Gen Con: A Major Intersection of Interests

Guest Post by Josh Vogt

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I have long loved conventions for a variety of reasons, everything from meeting authors and artists I admire to gaining new career connections to developing my writing craft to pure entertainment. A lifelong reader and gamer, I simply can never get enough of fantasy and science fictions worlds, whatever format they’re presented in. I love the weird and wacky and wonderful—and conventions basically mainline all of that straight into my veins and brain. I come away from conventions, even the smallest, shortest ones, both exhausted and absolutely jazzed to jump back into the writing and storytelling because I went to get out there and bring my own form of weird and wonderful to the world.

That’s why Gen Con has quickly become what I think of as a cornerstone convention for the year. It’s touted as the “Best Four Days in Gaming,” and that’s no boast. I’ve only been a couple times now, but my hope is to continue going for as long as I’m capable of it. It is simply fulfilling on all fronts, giving me a well-rounded con experience as a reader, a writer, a gamer, and an unashamed geek in general.

You could likely spend the whole convention simply wandering the whole vendor floor without quite seeing everything there is to see—and likely come away with a few credit cards maxed, if you aren’t careful. I joke with some people who buy my books at cons that I take “cash, card, blood, first-born children, and souls,” but by the end of Gen Con, I’m the one considering shelling out a slice of damnation to bring home some particular artwork or another set of shiny dice. Then, of course, there’s the many games for sale, with countless demos being run from morning to night.

Oh, and did I mention the round-the-clock gaming schedule? Doesn’t matter whether you prefer dice, cards, board games, tabletop RPGs, minifigs, LARPing, video games (including VR rigs), or plain ol’ rock-paper-scissors…you’ll find it going on around every corner 24/7. You could sit and game from beginning to end without seeing any other part of the con, barely even leaving your table except for the occasional bite of food and bathroom break.

And then we get to the Writer’s Symposium. Admittedly, as an author, this is the primary reason I have come to love Gen Con. When you have dozens of authors getting together to run workshops, panels, and social shindigs into the wee hours, how can you not have an exhilarating experience? The amount of experience being shared is staggering, and everyone is there to both work hard and have an amazing time. Again, you could spend the whole weekend just attending Symposium events and not even get to the gaming! Each year, the Symposium has been streamlining its programming, has an amazing volunteer crew, and does its best to connect readers and aspiring writers with industry pros of all sorts.

It’s a magnificent mash-up of literary and gaming cultures, recognizing that we’re all in it to have fun, tell stories, create unique experiences, and cheer one another on through another year of learning and growth. Of course, we can still backstab each other during daring games of skullduggery or fight to the bitter end to get the high score during a dungeon run.

Is it crowded? Of course. Is it exhausting? You betcha. Logistically challenging at times, with travel and hotels and whatnot? Start prepping at least half a year in advance, if not earlier.

But in the end, while Gen Con can leave one feeling wrung out, it also leaves you raring for next year at the same time. It can connect you with people from all walks of life who share similar passions and pursuits, and remind you that whatever form of fun you prefer, you’ll always find a community of like-minded folks.

Hope to see you there sometime.

Website: GenCon    2016 Dates: 8/4-8/7

Guest Bio:

Writer. Freelancer. Unashamed geek. Josh splits his time between dreaming up new worlds and forms of magic and providing marketing/sales copy for clients. It’s sometimes difficult to know which requires more imagination.

 

MegaCon: MegaOpportunity

Guest Post by Tracy Akers

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“I’ve been in terror of you and your dogs for over thirty years, Farmer Maggot, though you may laugh to hear it. It’s a pity: for I’ve missed a good friend.” Frodo from The Fellowship of the Ring.

For those of you familiar with the story, you know this quote is where Frodo acknowledges his previous misjudgment of Farmer Maggot, a man who beat him as a youth for stealing mushrooms, then set his dogs on him. As a result of the punishment, Frodo feared Famer Maggot most of his life, until a series of events proved Maggot to be both ally and friend.

I was invited by award-winning fantasy author Scott Eder to share my thoughts with you regarding MegaCon, one of the largest multi-genre science fiction/fantasy conventions in the South. What does this have to do with Frodo and Farmer Maggot? you ask. Not much, yet more than you might think.

I personally know many people, including authors, who have never been to a science fiction or fantasy convention. To them, conventions are for geeks who live in their mother’s basements, or actors who are past their prime. In other words, Galaxy Quest—but without the cool parts. Maybe they think conventions are too expensive, so not financially worth their time. Maybe they think they won’t fit in, or that these types of events are beneath their ambitions. Regardless, those are unfortunate misconceptions, as a wide variety of creative individuals attend fantasy conventions, providing a vast array of professional opportunities. For writers in particular, multi-genre conventions such as MegaCon, an event held annually in Orlando, offer numerous chances to network, increase writing skills, promote books, inspire stories, and develop new relationships. (You noticed I didn’t include make money? That’s because authors should think of conventions as investments in their writing future, not as a means of making a quick buck.)

MegaCon has been consistently productive for me as an author, and I’ve been working it since 2006. That doesn’t mean I sell hundreds of books there every year, nor does it mean I always recoup my expenses. Conventions are not cheap. Even if you’re a guest author who doesn’t have to pay for entry to an event, there are still plenty of costs involved. Transportation, the type of vendor space you select (if any), whether or not you are sharing booth/table expenses and hotel accommodations, and the cost of books and promotional materials, can result in you spending several hundred dollars or more.

If you think this is expensive, I certainly won’t argue with you, but if you’re an author hoping to spread the word about yourself and your books, you should try not to think of the expense as Farmer Maggot setting his dogs on you. Instead think of it as the potential for new friendships, networking opportunities, and future sales, even if it takes an upfront bite out of your pocketbook. (There are always ways to tame the beast, even at large events like MegaCon.)

Still not convinced? Consider the following: According to the MegaCon website, their attendance in 2015 alone was 95,000! That’s 95,000 opportunities that could walk past your table more than once, and that’s not even counting the opportunities available to you from the hundreds of vendors who are, by the way, always generous with convention information. With any investment, you typically go into it with the goal of making a profit, or at least recovering most of your expenses. If you go to MegaCon thinking book sales is the only way to determine your success, however, you will be mistaken, and maybe even a little disappointed. Let’s take a closer look at what that means.

In a vendor room of over 500 dealers (yes, that’s how many MegaCon has) your books will not just be competing with other books. They will be competing with action figures, celebrity autographs, t-shirts, art, anime plushies, and more. That’s why it’s often tempting to stay behind your table in order to sell. Sure, you might sell all your books that weekend and make a profit, or you might sell enough to recover some of the expense, but either way, the experiences and opportunities you gain there, even away from your table, can prove to be invaluable to you as a writer.

It’s hard not to think of table sales when doing events like these. I am often hesitant to leave my space, not only because I’d hate to miss a sale, but because it means someone else will have to look after my table for me. When I do step away, I remind myself that every person who picks up my business card is still a potential customer, perhaps not at the event itself, but down the line when they look up my website or decide to buy my book in e-book format. For every minute I’m away, I do risk losing a sale—that day. But if while away I gain information that is of interest to me, am invited to be on a future panel, learn of another event, or gain a new professional contact, was the loss of that sale really so great?

At this writing, MegaCon just updated their website for 2016. Though it is not yet complete, it does include the online applications for vendor space, which range from $295 for an artist alley table (you qualify if you are self-published) to $1025 for a 10 x 10 retail corner booth, with other choices in between. You can reserve space with a deposit and pay the balance later, which is really nice since not all events offer this. If you are interested in purchasing space, I recommend you submit your application as soon as possible. MegaCon gives current vendors the opportunity to reserve space for the following year at the end of each event, and many of the vendors from 2015 have already done so. Next year MegaCon will be held for 4 days instead of the usual 3. One more day of marketing, right? The dates are May 26-29, Memorial Day weekend, so mark your calendars. For additional information, visit the MegaCon website at megaconvention.com.

MegaCon was one of the first conventions I participated in as an author. Since then, I have been to many, some small, others large, but few that I did not feel were worth the investment. Through events like these, I have met hundreds of authors and other professionals in the field, gained knowledge and insights from panel discussions, developed a better business sense, been exposed to a wide variety of creative endeavors, and met kindred spirits too numerous to count. If you’re still not sure, visit MegaCon next year, talk to authors, guests, and vendors, and see if it’s right for you. I will be there, and happy to answer your questions!

Tracy A. Akers is the award-winning author of the Souls of Aredyrah fantasy series for young adults. She grew up in Arlington, Texas, but currently makes her home in the rolling hills of Pasco County, Florida. Ms. Akers has been a guest author at major book events, writers’ conferences, and sci-fi/fantasy conventions, and was on the steering committee for Celebration of the Story, a literary event held at Saint Leo University. As a Florida Book Awards winner, she was acknowledged for her contribution YA literature by the Governor of Florida during the 2008 Florida Heritage Month Awards Ceremony. Her books have been included on the Florida Department of Education’s “Just Read Families” Recommended Summer Reading Lists. Ms. Akers is currently working on a new YA trilogy, a novella with ties to the Souls of Aredyrah series, and several fantasy short stories. She can be reached through her website at soulsofaredyrah.com.

 

Where Sweltering Heat Meets the Inner Geek – Guest Post by Victoria Morris

 

 

– Guest Post by VictoriaMorris

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I’m fairly new to the comic con scene. My first foray was a two hour visit to Emerald City Comicon here in Seattle, just so I could get a feel for the crowds I figured I would have to deal with — in preparation for the trip south later that summer for the 2013 Phoenix Comicon. Since the noise and the commotion only made me happy to be there, I figured I was good to go.

Phoenix proved it could bring its own unique spin. First, it is HOT. And when I say hot, I mean, I’ve lived in Arizona, and have wonderful memories from that time. But Phoenix at the end of May, beginning of June feels like you’re the egg frying on the sidewalk. The convention planners are smart though, and as they grew, they moved operations into the convention center — handy, since that’s right across the street from the Hyatt Regency Hotel.

The Hyatt runs misters along the outside of their building, making the walk much more comfortable. And it’s literally just one crosswalk away to the front doors of the southwest’s inner geek heaven.

The main floor of this con, where you’ll find the artist, author, and comic alleys, is built below ground.  It’s cool, comfortable, and seriously easy to navigate. Within minutes, I knew my way around, and was more than comfortable to assume the job I had traveled 1,200 miles for: to assist at The Coppervale Marketplace booth with James A. Owen.

I spent then, and continue to spend now, the majority of my time at James’s booth. For some, I’d bet you’d think that would be boring — especially when the likes of Richard Dean Anderson, Nichelle Nichols, or John Barrowman are high on the special guest lists.  Believe me, being at this booth is anything but boring.

My first year there, I got to play photographer for James as he met Dean Cane. Superman meeting an actor who played Superman. Super cool, right?  Oh it gets better! That year, Terry Brooks was also a Guest, and he came to visit with James not once but twice.  Right there, just hanging out. He invited James to dinner with he, his wife, and his sister. Just a small gathering, and let me tell you — watching an author you admire bounce like a kid in a candy store because an author he admires invited him to dinner… yeah, that doesn’t stink. When it came time for that special meal, I made sure James wasn’t sidetracked by adoring fans or the thousands of comic books in his path to the doors. And while James chatted with friends, Terry came down. He smiled that endearing smile, and asked if I would be joining them. I shook my head.  Oh no, thank you Terry, but this night is for you and James. I waved them off and went back to the booth. Have you ever met Karma and shaken her hand, right while you knew you were? I knew right then and there, Phoenix Comicon would always be my favorite event.

Each of the last three years I have traveled to work the show. No longer just a hand at the booth, I took over most of James’s con planning because of the ease I found in Phoenix. And I know a lot of that is because they do such a wonderful job taking care of their guests, artists, authors, and every single one of the 55,000-80,000 attendees.

This last year they rearranged things to make the lower levels easier for everyone — celebrity guests were all moved upstairs, giving the lower level several more rows to work with that had been designated as line-place-holders in the past.

They also changed management. And with that came a high focus on guest comfort. At least three times a day, we had a staff member come by the booth to ask if we needed anything. And when we did, we had it within minutes.

From a fan perspective, I noticed they were much happier with the newer setup. I always have wonderful conversations with the people who come to Coppervale’s booth. We usually have a lot in common. It probably doesn’t hurt that I could talk about a certain series of books every single day for the rest of my life and still not get enough of them. But here, I always find new friends, get to show them some amazing art, and even sell them books that I truly cherish. Sometimes I think I’m getting more out of the deal than they are.

Every one of the three years I’ve attended, Phoenix has made me feel like I’ve come back home. Every warm home, both literally, and in heart. I couldn’t put a number on how many people living there are friends to me now thanks to this convention. And because of that, I will attend for as long as I am able to.

Some other additions: Last year, Phoenix added a Fan Fest event that took place in December. Though smaller, and more focused on the comics side of the show, it was a success, and Phoenix Comicon Fan Fest 2015 will again take place at the University of Phoenix Stadium in Glendale. This year it runs December 4-6.

The important information: Phoenix Comicon updates their site well, and is currently set to the Fan Fest event.

Where: For Phoenix Comicon:  Phoenix, Arizona

Venue: Phoenix Convention Center

When:  June 2-5, 2016

Costs:

  • Attendees – If like past years, Comicon 2016 passes will come available for sale in December once Fan Fest concludes, with a cheaper sale price ($45 last year for Full event) running through the new year. After the holidays, the badges will go up to regular and at-the-door price. ($55-$60)
  • Hotels sell out quickly. The Hyatt will start taking reservations in January for the con block of rooms. There are several other options; The Renaissance, and The Sheraton for example, but they too will sell quickly. Should you wish to attend, plan accordingly.
  • Vender booth –
  • Artist Alley –    All pricing to be set after Fan Fest.
  • Author Alley –

Guest Writer Bio:
Victoria lives on the edge of a misty magical forest in the Pacific NorthWest with one husband, two daughters, a big white dog and one huge resident bald eagle that likes to circle over her house when she brings in the groceries. A lifelong artist and writer, Victoria is building a universe inside her head that has taken form in a six book fantasy series, with a middle grade trilogy on the side. While illustrating the world and all its characters is always on her mind, she draws portraits in her spare time to relax. Find out more at www.VictoriaDMorris.com.

The Late One – World Fantasy Convention

For most, convention season is winding down. While you can find cons at any time of year really, the bulk of the major cons take place during the summer months.  But one major con is different, choosing to fight the power and place itself in late October or early November. And since I won’t be making it to any conventions this calendar year, that makes the 2014 World Fantasy Convention (which I did attend) the perfect one to write about.

I call WFC a major con, but that’s really misleading. While it’s a very venerable con with (it will be putting on its 40th convention this year in Saratoga Springs, NY) and it has a major genre award attached, WFC numbers in the hundreds rather than the thousands of attendees (to say nothing of tens or hundreds of thousands).

As opposed to broader media cons, it’s also almost entirely focused on books, and is almost entirely focused on business rather than fandom. WFC is a work con. It’s a place to go and network, to meet people serious about the business of writing and publishing. As such, if you’re someone like me, who doesn’t have a lot of time for con attendance, it offers a strong “bang for your buck” factor if your main goal is networking.

But I don’t want to make it sound boring, because it’s anything but. Sure, the focus may be on business, but this is still a place to meet up with friends in the industry and a gathering of some of the world’s biggest genre geeks. While it’s true that cosplayers are generally nowhere to be seen, there is still plenty to enjoy. Both times I’ve been (2014 and 2012 near Toronto) I had a great time. And frankly, as a pretty strong introvert, WFC’s smaller size is appealing to me (and I suspect I’m not the only introvert to whom that would be true).

As a Virginia native, when I learned that WFC 2014 would be in “Washington, D.C.” (and I say that in quotes because it was really in Crystal City, Virginia, just over the Potomac River from D.C.), I knew it would be criminal not to attend. Having a major con show up within driving distance really gives you no excuse to do otherwise.

As with many cons of this sort, while the panels provide a lot of quality programming, the real action happens in and around the hotel bar. You’ll find convention goers there at all times of day, their only concession to the rising sun switching to coffee instead of harder stuff. It’s always surreal to roam around the bar area, noticing various writers and publishing giants just sitting around, talking business or just shooting the breeze. I even got to discuss the 2014 NCAA College Football season with literary agent extraordinaire (and Michigan Wolverines fan) Joshua Bilmes after he noticed my Virginia Tech shirt.

As I alluded to above, WFC is also the keeper of the World Fantasy Awards, in the past won by such luminaries as George R.R. Martin, China Mieville, Susanna Clarke, Madeline L’Engle, Gene Wolfe and Ursula K. Le Guin. The award winners are selected by a committee from a pool of nominees supplied by conference goers. There is a banquet to announce the winners at the end of the convention, which any attendee (provided they paid the extra fee) may attend. I attended in 2012 but didn’t feel the need to do so again in 2014, preferring instead to get home a little earlier.

I came back from last year’s convention with a bunch of new friends, a submission request from an editor, some great loot (a print of the A Memory of Light cover art signed by Brandon Sanderson and MIchael Whelan and a early-release signed copy of the Jeff VanderMeer Area X Omnibus), massive sleep deprivation and a whole lot of fun memories. If I had to do it over again, my only change would be to determine that our hotel wouldn’t allow more than two beds due to fire code restrictions. It made for a difficult sleep situation for our third roommate. At some point, I am fated by karma to sleep on the floor of a hotel room in Martin’s name.

So if, like me, you have to carefully pick your conventions and maximize your limited opportunities to attend, give World Fantasy Convention a try.

 

About the Author: Gregory D. LittleHeadshot

Rocket scientist by day, fantasy and science fiction author by night, Gregory D. Little began his writing career in high school when he and his friend wrote Star Wars fanfic before it was cool, passing a notebook around between (sometimes during) classes. His first novel, Unwilling Souls, will be available later this year. His short fiction can be found in The Colored Lens and the upcoming Game of Horns: A Red Unicorn Anthology. He lives in Virginia with his wife and their yellow lab.