We Always Need a Goal

Setting goals is the first step in turning the invisible into the visible.

We all want something. It could be a new car, paying the rent on time, having a family, writing a novel, being a politician, or simply enjoying a nice cup of tea at 3 o’clock. It doesn’t matter if the want can be achieved quickly or if it takes several years to realize. Without the want, and without the conscious desire to reach it, there is no goal and nothing will happen.

Having a goal involves choice. We can choose to work toward or do something, or we can choose not to do anything. Either way, there will be an outcome, a goal achieved. Whether that goal is personally fulfilling or productive, whether it enriches or sabotages your life, that is another matter,. No matter the outcome, we all have goals.

These atatements may seem rather philosophical, but it’s important to understand that we always have a goal, whether we’re actively or inactively achieving it. Knowing that we have free agency to determine outcomes, frees us to set goals which are not only achievable but also fulfilling. And no, setting unrealistic goals in which one doesn’t participate to achieve the final outcome, doesn’t count. Unrealistic goals are simply fights of fancy or dreams. A goal should be something which spurs us into action (or inaction, but arguably, that is an action in and of itself).

A dream becomes a goal when action is taken toward its achievement.
Bo Bennett

Reaching the target may or may not always happen in the way it was envisioned. That’s okay. Without a goal you can’t get close to the target. For example, in high school and university, I always strived for 100% on exams. Did I achieve that? Sometimes but if not, it wasn’t for a lack of trying. I figured out early on that I always made mistakes, or forgot something. That wasn’t the point. When I strived for the highest mark, my grades were higher than when I didn’t. Having a goal meant caring. If I cared a lot, the results were better becasue I rose to the challenge. If my goal was low, my grades were lower. It was that simple.

So, what does this mean for me as a writer?

I want to write a best seller. So I read best sellers. I study them. I study as well as practice the craft. Will I ever write a book that has the potential to be a best seller. Yes. After writing the book, will my goals include all the promotion and marketing needed? Yes. How hard will I work to realize this goal? That is always the question. But my point here is is that without the goal, I can’t do the work. The goal is my motivation for writing what I deem to be a good novel. I don’t want to self publish messy first drafts. It’s about doing it the best I can. The added benefit is that having a goal and working toward it makes me happy.

People work better when they know what the goal is and why. It is important that people look forward to coming to work in the morning and enjoy working.
Elon Musk

We all have goals. We all need goals. Goals give us direction, purpose and ultimately the process of achieving them should make us happy. Achieving them should elate us but I’ve always found it important to understand that goals change and the art of moving toward the goal can influence and change the outcome.

In many ways, our goals are not that much different from a story or character goal. Like the characters we write, we have desires, passions, and needs. We strive to fulfill those passions. There are ups and downs, set-backs and rewards. We get more information, something interrupts our progress, we persevere, we fight, and ultimately, we come out the other side to laugh, celebrate, or cry.

Most of our goals are active goals. We need them. Through them, we find meaning in our lives and pass down that meaning through our characters, Incidentally, that meaning is also called theme and it makes sense when you remember the addage that we shoul dwrite what we know best. Story is about goals both achieved and thwarted. When we recognize our goals and work toward them, we compel ourselves to actively participate in their achievement. We give meaning, not only to our lives, but also to our characters.

Goals are important. Striving to reach them is important. Whether they are reached as initially dreamed of, may not be as important as having a dream and striving to fulfill that dream.

It’s not an accident that musicians become musicians and engineers become engineers: it’s what they’re born to do. If you can tune into your purpose and really align with it, setting goals so that your vision is an expression of that purpose, then life flows much more easily.
Jack Canfield

The Stories that Just Don’t Sell

What do you do with your “dog stories”–the ones that just don’t sell?

I have a few of those.  There’s the story that was written the day of the deadline, because I really wanted to submit something but I had too many other deadlines due first.  There’s the story that was written for a very specific anthology call that feels as though it will be hard to place.  And there’s the story that just wasn’t a good fit anywhere.

These three stories ended up meeting different fates.

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Day-of-Deadline story ended up being okay.  That’s it.  Just “okay.”  It’s a passable action-adventure story, but when I reread it, I don’t see anything special about it.  The characters aren’t that unique.  Their world feels like a generic steampunk-ish setting.  When I finish the story, I don’t feel that I have anything to “take away” from it other than “well, that was 15 minutes of entertainment.”

There are enough good stories out there that editors are unlikely to buy a story that’s merely “okay.”

I have this story on hold until I can give it a more unique identity.  Maybe that’ll be by developing the setting, which in turn will give the characters new challenges.  Maybe that’ll be by making those characters more complex.  I might be able to rework the story I have, or I might have to rewrite it almost entirely.

The moral of this story is that this tale needed more time than the 24 hours before deadline to be refined into something memorable.  Without a heavy rewrite, this story isn’t good enough to sell.

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Specific-Anthology-Call is a Weird Western with horror and fantasy elements.  I wrote it for a horror-themed anthology, but it quite fit the “feel” that the editors wanted for the book.  Now I’m stuck with this bizarre story that’s struggling to find a home.  I don’t think it has enough classic horror elements for most horror calls, but it’s too scary and gory for kid lit, and there’s no steampunk elements in it.

This story’s got a unique identity…it’s just that the identity is so quirky.  I’ve shopped this one around to one Weird Western call since, and I’m waiting to see another before submitting it again.  It’s going to take patience to find it a home.

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Finally, there’s a short story I wrote that I liked very much.  I didn’t write it for a call–I wrote it because this was a specific kind of tale I wanted to tell.  I gave it to some beta readers, all of whom said they found it confusing.  They missed the in-text hints that suggested the true reasons behind the characters’ motivations.

I rewrote it, and received the same feedback.  I didn’t want to write down to my audience, or explain the obvious, but with feedback like this it was clear to me that my subtle suggestions were too subtle.  My readers were missing them, and therefore didn’t understand what was going on.

I rewrote it again, in a clearer form, and when I thought I’d gotten a good balance between “make sure the reader doesn’t have to guess too much” and “beat the reader over the head with the clue-by-four,” I submitted the story.  And submitted it.  And submitted it.

Over three years, I received five rejections.

After each rejection I reviewed and revised.  I got two “this is a serviceable story, it’s just not our kind of story” replies.

Unlike Day-of-Deadline Story, Specific Anthology Call, and my rejected flash fiction, every time I reviewed this story, I felt more faith in it.  I believed that this was a good story, not just an okay one.  I believed that it was unique and interesting.  I felt that there was something to take away from it.  I believed in this story–for logical reasons, not just because of ego-driven reasons.  I knew I could, and have, written crap; I just didn’t believe this one was crap.  And so I kept cleaning it up and sending it out.

Then.

A call for submissions, to a magazine where I felt the story might be a good fit–but the story had to be 1000K shorter than its current state.  I wasn’t sure I could make the story clear enough to follow, without cutting out any critical plot points, and also pare 1000 words.  I decided to try.  I focused on wordy sentences, repetitive descriptions, non-crucial detail.  Any word that wasn’t essential had to go.

I got the story under maximum length…barely.  I submitted it.

It sold.

There’s an art in knowing which of your stories are fundamentally flawed–the ones where you’re better off chalking them up as learning experiences and starting fresh–and which of your stories are good stories that just need to find a place to fit.

Goals: Can’t Live With ‘Em, Can’t Live Without ‘Em

Welcome to 2018!

We hope your 2017 was full of wonderful words and stories, and that 2018 will be even better. That might even mean giving up on your New Years resolutions.

It’s shocking to think about, isn’t it? Quitting your goals? Almost taboo. Most of us have “never give up” stamped on the insides of our brains, and tell ourselves we’re quitters and failures if we do give up. Sometimes we barrel through our goals even when it’s no longer in our best interest.

This month, we’ll discuss when it’s appropriate to quit your goals. That’s right – when failure is your best option. Are you ticking off items in your to-do list just to do them? Are your goals no longer serving your overall purpose?

Some of us may not agree with quitting your goals, however. Some of us might say complete the goal anyway, because it’ll create a good habit for you to always complete your goals. Perhaps it’s best to modify your goal instead of doing away with it completely.

Please enjoy this month of thinking critically about the goals we set and when it’s best to quit them, modify them, or complete them! We’d love to hear your thoughts on our posts – please comment whenever a thought on the topic comes to mind!

2017: Looking Back and Looking Forward

Over the last month, you’ve celebrated the year through the eyes of the Fictorians and our guests. I think it’s safe to say that everyone had their share of ups and downs this year. We’ve reached the end of 2017 and tomorrow many of us will look at the coming year with a sense of purpose or a sense of uncertainty. There are 365 days ahead of us as writers. Some of them will be good and some will not – this is the writing life. What matters is that we face them together and do the very best we can.

By now, I’ve completed a list of what I think my goals should be for 2018, but I know that I may not reach all of them. If 2017 has taught me anything, riding the wave of opportunities means that my best laid plans will most certainly change. Remaining flexible is critical. Some times, you have to actually quit your goals. That’s what we’ll be talking about in January here on The Fictorians. Before we do that, though, I’d like to leave you with one more thought about your year in review and the year ahead.

One of the books that’s immeasurably changed how I approach writing is The Artist’s Way by Julia Cameron. One of the tenets of Cameron’s book is the concept of Daily Pages. Over the last few years, I’ve used a couple of different notebooks to do this. The idea is simple. Every day, sit down and write three pages. What do you write? Whatever is on your mind. I think of it as clearing the mechanism – I just write whatever is on my mind – a pure stream of consciousness technique. Often times, I may start off with a regimented idea of my to-do list or something similar. Some times I’ll start with a favorite memory from the day before. Sometimes, I’ll just vent my fears, my anger, or my remorse. By sitting down and forcing it out of my head, I’ve found that my writing time is more productive. I’m less likely to fall into my social media distractions. I’m more likely to hit my word count goal for the day when I take the time to write my pages. Three pages may be too much for you at first. I tend to do two pages on a pretty regular basis. Find what works for you. Clearing your mechanism is a good way to look past the stress in our lives. Journaling is a great way to get in touch with your ideas, too. Simply put, I recommend it. Whether you’re committing to a New Year’s Resolution or not, one thing writers do is read. If you haven’t read The Artist’s Way, do so sooner rather than later. Your writing will thank you.

Best of luck with your writing endeavors in 2018. We’ll be right here cheering for you.