that gets you excited or makes you smile. Because, just like movies, novels are meant to be entertaining.

And if you’re not having fun…then what’s the point?

About the Author:

Jacqui Talbot is a book worm, devoted Whovian, and certified fantasy geek. When not pursuing her dream of becoming a full-time writer, she spends her time learning different languages (six and counting) and being a nuclear chemist. Her current projects include SPINNERS, a YA supernatural thriller set on the Choctaw Indian reservation where she grew up, and KARMA AND CHEMISTRY, a MG fantasy adventure featuring a twelve-year-old protagonist who uses science to battle dark magic.

The Rewards of Glaciality (Which I Realize Is Not a Word)

May 27, 2016

Evan Braun

Character Evan Braun Ideas & Plotting Movies Our Favorite Fiction Reader Investment & Empathy Setting and Milieu No Comments

Sense8 Last summer, I got psyched up about Netflix’s new series, Sense8. I had no idea what it was about—I hadn’t even seen a trailer—but it had J. Michael Straczynki and the Wachowskis at the helm, and that was enough for me to give it a shot. I stayed up until 2:00 a.m., waiting for the show to appear in my Netflix queue. I was strangely drawn to the fact that the cast was mostly composed of people I hadn’t heard of before. After all, when I see Matt Damon onscreen playing a character, I have trouble seeing the character; I see Matt Damon onscreen playing a character. Know what I mean?

Anyway, I watched it all very quickly. Finished it in two and a half days. And then I read the reviews, and to my surprise realized that as a profound admirer of the show I seemed to be in a minority, at least as far as critics were concerned. And usually I’m on the same page as the critical consensus.

Sense8 is so many things to me. It’s beautiful beyond description, mostly. It’s atmospheric. It’s sensual. It’s sexy (I’m looking at you, Episode 6). It’s worldly, global. It’s cosmopolitan. It’s mysterious and coy. It’s haunting. It’s diverse. It’s profoundly moving.

It’s slow.

Glacially

Which is awesome! I mean, one of my favourite movies of all time is Meet Joe Black, so obviously I’m not averse to taking my sweet time getting to the point (and even then, perhaps being a bit vague about the point). Sometimes I don’t want something explained; I just want to dig in and experience every aspect and nuance of it.

As the years go by, I value plot less and less. When I read books, I skim right over the battles, the big action scenes. In movies, I drift off to sleep when everyone else’s pulse starts to pound. The setup, and the aftermath—that’s my jam. The long travelogue of meandering from Point A to Point B? The average person may throw their popcorn across the room and stalk out of the theater in frustration; I eat that shit up.

These weren’t always my preferences. So yeah, I admit that this is a surprising trend in my life.

At the heart of Sense8, you have a really powerful and beautiful idea—eight people, waking up slowly, suffering from confusion and long-dawning realization, discovering that they’re connected, that they’re sharing each other’s memories and emotions and experiences. They are strangers and they are intensely familiar.

This series, or at least the first season, is dedicated to exploring the underlying confusion of these eight characters as their very separate and independent lives begin to merge in surprising ways. They come from every corner of the globe, have different passions, different sexualities and gender identities (did I mention this show is diverse?), and they all bring unique skills to the table. And they don’t know what the hell is going on. They’re very slow—realistically slow—to put the pieces together.

And damn if that isn’t a beautiful thing to behold.

It’s a massively complex idea, on a character level. And there are eight main characters to be explored, and just as many interesting side characters. The best novelist would have trouble executing this, never mind a TV series. And if Sense8 wasn’t on Netflix, which is about a hundred times more patient than its broadcast cousins, it wouldn’t exist at all past the pilot.

As you make your way through the show, you realize that the show is not particularly interesting in explaining things. Well, it does explain things occasionally, but it’s never in a hurry to do so. The show knows that as long as it’s turning the spotlight on the characters and their relationships and interactions, and their inner struggles and emotions, it’s on solid ground.

But if you need plot bleeding from your every pore, Sense8 may not be for you. It’s character first. Character, character, character, and more character. So much character that you almost can’t stand it.

In a world of brainless action flicks, it’s pretty refreshing.

P.S. I also adore The Leftovers. Which is, now that I think of, Sense8’s spiritual sibling. It evokes very similar reactions in me, critics, and the overall TV-viewing audience.

Evan Braun is an author and editor who has been writing books for more than ten years. He is the author of The Watchers Chronicle, a completed trilogy. In addition to writing science fiction, he is the managing editor of The Niverville Citizen. He lives in Niverville, Manitoba.