How to Set an Unconventional Writing Schedule

If you have read anything by me on this blog before this post, you know I’m all about the unconventional way of doing things. What works for one person might not work for me, and similarly, what works for most people does not work for me. For example, I don’t write every day. I don’t make myself sit, ass to chair, for hours until something happens. If I couldn’t possibly force myself to write that day, I do something else, usually creative. Sometimes a week goes by and I haven’t brainstormed, written, or edited a single word. On the other side of that coin are some extremely productive spurts. I’ll write a novel in a month. I’ll write a short story in a day. I’ll outline an entire book in a week or less. You can probably deduce where I’m going with this. Absolutely stay true to this one thing, if nothing else: listen and obey what works for you.

What I propose is not an easy road. It requires you to be in-tune with yourself every day, and be honest with yourself. That means if you know you will not produce your best work today, then you might want to do other creative and important activities instead. That also means you should make yourself sit down, ass to chair, if you are perfectly capable of churning out prose but you just don’t feel like it. That’s where being honest with yourself comes in.

As an aside, what other creative things could you do instead?. Plenty. You may be stressed, tired, irritated. Try coloring, cooking, painting, even cleaning if that’s what will satisfy your brain and calm you down. If you sit and write and you’re rushing through every sentence to hit a word count, then what’s the point? Good work can’t be rushed, and if it is, it can’t be expected to be great work. It may even make more work for you in the end as you’re editing.

Ask yourself a series of questions to get an idea of how best you work.

  1. Do I work (not specifically writing) best in the morning or evening? When do I feel the most focused?
  2. Do I like to have people around when I write?
  3. Is silence best when I write? If not, do I prefer ambient noise or music?
  4. At what time durning the day do I start getting tired?
  5. Would I feel better if I got my writing in at the beginning of my day?
  6. Would I feel best if I wrote when my day concluded, all responsibilities done and taken care of?
  7. Have I noticed if my writing is more rushed or hurried if I am hungry, tired, or cold?
  8. Do I tend to nod off when I’m writing? What are the conditions (early morning, too warm, late at night)?
  9. When do I have the most energy in my day?
  10. Have I noticed a certain time of day where I do not feel like writing at all?
  11. Have I noticed a certain emotion that negatively affects my writing? A positive emotion that helps my writing flow better?
  12. Is there a month each year where I’m consistently not writing due to busyness or stress?
  13. After I write a novel or short story, do I prefer to have a time to let the writing rest before jumping right into editing? Do I need to jump right into editing to keep up the momentum?
  14. Under what conditions do I experience burnout?
  15. Are there activities in my life that are in direct odds with my writing and/or writing time?
  16. Do I like to think of work on a project-to-project basis or a day-to-day basis?
  17. Do I like to work on one piece of writing at a time or multiple pieces?

As you answer the questions, you might have some important realizations. If you still aren’t sure or can’t find a good time or season for writing, consider keeping a simple daily log of your writing time and note the time, how you feel, the room temperature, if you’re hungry/full/just right, any large stressors in your life at the time, and how you feel about your project right then. Feel free to add more things to note to the list. Over time, you’ll come across patterns in your writing times, what worked best, and certain things that bombed your working time.

Many writers have kept curious schedules throughout history. Henry Miller’s morning consisted of “if”s: “If groggy, type notes and allocate, as stimulus. If in fine fettle, write.” Ernest Hemingway, who wrote standing, said, “When I am working on a book or a story I write every morning as soon after first light as possible. There is no one to disturb you and it is cool or cold and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit it again.” To read more about other famous writers’ routines, visit https://www.brainpickings.org/2012/11/20/daily-routines-writers/.

https://podio.com/site/creative-routines

Also consider this graph of creative peoples’ routines in a 24-hour period. Note also that these schedules may have changed over time. Because the most important rule is and will always be: do what works for you.

While it can take weeks, months, or even years to nail down a routine that works for you, there’s something to be said for just jumping in. Once you’ve taken a personal inventory of your habits and routines, you may find a suitable writing time daily or a chunk of weeks in which to complete a project. It may not be perfect, but it doesn’t have to be. It will never be the perfect day or the perfect moment to write. The key is hitting a time that nearly is perfect, and running wild.

Welcome to 2016!

Happy New Year! Welcome to 2016, and may it be your best year yet.

It’s almost cliché to open January with a “let’s come up with resolutions that we can ignore at the first sign of trouble” topic. Instead, I thought it would be a better idea to focus this month on ways you can actually achieve those writing goals of yours.

We’ll have a wide range of items to help you make January a success. Articles include:

  • Software to help your productivity.
  • Personal methods working authors employ to get their projects completed.
  • Motivation and tips for those days when your muse was out getting hammered at the local watering hole last night.
  • Setting and reaching reasonable and achievable goals.
  • Suggested non-fiction books (and reviews) that are worth your time.
  • Tips for plotting your next book, and tips for winging it.
  • …and plenty more!

Guests this month include Petra Klarbrunn, Stant Litore, and Annik Valkanberg.

In 2016 the Fictorians will debut a monthly author interview series. The project will debut on January 29th, the last weekday of the month. You can expect a new interview monthly.

Tune in every weekday for a new article focusing on the writing lifestyle. Let’s go!

We’ll Call it a Win

GoalGood-bye 2015!

As always, there were good times and bad.  This past month, we’ve focused on some of the good, some of the lessons learned, and some of the milestones we celebrated.

As a group, the Fictorians accomplished a lot in 2015.  We passed our 1000th post, and our site was viewed about 65,000 times.

As individuals, we learned and progressed a lot too.  Some of us celebrated important milestones:

Jace Kilian completed a novel!  i-finally-finished-a-novel

And in December, I celebrated the launch of A Stone’s Throw, my third major release this year.  a-stones-throw-launching-a-sequel

We discussed things we’ve learned about writing.

David Carrico on-being-a-gps-writer, Nathan Barra balancing-the-story-engineer-and-the-mad-man, and I franks-pantsing-doctrine wrote about seat-of-the-pants writing verses outlining, and how those two often opposing approaches to story design can work together.

Time management featured large in our thoughts as we reviewed strides forward.  From David Heyman, we learned that any time can be productive writing time, even taking a shower.  writing-while-you-condition-and-rinse.  Evan Braun discussed building habits to deal with deadlines getting-ahead-of-deadlines, and Vickie Morris reminded us to stop worrying.  We’ll find the time for those things that are important.  creating-the-time

There’s always time for sharing of wisdom, and James A. Owen reminded us to be aware of what we don’t want as much as we yearn for those things we do.  all-the-good-things-that-you-do-not-want

Kim May reminded us to always be ready with your pitch at all times.  promotion-at-the-drop-of-a-hat, and Mary Pletsch admitted that networking is important.  i-dont-want-to-know-that-sometimes-its-who-i-know

Gregory Little shared insights about the publishing process.  everything-i-need-to-know-i-learned-in-indy-garten As did Kevin Ikenberry:  sometimes-you-have-to-let-go

Jo Schneider discussed the importance of great characters.  who-has-time-to-waste-on-people-you-dont-like, and Travis Heermann discussed the importance of making the most out of your scenes.  scenes-it-aint-just-the-cliffhanger

Amanda Faith reminded us to take time for ourselves and our personal development.  for-me

Kristin Luna reviewed K.M. Weiland’s Outlining and Structuring novels guides.  k-m-weilands-outlining-your-novel-part-one and k-m-weilands-structuring-your-novel-part-two

We started presenting author interviews, which will become a regular feature throughout 2016.  Ace Jordyn interviewed Jayne Barnard and discussed her steampunk Maddie Hatter and the Deadly Diamonddueling-parasols-and-creating-a-steampunk-world-jayne-barnard-tells-all and jayne-barnard-on-maddie-hatters-steampunk-society

With so many things to celebrate, we’ll tip our hats to the challenges we overcame and the lessons learned, and we’ll call 2015 a win.

Let’s make 2016 even better.

Sometimes You Have to Let Go

Sleeper ProtocolIn October 2014, I signed a contract with Red Adept Publishing for my debut novel, Sleeper Protocol. From February of this year until September, the publisher’s amazing editing team worked with me through six content edit passes and four copy-editing passes. I could say, without lying, that I learned to love the editing process because of the awesome team I had in place. But what I learned this year to improve my craft was that sometimes you have to let go.

You see, Sleeper Protocol went through it’s early stages several years ago as a short story and then novella entitled “Walkabout.” Every time I worked on the basic idea, there was so much more to tell. I fell deeper and deeper in love with the story as I wrote. Strong feelings during the writing process are good because they take us deeper into the scenes, the motivations, and the surroundings of our story. When I made a sweeping change to the story and “appointed” a new antagonist, the book took off. When I submitted the manuscript to Red Adept, I was understandably nervous but I believed that the book’s title, first line, and entire plot would get the publishers attention.

I was right – but one out of three ain’t bad.

In one of the very first conversations I had with my publisher, the working title of Walkabout had to go. There were too many other books out there with the same title or a variation thereof and finding it could present a problem to prospective readers. To my surprise, this wasn’t that difficult to swallow, except that I spent about two weeks trying to use Walkabout in every possible title combination. Nothing worked. I decided to put off searching for a title until the content edits were completed. I spent weeks brainstorming a new title only to find that my publisher and I both came up with the same possible title, and Sleeper Protocol was officially born.

During the editing process, though, I learned the biggest lesson of all. We’re told to put everything we have into the hook. The right voice, descriptions, and purposeful prose will bring the reader in, right? I created what I thought was a great first line only to have my editor immediately tell me it had to go. There was a POV inconsistency in it and it led the reader in the wrong direction – but in my mind it was perfect!

And there was no point arguing about it. My content editor was exactly right. We made the change and re-tooled the first few lines and made the opening stronger. When the very first line gets the ire of your editor, it’s easy to think that the rest of process will be horrible. To the contrary, it gave me a tremendous boost of confidence that she loved the book enough to say “Hey Kevin, let’s do this differently.”

The lesson: don’t hold on too tight. Yes, the story is your baby and you’re understandably anxious about the whole process, but when your team says “consider this” you have to listen. I am glad that I learned to do just that, and I think that the novel is so much stronger than when I submitted it eighteen months ago. Hopefully, you’ll help be the judge of that.

Sleeper Protocol releases in ebook formats on January 5, 2016 with print versions to follow.  You can find more information on my website www.kevinikenberry.com. Happy New Year, and I wish that 2016 be a great year for your writing!

About the Author: Kevin Ikenberry

Kevin IkenberryKevin ikenberry’s head has been in the clouds since he was old enough to read. Ask him and he’ll tell you that he still wants to be an astronaut. Kevin has a diverse background in space science education and works with space every day.

Kevin’s science fiction and horror short fiction has appeared internationally, most recently in the anthologies Extreme Planets and Pernicious Invaders. His debut novel, Sleeper Protocol, is due in January 2016 from Red Adept Publishing.

Kevin is a member of Fiction Foundry, Pikes Peak Writers, and is an alumna of the Superstars Writing Seminar.

He can be found online at www.kevinikenberry.com.