Tag Archives: craft

One of the coolest things about a series is also one of the biggest challenges for the author: managing a large cast of characters.

One film that I think managed a large cast of characters well is the original Avengers movie. There are a lot of strong characters, and somehow they all got good screen time and some memorable lines. Part of me wonders how successful the upcoming Infinity War movie will manage the balance, now that the cast of heroes has grown so much.

As authors, the challenge of balancing our cast of characters can be even harder because it takes longer to develop characters in book form than in a movie. Precious words must be dedicated to the effort. Luckily, there are many options available to us.

Depending on the story and choices the author makes, the entire series may be told exclusively from the main POV character. For example, I can’t remember any scenes in Harry Potter not from his perspective.

Other series are told from multiple viewpoints, or even from an omniscient point of view. The popular Rangers Apprentice series has such an omniscient POV, with the focus flowing constantly between characters. Then there’s the Warded Man series from Peter V. Brett, in which each book has a different main POV character.

Each approach has pros and cons, which the author needs to understand to make sure they’re leveraging their story for best effect. Some of the advantages of using multiple POVs include:

Deeply exploring different aspects of a central theme from different points of view.
Leveraging multiple, different story threads and weaving them together into a more complex plot.
Exploring multiple socio-economic aspects of society that would be impossible to do with a single POV.

When done well, stories with multiple POVs enjoy a depth and complexity that is hard to rival. Unfortunately, handling multiple POVs is hard to do. Some of the disadvantages include:

For every major POV character, you need to spend time developing their voice, their plot, their character arc far more than other supporting characters. You’ll likely need to add at least 10,000 words to the length of your novel for each major POV character you decide to use.
Weaving multiple compelling plotlines is hard to do. If you start your story with a teen-age boy with a snarky, rebellious voice and attitude, your readers will grow attached to him. If you then try to weave that story with a middle-aged, reserved woman trying to protect the status quo, will your readers lose interest or grow confused?
Those emotional connections you’re building with your readers are fragile, and the more opportunities you give readers to break away from your story or lose interest, the more of them you’re likely to lose.
Can you bring all of the various plotlines to a satisfying conclusion through the final climax? Will readers who feel most connected to each of the POV threads all feel like their favorite character was given enough screen time?

It can be a daunting challenge but it’s doable, and the payoff can be amazing. I love big, epic stories, and I write multiple POVs. I personally find it’s useful to focus the majority of the story on the main character, and develop alternate POV threads with caution.

In my Petralist YA fantasy series, Connor is definitely the main character, but I decided early on to make three other characters POV characters too. Each of them needs to get enough focus to develop their stories and satisfy the fans who love them the most.

The temptation to keep adding more POV characters can be insidious. As a reader, I hate it when big series I love get bloated with too many side stories that interrupt the flow of the main narrative.

So imagine how embarrassed I was when my editor pointed out in my first draft of my latest novel that I havd over eight POV characters. Oops. Although each POV shift had seemed reasonable during the writing process, the benefits of those additional POV characters did not outweigh the cost to the story. So I went back and re-wrote those chapters, restricting the number of POV characters. It made the story flow better and carry a more powerful emotional weight.

So decide carefully what story you’re going to tell, and make conscious, deliberate decisions about how you’re going to craft your story. Will it be first person, or third? Omniscient narrator, or maybe deep penetration into one or more main POV characters. Study authors who handle similar stories well and analyze what they did.

In the end, you have to decide. If you’ve got solid reasons for your choices, your story will be stronger for it, and your readers will appreciate it.

About the Author: Frank Morin

Frank Morin loves good stories in every form. When not writing or trying to keep up with his active family, he’s often found hiking, camping, Scuba diving, or enjoying other outdoor activities. For updates on upcoming releases of his popular Petralist YA fantasy novels, or his fast-paced Facetakers Contemporary Fantasy/Historical thrillers, check his website: www.frankmorin.org

Thor: Ragnarok – The Brilliance of Humor

February 6, 2018

Frank Morin

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Thor: Ragnarok is one of the best Marvel movies ever.

Why?

It’s funny.

Other Marvel movies have done a great job of incorporating humor into otherwise serious films. The Guardians of the Galaxy movies are excellent examples, and I love all the excellent one-liners in the original Avengers movie. But Thor: Ragnarok is the first Marvel superhero movie that sets out to be first and foremost an action-comedy.

If you haven’t watched this latest installment in the Thor franchise, you might want to stop reading now to avoid any spoilers.

I love well-crafted humor. I include a lot of it in my Petralist YA fantasy books, so my professional interest is stirred in addition to simply loving the fun of this movie. I consider Thor: Ragnarok to be a masterpiece for the rest of us who utilize humor in our works to study and learn from.

There are those who claim that the humor actually undercuts the movie’s effectiveness by diminishing the stakes. It’s a tricky balance sometimes, and some decisions boil down to how the work is being positioned. Thor: Ragnarok was always positioned as an action-comedy, and as such it works brilliantly.

If they had chosen to make it a brooding, dark, serious film, the world-ending topic of Ragnarok could have tipped it into a real downer. Instead they dealt with that difficult topic brilliantly, turning the moving into a fun and very entertaining ride.

People have responded well to it. It has received the highest Rotten Tomatoes score of any Marvel movie (https://www.rottentomatoes.com/m/thor_ragnarok_2017/), and has been a huge commercial success. Even though it still ranks near the bottom of the other Marvel movies for total worldwide commercial sales, it’s rising fast through the ranks. It’ll be interesting to see how it tops out in the coming months.

One of the cool things I learned while researching the film is that New Zealand director – Taika Waititi – was actually the voice of the super-funny blue rock monster, Korg. I also learned that a lot of their scenes were ad-libbed, including the funny dialogue between Korg and Thor when he’s trying to pick a weapon for his upcoming duel with the then-unknown Champion.

https://www.youtube.com/watch?v=vDVDpz-xPjQ

And for those who want to know more about that, here’s a great article by Jesse David Fox, interviewing Taika Waititi. Well worth a few minutes to listen. http://www.vulture.com/2017/11/thor-ragnarok-funniest-scene-taika-waititi.html

The humorous focus of the movie is set immediately with Thor talking to a skeleton while trapped in a cage, then having to interrupt the babbling of the scary fire demon, Surtur, while the chains holding him suspended from the ground slowly turn him in circles. The conversation both shares important information and includes ongoing funny beats.

Then we jump into a fun fight scene between Thor and the demon, Surtur.

Then immediately back to humor when Skurge (Karl Urban) fails to summon him back via the bifrost because he’s distracted by some beautiful women.

Take a look at the movie, study the different beats, from humor, to action, back to humor again, with some seriously dark scenes mixed in, usually thanks to Hela (Cate Blanchett) as she wreaks havoc on Asgard.

Some critics have claimed that the heart of the movie was missing since the humor can serve to diminish the stakes, but I disagree. Their homeland is destroyed, but Thor focuses on the need for change and the fact that it’s more important to preserve the people than the location, and that Asgard will live on through them. I found that message of hope, despite desperate situations worthwhile.

Works for me.

I’ll close with a few favorite quotes and images from the movie:

“It sounds like you had a pretty special and intimate relationship with this hammer. . .”
~ Korg

“The devil’s anus.”
Need I say more?

When Thor gets smashed back and forth by the Hulk and Loki leaps to his feet and shouts, “That’s how it feels!”

“Another day, another Doug”
~ Korg

About the Author: Frank Morin

Frank Morin loves good stories in every form. When not writing or trying to keep up with his active family, he’s often found hiking, camping, Scuba diving, or enjoying other outdoor activities. For updates on upcoming releases of his popular Petralist YA fantasy novels, or his fast-paced Facetakers Urban Fantasy/Historical thrillers, check his website: www.frankmorin.org

Unexpected Invitations and Opportunities

December 30, 2017

Kevin Ikenberry

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Earlier this year, I sent off my novel Vendetta Protocol for a blurb from Baen books author Charles E. Gannon. When he responded with an excellent blurb, I was surprised by the last line of his email. After reading my book, he recommended me to authors Chris Kennedy and Mark Wandrey. I’d never heard of either of them, but in the weeks that followed, I learned that each of them had authored one book in what they called the Four Horsemen Universe – a military science fiction universe where humans most commonly act as mercenaries and often find themselves on the short end of the galactic stick. Mark and Chris offered me a story spot in an anthology they were launching to flesh out their universe based on that recommendation alone.

I hadn’t read their books and Chris and Mark hadn’t read mine. As we emailed back and forth, a knot of self-induced pressure built in my chest. Could I pull this off? Could I make good on my friend’s recommendation? When I received their “primer,” a fifteen page document outlining the basic rules of the universe, I sat down to read it and immediately gravitated to the concept of a Peacemaker Guild. Combined with a timely thought about a really bad movie from the 1980s, I developed a short story idea. Over the course of two weeks, I wrote the story and then did something I’ve never done before – I sent them the rough draft of the story and asked if I was anywhere close to what they wanted with their universe. Their response surprised me.

Not only was the story exactly what they wanted, they wanted me to continue the story of Earth’s first Peacemaker in novel format. I looked at my writing plan for the year, the success of the two additional books they launched in the universe, and what they were doing with the anthology (of which there were plans for three) and said yes. I scrapped finishing my Protocol War series in 2017 and signed on to write an unplanned book in a universe I was still learning about, and I had about twelve weeks to do it. Could I?

I did. When I completed the novel Peacemaker and turned it in to them, I had no idea what to expect. Would they like the story? Would the rabid fans of the Four Horsemen Universe embrace it? Had I told the kind of story I wanted to tell in their universe? The answer to all of those questions unfolded in late August and was a resounding “YES!” From that unexpected invitation, I’ve now committed to writing a total of three books in the Peacemaker storyline and have just completed book two – Honor The Threat.

For me, 2017 was all about embracing unexpected opportunities. Doing so has led me into avenues I’d never considered and put my work in front of new readers and fans. It’s hard to believe that I’m writing a new series from a short story idea, but that’s the way this writing thing tends to work. I’ve paddled into a wave and I’m going to ride it as best I can. In the coming year, I have books to write and conventions to attend, but I’ll be looking for opportunities because they can come in the most unexpected places. Keep your eyes and ears open – you never know where things might go.

Welcome to December – 2017 Year In Review

December 1, 2017

Kevin Ikenberry

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This month, the Fictorians and a few guest bloggers will share their successes, lessons learned, and their challenges as we collectively pursue our writing careers. I hope that some of their stories and posts resonate with you. We’re all at different places in our journey, but the idea that we’re all stepping forward is critical to remember.

Every year, I set Writing Goals. Those goals have become more ambitious over the last few years and I’ve been challenged to get my butt in the writing chair to achieve the things I wanted to at the beginning of the year. I opened up my schedule to attend more conventions and events, I ambitiously took on a new project that was not on my writing goals at all, and I managed to get two books published in the last half of the year. I’ll share more about those projects later this month, but there were two things that happened this year that harken back to something that Kevin J. Anderson talks about: “Popcorn Theory.” The idea is that as writers, we can’t treat our stories like a single kernel of popcorn. If we were hungry, we’d starve cooking one kernel at a time. Having more projects going breeds creativity and creates unique opportunities. This year, I’d decided to take a break from writing all short fiction to focus on writing/editing two novels. Yet, opportunities knocked and I listened.

The first was an opportunity I’ll discuss more in a couple of weeks, but I received an invitation to submit a story for an anthology in the bestselling military science fiction series of the Four Horsemen Universe. I had a blink in my schedule, so I wrote the story, turned it in, and saw my whole calendar for the year derailed when not only did editors Chris Kennedy and Mark Wandrey love my short story but they asked me to write a novel with my character Peacemaker Jessica Francis. But, more on that later.

Very soon, AVATAR Dreams – An Anthology Inspired by the ANA X-Prize, will be published that features some of the biggest names in science fiction. Edited by Kevin J. Anderson and Mike Resnick, this collection features stories from Jody Lynn Nye, Todd McCaffrey, Martin L. Shoemaker, Tina Gower, Marina J. Lostetter, Brad R. Torgersen, Josh Vogt, Dr. Harry Kloor, Andrea Stewart, Ron Calling, Kay Kenyon, and Kevin Ikenberry. That’s right – me. Opportunity knocked and I was in the right place.

Kevin J. Anderson looked across the table at me and said, “I need another story for the AVATAR Dreams Anthology. Can you get me something in two weeks?”

Yes, I could.

From story idea to turn-in was seven days. It was a crazy, hectic time but I had a story crystallize in my head that combined the movie “The Fast and the Furious” with Isaac Asimov’s Fantastic Voyage. With the help of my friend Lou J. Berger, some bacteriology tutoring from my father (putting that PhD to use), and a couple of late nights, I turned in a story faster than expected. Hearing that it was a great fit for the anthology was icing on the proverbial cake. But, my take away from the experience was that I could take a short-notice opportunity and do something good. It’s the fastest I’ve ever written a short story and I’m pretty proud of “That Others May Live.”

So, as we go through the month of December and hear different stories, there’s a chance you’ll hear opportunity knocking. Don’t be afraid to answer the door. Everybody on the blog this month has been listening, I’m sure.