The place of my day job interviewed several candidates to assist with marketing a retail antique store and restaurant. After floating through a few self-proclaimed gurus with no real results we became frustrated. Then someone pointed out that Jace was a writer. I hadn’t considered writing in that fashion and at that time knew very little about antiques, but why not give it a go? I liked being referred to as a writer and wanted to prove that I deserved the title, so I wrote a piece and submitted it to a local paper.

Let me pause here to emphasize an important observation. While the piece was well written and fairly entertaining, the paper was overly excited to have content. I’ve noticed that time and time again magazines, periodicals, and papers are looking for content to legitimize their advertising space.

That local paper liked the article so much that they asked if they could run it in their national paper. Now antiques are a bit of a niche, I’ll admit, but still there are enough readers to support a national distribution. Within a month I had received versions of these papers from as far away as Rhode Island and Canada all featuring my article.

So I did it again. This time I was let in on a little secret. This national paper only had a handful of contributors and they were extremely grateful for another. The articles allowed me to mention our store, and have helped with some free press.

I wasn’t compensated for these articles from the papers but the free advertising we received was worth thousands. And because I wasn’t compensated there weren’t any contracts or rights or terms. So I turned around a couple months later and submitted that same first article to several other papers. Now I’ve submitted articles all over. I’ve ran the same article in multiple papers at the same time. In fact, each time I’ve submitted an article to a paper I’ve been thanked and the article has ran in the next installment.

This goes back to my earlier observation: papers are looking for content.

There’s a lot of blogging going on these days, but print articles are still in demand (especially free articles). There are nationalized papers, journals, periodicals that are specific to niches like antiques. Most (I assume all) of these papers maintain their existence through advertising, but they all need someone’s words to print, stories to share. Larry Correia gains continual attention when he writes nonfiction about things like gun control.

It has been good for me in my writing career. Not financially per se but it has given me deadlines to meet, word counts to maintain, and it has gotten my name in front of tens of thousands.

Tracy Hickman once asked me why I write. He answered for me while I was thinking on the question, “To inspire,” he said. Whether fiction or non, contract or free, I write to inspire. Antiquing has become a fun niche where I can do just that.

I live in Arizona with my family, wife and five kids and a little dog. I write fiction, thrillers and soft sci-fi with a little short horror on the side. I’ve got an MBA and work in finance for a biotechnology firm.

I volunteer with the Boy Scouts, play and write music, and enjoy everything outdoors. I’m also a novice photographer.

You can visit my author website at www.jacekillan.com, and you can read some of my works by visiting my Wattpad page.

Finding Your Voice Through Blogging

November 18, 2015

Kim May

Kim May Making Progress as a Writer Narrative Voice Non-fiction writing No Comments

Most of us have heard the adage “You have to write a million words…” in some shape or form. Sometimes that million is what finally makes your writing good, sometimes it’s what makes you a “real writer”, and sometimes it’s what you have to do to find your artistic voice. The last one I actually agree with. I know when I first started writing I was trying too hard to write like my favorite grand masters of sci-fi and fantasy. I had yet to discover who I am as a writer and then become comfortable with that identity. I felt more comfortable and confident trying to emulate someone else.

Somewhere along the line I heard the “all serious professional writers have to have a blog” advice so like any dutiful newbie I started a blog — which I actually still post to occasionally. I did my best to come up with interesting topics and share anything that I’d learned in my journey so far…and I did get a decent amount of hits. After about a year of this I had a moment of enlightenment. I realized that when I let go of pretentiousness and let my words be MY WORDS there was a certain way I tended to phrase things and a certain tone and humor that my posts had in common. The biggest realization was that I didn’t hate it. It needed some polish and refinement perhaps but it didn’t suck.

That’s when I thought back to the “million words to find your voice” adage. Nowhere in the adage does it say that all of those million words have to be fiction. Between the blog, a novel and a handful of short stories I probably wrote close to a million words during that year. In that time I learned to relax and let the words come out; and since I was blogging as me and only me it was easier to allow the words to sound like a conversation I’d have with a friend.

Fast forward to 2014. I’d applied my voice to my fiction for a while and had become comfortable doing that but I hadn’t received any professional feedback so I still didn’t know if I was any good. I wrote five short stories in six weeks for an anthology workshop early that year. At the workshop we received critiques from six esteemed editors. Most of them said they wouldn’t have bought any of the stories because of plot or pacing problems but my voice was never a problem. In fact one of them loved my voice and complemented me on it more than once. Well, craft and structure are relatively easy to fix. That just takes study and practice. I can do that! Voice on the other hand is much harder because your personality is much more fixed.

So if you feel that you haven’t found your voice or your writing group comments that your writing doesn’t sound like you then give this a try. You don’t have to do a public blog like I did. You can keep a diary (digital or physical) and write whatever you want in it. If you want to write about your journey to becoming an amazing writer, do it. If you want to write about the struggles of being a writer while working a full-time day job, do it. If you want to philosophize about unicorn poop, do it. It doesn’t matter what the subject is. What matters is that you say what you want to say the way you would say if you were having a conversation with a friend.

Relax and be yourself.

How to Distract Grandma from Pestering you for More Grandkids

November 17, 2015

Frank Morin

Frank Morin Non-fiction writing 1 Comment

Grandparents love grandkids, and they’re usually not shy about begging for more. The good thing is, they love talking about themselves and telling their stories even more. We can leverage that fact for a wonderful family event, while gaining a break from the constant pestering.

How do we do all this?

We tell stories. Their stories.

I’m a novelist, and I love great stories. But the more I learn about life, the more I study history, the more I realize that reality is crazier and wilder and intense than any story I could invent. Sure, history may be missing magic and dragons, but lots of real-life experiences could never be included in stories. Readers simply wouldn’t believe it.

We believe it when Grandma and Grandpa tell it, though.

So get them to sit down and tell you, “In my day . . . ”

Once the floodgates open, you might be amazed by what you’ll hear.

Writing those stories is a ton of fun, because we have a connection with them. Most of us are interested in our genealogy, in our family roots, and in the stories of our ancestors. The great thing about interviewing grandparents (or uncles or aunts or great-grandparents) is we can get the stories right from the source.

Even more importantly, the holidays are almost here. Doing an interview with grandparents not only distracts them from pestering for more grandkids, it also sets up one of the best Christmas presents you could give them. So first, ask them about their personal history, and anecdotes they remember of their parents and grandparents. This is best done using a voice recorder, since most of us don’t type fast enough to capture everything, including their tone and voice.

They’ll love it. Even more if you have one of your kids interview them, after preparing a list of questions to help your child keep the grandparents talking. I’ve seen grandparents spend hours on the phone telling stories to my kids, and everyone’s having a great time. It helps them connect with the new generation, and makes their history real.

When finished, transcribe the stories. You’ll have the story of their history and some of the major events of their lives, and can present it to them, perhaps bound in a beautiful book. If you can scrounge up some old family photos, like he one I included above of my grandfather, it really helps bring the history alive. It’s a present they’ll love, and one they can pass down through the years to other family members.

In my family, we’ve done a couple of interviews already. Next step is to complete transcription and produce the final books. I’m hoping we can do it as part of a holiday project in the family.

What about you?

About the Author: Frank Morin

Frank Morin loves good stories in every form. When not writing or trying to keep up with his active family, he’s often found hiking, camping, Scuba diving, or enjoying other outdoor activities. For updates on upcoming releases of his popular Petralist YA fantasy novels, or his fast-paced Facetakers alternate history fantasy series, check his website: www.frankmorin.org

Learning from Non-Fiction

November 16, 2015

fictorians

Non-fiction writing 1 Comment

A guest post by Billie Milholland.

NON-FICTION
In the 1980s when I wrote magazine and newspaper articles, the ‘reporter’ style was still fairly standardized. The inverted pyramid. You plunged right in with the ‘who, when, where, why, what, and how’; using the most newsworthy bits of information. The ones that delivered the highest impact.

Then you added the most sensational details. If the details seemed less than provocative (they most often did), you elevated them by stating in ways that suggested there was something more just below the surface that might be revealed later. “The bus driver neglected to mention her reason for….”. “It is interesting to note that the first person on the scene had the least to say about …”.

You wrapped up with general, background information that wouldn’t be missed if the reader didn’t get that far. The word count was tight and the belief that most readers were under-educated and overly fickle was strong. The biggest sin was ‘burying the lead’ – not waving around the flashiest information first. Bottom line… you informed people. Quickly, efficiently and with little commentary.

Direct quotes were prized, but longer anecdotes, not so much. I found it interesting however, that when I added a few anecdotes, and my beleaguered editors let them pass, I received actual fan mail.

FICTION
Leaving non-fiction behind for a while, my first foray into writing fiction led to realms of endless options. I could start slowly, building up expectations as I went along. I could dive right into the deep end of a pool of sharks and bloody up my protagonist right away. I could then wander into a stream of consciousness, before I sent my protag over a thundering waterfall clutching the last piece of her grandmother’s embroidered tablecloth.

I was giddy with freedom. Story poured out. I entertained people; informing them was secondary. I could use facts, but my story didn’t have to be based directly on facts. I could play with time and space.

NON-FICTION
Returning briefly to non-fiction, after about a decade away, I was pleasantly surprised to see that magazine writing, and to some degree, newspaper writing as well, had evolved to a more conversational style. Apparently the inverted triangle had been an American aberration, brought about by reporters trying to communicate stories during the American Civil War. Since the telegraph service could be interrupted unexpectedly, they had to make sure they top-loaded their news.

The rest of the world didn’t do it that way, and now we don’t either… well, not as much. I wrote a few cook books during this time and a small book about the North Saskatchewan River. Using a more casual, conversational style, along with a seasoning of anecdotes made those books more fun to write and they were reasonably popular.

FICTION
When I started writing fiction again, I felt very experimental. Producing successful non-fiction had taught me more about what people wanted to know. Bits of interconnected trivia could work in fiction too, if they were stitched carefully along the edges of the theme. People are information junkies at heart, but still wanted the rise and fall of a good story. I played with that in my novella in Women of the Apocalypse. The feedback I received from readers was encouraging. The feedback I received from readers of some of my short stories validated my tendency to use quirky bits of trivia in fiction.

NON-FICTION
After another decade away, when I returned to non-fiction, I found daily news tossed into endless Twitter streams; bits and pieces about immediate news, interspersed with links to longer discussions about what’s happened, what’s happening, along with various versions of ‘who, when, where and how’. Many longer discussions showed up in blog form. A brilliant system.

Because reading text online is harder than it is in traditional hard copy, I learned that blogs worked better if broken up into digestible portions by subheadings and images.

More experimentation. Information bulletins about specialized scientific studies and initiatives written for a general audience. Successes I had with those, culminated in my most recent book, Living in the SHED, which is full of bits and pieces of information, broken into digestible portions by subheadings and images. Will it be successful? Time will tell.

FICTION
2016 will be all about fiction for me. I haven’t completely processed everything I’ve learned from writing non-fiction this time, but what I do know is the rush of ideas about how to edit the first drafts of two novels I left simmering on the back burner are much different and more exciting than the ideas I had when I left them there.

Billie Milholland has bobbed back and forth from non-fiction to fiction and back again. She’s written for newspapers, magazines and had stories produced on CBC radio. Women of the Apocalypse, in which one of the four novellas is hers, won an Aurora Award in 2009. She has a short story in Bourbon and Egg Nog, the 10th Circle Christmas anthology, which won an Aurora Award in 2012. More recently, Green Man She Restless, her story in the Urban Green Man Anthology was nominated for a 2014 Aurora Award. Her most recent project, a non-fiction, environmental book, Living in the SHED, will be out in December 2015 and can be ordered at www.nswa.ab.ca. Visit Billie at www.billiemilholland.com.