International Association of Media Tie-In Writers (IAMTW)

iamtw-logoSince the theme of the month for the Fictorians concerns adaptions, I thought I would introduce our website visitors to the professional organization for media tie-in works. While not as well-known as the Science Fiction and Fantasy Writers of America (SFWA), the Horror Writers Association (HWA), or Mystery Writers of America (MWA), the IAMTW is filled with many recognizable names who are members of those other organizations.

Media tie-in writing has been around for ages. Within the past 35 years, it has expanded beyond adapting movies and plays to include games (both desktop RPGs and video games) and expanding the original universes of movies.

At one time several decades ago, if an author accepted a contract to adapt an original movie to book format, it was looked upon by many professionals in the field as an unrecoverable mistake. Once an author wrote a tie-in work, they were considered hacks and looked down upon.

These days, there is a more welcoming aura when media tie-in writers are concerned. Some of the old guard may still have issues, but with the way the writing industry is flailing around, a solid book contract is a positive thing. Movies, books, games, and even music albums are being converted to other forms of entertainment. A good example is the drummer of the band Rush, Neil Peart. He wrote the lyrics for the Clockwork Angels album and collaborated with science fiction author Kevin J. Anderson to write a book based on the concepts.

Writing media tie-in works is tougher than writing a novel from scratch. If one writes a book beyond a movie adaption, such as Alan Dean Foster’s Splinter of the Mind’s Eye, one has to take a lot of restrictions into account before plotting and writing the work. Those restrictions may include making sure the established characters act properly and that your story line does not impact upcoming installments of future movies. Keeping the expanded universe straight is a tough gig, especially after years of multiple authors writing novels. If you make a mistake, the otaku-type fans will be the first to let you know.

Eventually, there were enough professionals writing tie-in works that authors Lee Goldberg and Max Allan Collins founded IAMTW. The organization consists of writing pros who have been contracted to write licensed tie-in works for a professional rate. Fan fiction does not count towards membership.

Benefits of membership include articles and contact information of interest to authors looking to write more tie-in works. IAMTW also hosts the Scribe Awards, which acknowledge and celebrate excellence in licensed tie-in writing—novels based on TV shows, movies, and games. Award categories include best original novel, best speculative fiction novel, best adaption, best audio play, best short fiction, and best YA novel. The awards are determined by a juried committee and anyone can submit their work.

For more information about IAMTW, visit their website at http://iamtw.org.

Howl’s Moving Plot Points

As far as film adaptations go, Howl’s Moving Castle isn’t the best. It hardly resembles the book at all…and you know what? I don’t mind. I love them equally.

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(Spoilers ahead)

Diane Wynne Jones’ book is delightful. Even though it was written for kids it has some unexpected clever twists and a delightful subtext. As the title suggests the central figures are Howl and his moving castle, but oddly it’s not told from Howl’s point of view. It’s told from Sophie Hatter’s point of view. In the books, Sophie (the eldest of three sisters) is a pessimist who thinks she’s doomed to live a boring, monotonous life —  so of course she’s my favorite character. She has the ability to bring objects to life by simply talking to them — an ability that she’s completely unaware of for most of the book — and an incredible inner strength. Sophie gets cursed by a witch that confuses her for one of her sisters. The curse turns Sophie into an old woman. Rather then explain it to her family she runs off, gets a job as Howl’s cleaning lady, and makes a deal with Howl’s fire demon in order to break her curse. By the end of the book Sophie’s curse, and a few others besides, have been broken, the villain is defeated, Howl and Sophie are madly in love, and they live mostly happily ever after.

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The film version eliminates one of Sophie’s sisters, Sophie herself has no magical abilities, Howl’s backstory is completely different, and it turned one of her sisters’ suitors into a Marty Stu. There are other changes and omissions but those are the most glaring differences. That aside, it makes up for it with one of the most compelling love stories in anime, the increased strength and resourcefulness of Sophie’s character, and Howl’s abilities as a wizard are much greater. How much greater? Lets say that in the book Howl is Gandalf the lazy grey and in the film he’s sexy Gandalf the White. The English dubbed version also has Christian Bale’s yummy voice as Howl. Seriously yummy! It’s chocolate fudge lava cake with black cherry compote yummy!

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Another boon for the film is the GORGEOUS score composed by Joe Hisaishi. (I’m a big fan of Hisaishi’s work. The scores for Howl’s Moving Castle, Princess Mononoke, My Neighbor Totoro, and Robot Carnival are his best!) I know a voice talent and music might seem like cheating since a print book can’t employ those. But it’s one of the advantages that film has.

Any novel adaptation is going to have scenes that either don’t work on film or don’t fit in a script that’s a third of the size of the original work. Sometimes the percentage is much less than that. In my opinion it’s impossible for a film to be scene-by-scene faithful to the original work. The best a screenwriter and director can do is be faithful to the overall message of the story. That above all is why I love this film adaptation. Even though the route it takes to the happy ending is different, the core message — that if you’re strong you can endure any hardship, and love conquers all — is still as strong as ever.

Dragon Writers: An Anthology

dragonwritersEvery year for the past three years, alumni from the Superstars Writing Seminar submit short stories for an anthology published by Wordfire Press. The anthologies began as one of Kevin J. Anderson’s lessons to up-and-coming writers: no matter how silly a writing assignment may seem, if you accept it, you must do the best job of it you can. If your task is to write a story about purple unicorns, make it the best damned purple unicorn story ever written.

Thus One Horn to Rule Them All: A Purple Unicorn Anthology was born, followed a year later by A Game of Horns: A Red Unicorn Anthology. And guess what? From a seemingly silly concept, a lot of great stories emerged.

A third anthology called for a change of themed creature, and we are now pleased to present to you Dragon Writers: An Anthology. It’s available now in both Kindle and print formats. Regular readers of this blog will see a lot of names they recognize in the table of contents, and not just Fictorians, but such luminaries as Brandon Sanderson, David Farland, Jody Lynn Nye, and others. As always, James A. Owen provided the cover art (as well as the forward this time around, because who better to write a forward about dragons?) and Lisa Mangum provided her expert editorial services.

As with the previous years’ anthologies, all proceeds from the sales of this book will go to the Don Hodge Memorial Scholarship Fund, which helps aspiring writers further their education on the business side of the publishing industry. Please check it out, and we hope you enjoy!

No Stone Unturned – Launch Weekend!

No Stone UnturnedSome days it’s fun to simply celebrate a big milestone.

This weekend, No Stone Unturned charged onto the world ebook scene, already hitting #17 in Amazon’s Humorous Fantasy listing.

No Stone Unturned is book three of my popular Petralist YA fantasy series, which I describe as Big Magic, Big Adventure, and Lots of Humor. Check it out here. It’ll be released in paperback and hardcover formats on Dec 16th.

As student armies clash in intense group battles and Connor struggles to leverage a pitifully underpowered army against overwhelming competition, the intrigue at the Carraig intensifies to deadly new levels.

There are secrets at the Carraig buried for centuries that could shake the nation to its roots. Once Connor pokes that hornets’ nest, the Tallan’s own fury will be unleashed. To survive, Connor must outsmart conniving noble houses, dodge international assassins, survive unbelievably bad poetry, and risk exploring new powers that were concealed for very good reasons.

As the conflict escalates and his ultimate enemy steps out of the shadows to strike, Connor must face a threat not seen since the Tallan Wars. Connor’s best hope may be to embrace the thing he fears the most.

And become the ultimate unclaimed.

For more information, access to cool illustrations and maps and a sneak-peek into a sample chapter, check out this recent blog post.

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About the Author: Frank Morin

Author Frank MorinA Stone's Throw coverFrank Morin loves good stories in every form.  When not writing or trying to keep up with his active family, he’s often found hiking, camping, Scuba diving, or enjoying other outdoor activities.  For updates on upcoming releases of his popular Petralist YA fantasy novels, or his fast-paced Facetakers sci-fi time travel thrillers, check his website:  www.frankmorin.org