Imagine being alone in a cabin, writing without being disturbed by anyone and without a cell phone or internet. The basics are there – plumbing, electricity and a land-line phone for emergencies. The cabin is as cozy warm as the ability to remember to stoke the old wood stove. Sitting in the comfiest recliner, laptop propped on the lap, flying fingers blurt out vivid scenes. You write, you sleep, you go for the occasional walk to clear your head or to work out a problem and then you begin again. Word count rises and spirit soars.

This was the greatest gift I ever gave myself – a whole month of writing, thinking and sleeping. Beyond the accomplishment of a story told, it transformed my understanding of what I need to be a writer.

We try to balance our writing life with our everyday lives which includes work, family, friends and fun in our marvelous technological society. These things are important yet equally important is the need for time to think, create and write. So we plan and eek out snippets of writing time – an hour here, an hour there, a workshop here and a two day retreat there – and we write. Yet, as important as those snippets of time are, they are not solitude for solitude is immersion without expectation of interruption or immediate cessation.

Solitude provides the luxury to explore, think and integrate. Sometimes it isn’t the word count that’s required but the ability to think, brainstorm and plot without distraction. The balance now is that I create opportunities for solitude (even if it’s half a day) and the results of being centered, free-flowing creativity and the calm from problems solved spill into those precious snippets of writing time.

On that month-long journey of solitude, I discovered that in order to achieve solitude I must walk down the path of desperate loneliness where there are no people, no events, no media – nothing exists but me and my thoughts. Junk-noise and junk-thought withdrawal can be a painful albeit rewarding experience. Now I make a conscientious effort to shut out the junk-noise and junk-thought. Yes, people aren’t happy when I don’t respond to texts or phone calls for hours but they aren’t writing my stories and the unplanned interactions dissolve the state of mind I need to be in.

I never wrote so much so quickly and I never slept as much before! The experience made me aware how exhausting the creative process is. After writing for hours, I’d inhale some food and collapse into a stone-dead nine hour sleep and then do it all over again. So sometimes when I’m reluctant to write it’s because I know I don’t have the energy it takes to be fully engaged nor do I have the time to allow the grey cells to warm up to enough to integrate ideas before creating a coherent symphony of words. Now, I’m a little more forgiving of myself in those moments and I work hard to make sure the time and the energy I need are there.

Solitude allows the brain to become more sensitive to the emotional tenor of words, to the rhythms of not only speech but of story pacing – it’s the crescendo and denouement of action and reaction, heightened and relaxed emotion, the interaction of protagonist and antagonist, the prose of world building mingling with characters experiencing the dynamics of the world. Having an extended experience of the rhythm of words, images and scenes, and having done it long enough to integrate it, I go back into that state when I write. For me, it’s meditation through writing.

I always thought that solitude was the ideal writing state and had dreamed of being sequestered in a cabin writing forever. Not anymore. Surrounding ourselves with family and friends, experiencing life, those are the things that are fodder for our creative selves. We are creatures of the pack and loneliness in the extreme can as easily erode our ability to write as can the distractions. Balancing solitude and writing with family and friends – that’s what I need. I’ll take my month of solitude again and I’ll keep finding small blocks of it in the meantime. But, I’ll also cherish my time with family and friends for solitude works best when we have something to leave and go back to again!

Happy writing!

Writing Friends

December 18, 2013

fictorians

Guest Posts The Writing Life No Comments

A guest post by Megan Grey

Writing can be a pretty solitary pursuit. Hours spent alone in front of the computer, most of which is ideally spent actually writing rather than playing Candy Crush. Just a writer and her mental sandbox in which to create fantastic new worlds and characters. Honestly, as an introvert, the idea always appealed to me. That, and the idea of working while wearing my Super Mario pajama pants.

But as it turns out, writing a novel is a monumental (and often emotionally draining) task. Between the discouragement of facing the blank page when you feel like you have absolutely nothing to say and the agony of realizing that your story is broken and you have no idea how to fix it, there can be lots of time when a writer needs help. And who better to provide support than those who understand the emotional ups and downs themselves?

Meeting and becoming friends with fellow writers has become the greatest gift I could have asked for in my career. Whether professional authors or relative newbies like myself, my writer friends have been there for me every step of the way. They are excellent at encouraging me, at listening to me vent at a particularly difficult rejection and knowing exactly what I need to hear to dust myself off and get back to the keyboard. They help me by reading and critiquing my work, helping me turn a mediocre story into one I can be proud of. They share tips on upcoming contests or open submission windows or how to shorten that overlong query letter. My writer friends have motivated me through their own successes and trials. And trust me, having friends to hang out with at conventions is way more fun than sitting at the hotel bar alone, pretending to be having a fascinating text conversation on your phone.

Look – Frodo didn’t take the One Ring into Mordor all by himself, did he? Sure, the weight of your novel rest primarily on your shoulders, but writing friends can help ease that weight a bit. So how do you go about finding them? Here are three ways in which I’ve met most of mine:

Writing workshops/seminars/conventions – My favorite way to meet fellow writers, by far. Workshops can be fantastic ways to improve your craft and learn more about the business. And the writers that spend the time and money to come tend to be those that are dedicated to their chosen profession, which are exactly the kind of writer friends you want in your corner. My favorite of these is Superstars Writing Seminar, but many bestselling authors teach workshops, allowing you to learn the craft from one of the masters. As for conventions in the fantasy and sci-fi genre, WorldCon and World Fantasy Con are the two biggies in the industry, but smaller local conventions also provide a great way to meet your peers.
Online forums – Though conventions and writing workshops/seminars is my favorite way to meet writers, lets face it – it’s not always financially feasible to attend too many of those. And your day job may actually want you to, you know, show up on occasion. Luckily, we have the wonders of social media at our fingertips. Twitter and Facebook are two popular options, but there are lots of websites with forums dedicated to writers being able to come together and discuss the business. Contribute to the discussions in the forums (remember, though, that it’s not all about you – keep the self-promotion at a bare minimum), you’ll find that you can form some pretty great friendships with people you’ve never met in person. Two of my favorite forums to hang out in are the ones on AbsoluteWrite.com and WritersoftheFuture.com (the latter, though, is primarily for fantasy and science fiction writers. I’m sure there are great sites for writers of all genres).
Writing groups –Writing groups don’t necessarily work for every writer, but I’ve found they can be a huge help, not only for critiquing my work, but for meeting great writer friends. A little searching on the internet or checking for flyers at bookstores can often reveal that you have more writers in your local area than you might think, with groups already formed looking for new members. And don’t forget the online option. I’m currently in a fantastic writing group that meets via Skype with people from all over the country—a group I found while at a convention.

Writer friends can be a great boon, but remember that the same rule applies here as it does to any relationship. To have great writer friends, you need to be a great writer friend.

Thankfully, like writing itself, that’s something you can do while wearing Super Mario pajama pants.

Guest Writer Bio:
Megan Grey currently lives in Utah with her husband, two kids and two yappy dogs. Her story “To Be Remembered” won the Editor’s Pick Grand Prize in a fiction contest for the Animism: The God’s Lake animated TV series. Her story “Missing” will be upcoming in an issue of Fireside Magazine. She has received several honorable mentions and a semi-finalist award for short stories in the Writers of the Future Contest.

Blood, Sweat & Hooked on Phonics

December 17, 2013

Nathan Barra

Motivation Nathan Barra The Writing Life 2 Comments

I was born and initially grew up in a bilingual country. My Canadian public school system sought to make its students proficient in both French and English by high school graduation. French was taught from kindergarten to sixth grade and English from six grade through twelfth. The problem was that my dad was transferred when I was nine, and though I had French proficiency at a third-grader’s level, I was effectively illiterate from the perspective of my new, all English school.

Elementary school in a new country was difficult enough without having to simultaneously catch up and keep up. It took an incredibly difficult couple of years for me to reclaim my literacy. I was incredibly lucky however. When my dad’s company arranged the paperwork for us to immigrate, they were unable to acquire a work visa for my mother. She decided to devote her time to tutoring my brother and me after hours.

To this day, I remember coming home from school, completing my assigned homework to the best of my ability, and then sitting with my mom at the kitchen table for hours. My nights were largely occupied with hooked on phonics, supplemental workbooks, and educational games. As any third grader would, I resented the extra homework, but I hated feeling stupid more, and so I worked my butt off.

Over the months, I struggled my way to literacy, graduating from games and primers to picture books, and eventually working my way up to novels. My mom gifted to me my love for reading through patient hours, frustrated tears, endless encouragement and enthusiasm. Though hesitant to give us toys, treats, and video games, my mom was ever generous with books. I could have as many as I could read. The library became an awesome place.

Eventually I caught up to my peers, but the momentum I had built up in my struggle carried me forward, past many of my classmates. My mom’s work permit was eventually granted, and she returned to a day job. By that time, however, working on my reading was no longer extra homework. I loved the stories and the adventure. I loved to read.

I never knew how much my mom kept from those early years until I was packing everything I owned to move halfway across the country. A few nights before I was scheduled to leave, with most of my life packed away in boxes for storage or for travel, my mom found me and showed me a giant Tupperware box, grayish from years of dust dulling the maroon of the plastic. Together, we opened it and inside I found not only the standard detritus of a young child’s life, but those months of workbooks. More importantly, I found stacks of stories written by a barely literate me. I thought that writing was a passion I had picked up in high school and college, but she showed me that I have been writing quite literally since I learned to read. Some of the stories were even in French.

I credit my mother with giving me the gift of literacy. Sure, I worked for it. I shed blood, sweat and tears, but without her patience and love, I would not have the passion for storytelling that is my calling. It is because of her that I can be a writer at all.

Thanks mom.

The Gift of Scorched Earth

December 16, 2013

Gregory D. Little

Character Craft & Skills Editing First Drafts Gregory D. Little Motivation Rewriting Storyline The Writing Life 4 Comments

Today’s post is going to cover two gifts for the price of one, both intangible and tangible.

I began my first novel manuscript in January of 1999. There were three of us then, and during our winter break from college, we set out to write the greatest epic fantasy novel known to man. I probably don’t have to tell you our plans didn’t quite pan out. But flash forward four or five years, and that book, the first thing I ever tried to write with a serious intention of publishing it, was nearly the reason I quit writing for good.

My co-authors dropped out early in the process. We enjoyed talking about our story’s awesomeness more than actually working on it together. But I’d continued plugging slowly along on the book throughout college. And by the time I was graduated and then married, I had a couple of hundred draft pages. That seems like a tiny amount to Present Day Greg, but at the time it was by far the longest thing I’d ever written. The trouble was, I’d basically stopped working on it.

I told myself I was just busy. Working at a full-time job and commuting three hours daily left me very tired by the end of each week. But that wasn’t it. In truth I no longer believed in the story I was writing. I was no longer excited by it, because there was a dissonance between the plot and the protagonist. I didn’t believe that this protagonist would be responsible for the acts of his recent past that formed the foundation of the plot.

I’d be willing to bet a lot of writers don’t consciously decide to give up writing. It just sort of happens bit by bit, day by day until they look back and realize it’s been months or years since they’ve written. The point of no return is when this thought no longer bothers them. I came pretty close to that point. A more experienced writer would have just tossed the idea and started on a new one, but that wasn’t how I looked at it. The germ for this story had been in my head for a decade. If I couldn’t even see it through, what hope did I ever have of being a writer? But the Sunk Cost Fallacy had me in its claws. For those unfamiliar, the Sunk Cost Fallacy is the human tendency to “throw good money after bad” and continue investing in something that isn’t working just because you’ve invested so much into it already.

I can’t remember exactly when it happened, but I gradually gave myself permission to scrap what needed scrapping in order to the save the story. It started with rewriting the protagonist into the antagonist, but by the end I trashed every single word of text and started over. Some of the characters’ relationships to one another and some of my original world-building concepts would survive, but every bit of the prose was fed into the furnace of reigniting my excitement for the project. It was total scorched earth, and as much as I’d dreaded the concept, it was surprisingly liberating once I’d committed myself to it.

Eventually I finished my monster of a first manuscript, An End to Gods. The final product is infinitely better than the project was originally shaping up to be. I’ve gotten much faster and trimmer as a writer since then, and the book is still too big and too Byzantine to publish as a novice writer, but I love it for all its messy complexity. My cousins even collaborated to get it printed and bound in leather for me several Christmases ago, complete with custom chapter icon artwork (Ben and Duncan, you guys still rock!) and it is still the coolest gift I’ve ever been given. It’s sitting on my shelf behind me as I type this (and in the picture at the top of this post). I don’t mind telling you I got teary-eyed when I first laid eyes on it, and I still plan on publishing it one day, however many rewrites that takes. I’ve already done it once, after all.

So there you have it. Two greatest gifts for the price of one. Kevin J. Anderson likes to use the phrase “dare to be bad (at first)” and that’s excellent advice. But if that first draft is so bad it’s discouraging you from continuing to write, it may be time to tear it down and start again.