Tag Archives: craft

A guest post by Kevin J Anderson.

I write and publish four or more novels a year, and my creative office doesn’t have either a computer or a desk. It also doesn’t have the distraction of a constantly ringing phone, an endless succession of emails that need to be responded to (or marked as spam), doorbells to be answered with the latest UPS package of cat food from amazon prime (and the related distraction of cats who want me to feed them that food), or employees or family members who lie by assuring me “this will only take a minute.”

No, my real creative office is outside on the trail.

After outlining a novel, I take my notes, my digital recorder, my hiking boots, and my imagination and I hit the trail. After a few minutes, surrounded by trees, rocks, or streams, I can sink into the zone, immerse myself into my world, my story, my characters. As I walk, I think up the sentences that I would normally type out… but instead of moving my fingers around on a keyboard, I just speak the words out loud.

I have so programmed myself to write this way that now I find it very frustrating to sit my butt in a chair and stare at a screen for hours on end. When I’m walking, I am inspired by the landscapes in my beautiful Colorado. It may not be a genuine alien world, but I can imagine that—and all without the constant real-world distractions that harass a writer cooped up in a home office.

The only distractions I encounter are the occasional rattlesnake or hailstorm, but I can deal with that better than tedious phone conversations.

When I’m out walking, especially on long hikes, I can sink into a fugue state, entirely into what I’m writing, and when I dictate, the words go straight from my mind and out of my mouth, recorded directly without any intermediary step. I can just reel out what’s in my imagination.

The scenery itself is often inspirational, and when possible I try to be in a place that reminds me of what I’m writing. I’ve spent a lot of time in the Great Sand Dunes National Park in Colorado or Death Valley in California as I write my Dune novels with Brian Herbert; I’ve been in a snowstorm in the Sierra Nevada mountains while writing about Han Solo and Princess Leia on the polar icecap of a planet, and I spent time hiking around the Anasazi cliff ruins of Mesa Verde while writing about derelict alien cliff ruins in my Saga of Seven Suns.

Obviously, my hiking trips are work-related.

I have a typist (several, actually, because I tend to overload them!) who transcribes my digital file and sends me a Word document back, so that I can polish it…and there’s the tedious butt-in-chair keyboard time I am forced to endure.

But sometimes I extend the getaway into a camping trip, so that I can really move my working office onto a picnic table out in a beautiful National Forest site. That’s where I’m writing this, sitting at a table under a lodgepole pine tree at a perfect campsite next to a river 85 miles up the Cache la Poudre canyon in northern Colorado. An extra battery for the laptop, and no internet connection, a growler of my favorite microbrew beer: It’s the perfect office, alone in the forest (except for a moose visitor who just walked through the campground), away from it all where I can concentrate on being in the worlds inside my head. It’s like taking a vacation in an exotic place with my imaginary friends.

It’s the best office in the world.

Guest Writer Bio: Kevin J. Anderson was born March 27, 1962, and raised in small town Oregon, Wisconsin, south of Madison—an environment that was a cross between a Ray Bradbury short story and a Norman Rockwell painting. He first knew he wanted to create fiction when he was five years old, before he even knew how to write: he was so moved by the film of War of the Worlds on TV that he took a notepad the next day and drew pictures of scenes from the film, spread them out on the floor, and told the story out loud (maybe this is what led him into writing comics nearly three decades later!). At eight years old, Kevin wrote his first “novel” (three pages long on pink scrappaper) on the typewriter in his father’s den: “The Injection,” a story about a mad scientist who invents a formula that can bring anything to life . . . and when his colleagues scoff, he proceeds to bring a bunch of wax museum monsters and dinosaur skeletons to life so they can go on the rampage. At the age of ten, he had saved up enough money from mowing lawns and doing odd jobs that he could either buy his own bicycle or his own typewriter. Kevin chose the typewriter . . . and has been writing ever since.

Find Kevin and his new releases on his Facebook page, the Word Fire Press page, or his blog.

6 Ways to Sabotage Your Goals

June 12, 2014

Ace Jordyn

Ace Jordyn Craft & Skills Failures First Drafts Goals Motivation Self-Awareness Self-Motivation The Writing Life 1 Comment

There are things which keep us from achieving our goals, and sometimes we’re not aware when we’re being our own worst enemy.

1) be a good friend
Be a good friend to everyone but yourself. Always check email regularly, answer the phone and respond to your social media pings – as important as these are, they’re all distractions from writing. Set a time for them and that should be when you’re in your least creative head space, you can’t write another word or you need a break. There are days when I don’t check in with anyone or even look at emails because they’re an easy distraction and shift my thoughts on other directions. There are no short phone calls with close family or friends. The danger of the distraction is the changing head space. When I’m writing a world, I need to stay in it – the travel fatigue between realities is strenuous and counterproductive.

2) pretend you’re back in elementary or high school
At some point, we learned not to believe in ourselves. We can be our own worst enemy and critic. Somewhere deep inside a kernel of doubt niggles, of not being good enough (whatever that means), that we won’t succeed, that the stories will never measure up. Remember those elementary and high school teachers who red inked your assignments? In an effort to teach us the basics, they unwittingly hammered fragile creative egos. Make them the ghosts of your past, not your present. So, drop the hammer and the red ink and use the keyboard instead.

3) sweat the details
The devil is truly in the details. It’ll bring your world alive or it’ll totally swamp you. Researching a world thoroughly is fun and it stimulates creativity. Done to excess, however, it can be a distraction from both writing the story and the protagonist’s journey. The details must contribute to the plot and not be superfluous. Sometimes you don’t know what details you need until the story is being written. Use the premise and a rough outline to guide your research. If you really like research and world building, know that it isn’t over until the story is published – there will be times when you need to deepen the world with a little more research.

4) fear heights
Fear climbing the ladder of success. Fear writing ‘the end’. Fear sending your work to beta readers and editors. Two things happen when we get closer to our goal – the dreaming stops and we are forced to leave our now comfortable, creative world for the business one. The business side demands skill sets we’re not always comfortable with such as revision, editing, submission and marketing. Rejection or criticism, at any level, feels like falling off the ladder for the higher we go, the harder the fall. But it doesn’t have to be. Learning the business side, climbing that ladder – it’s a skill set that once embraced creates possibilities and enthusiasm for new goals, new stories and opportunities to realize your highest goal which is that of professional writer.

5) believe it’s a just hobby
If you don’t take it seriously, neither can anyone else and the support you need (time to write, encouragement, feedback) won’t be there. Worse still, you’ve created an environment designed to sabotage your goals. Most of us need to work to pay the bills so we can’t write full time. But treating it like a profession isn’t justy about having endless time – it’s about taking it seriously, setting regular times to write, learning the craft and business. So set your goals and take them seriously. Most importantly, decide what it is you want from your writing – is it a hobby or do you want something more? Then, set your goals accordingly.

6) read 15 how-to books and conscientiously apply them to your first draft
That stopped me cold. I didn’t need to read 15 books, just one how-to at the wrong time gave me a very painful writer’s block that took a week to work through. Of course we need to know craft and basic story structure and a few things which will make revision less painful. But sometimes we must trust we know that intuitively and let the story be told. Whether you outline or not the story must be written with all its flaws and gems all mashed into the manuscript. Revision, not the first draft, is the perfect time to analyze the manuscript and apply all the how-to advice. The danger, however, is that there are books 16, 17, 18 and more, and that the goal of finishing the novel isn’t realized. Revision, like this blog, must come to an end and the best way to do that is to write …

The End

Go Big or Stay Home

June 9, 2014

Frank Morin

Frank Morin Goals Motivation The Writing Life 3 Comments

The official definition in the Urban Dictionary for “Go Big or Stay Home” is that it is used to goad someone into an outlandish or awesome act.

It’s a challenge phrase.

This month we are checking in on our progress with the goals we set at the beginning of the year. It’s also a great time to reflect on whether or not we set the right goals. Did we choose to do something beyond the normal and really commit to getting it done? Those are the scary goals, the ones we aren’t quite sure we can meet.

Those are the challenge goals, the ones that drive us to accomplish something.

So you set a writing goal or a personal goal this year? Was it a challenge goal, or was it a safety goal, one designed to make an incremental, tiny step forward, using the same stride used in the past? One that let’s us celebrate repainting the same-old situation?

It’s easy to plod along doing the same thing we’ve done before and celebrate minuscule progression, but sometimes the only way to really get where we want to go is to completely change and try something totally different. To challenge ourselves to take the leap we dream of taking but which scares us to death.

For example, when I first started writing seriously, my first novel took way too long, partly because my writing was just awful, but partly because my schedule did not allow much time for writing. So I set the goal to rearrange my working schedule to allow more writing time. It took a few years and some pretty big risks and sacrifices from the entire family to accomplish that goal, but I did it.

This year I realized I was not taking enough advantage of that newfound freedom, so I set a huge goal of completing four new novels this year. Sure I had started outlining them, but did not have any first drafts completed. And yet, that’s what it would take to reach the next level. So I set the goal and began to work it. Last week I wrote 26,000 words to complete one of those novels on time. One piece of the overall goal is complete. Lots more to go.

No matter our individual circumstance, we can all set change goals and decide if we’re going to go big or stay home. Most people don’t bother.

They stay home.

Most people are content to go to work, fill an honest eight hours, and then literally just go home and watch tv. Those people have a safe existence. They do not have to take risks, do not have to stretch and grow, do not risk failure and ridicule. But they also never go big. They never accomplish challenge goals to celebrate incredible victories and learn to take control of their lives.

Of those who decide to make a change, who say they are going to Go Big, most of them don’t make it. Sure, from a writing perspective some people are just so bad that they simply lack the capacity to do it, but those are the exceptions. Most people COULD write a competitive book if they REALLY wanted to, yet most of them fail. It’s not because they CAN’T do it, but because they lack staying power. Like the graph illustrates, saying you have a great idea is nothing. Starting a book is when we first get some skin in the game but doesn’t mean a whole lot either. Actually finishing a book is huge, but even that’s not the ultimate goal. We want to finish something someone else will pay to read. Challenge goals are the vehicle to take us there.

So what if you have to write ten years before you make a sale? Those ten years are going to pass anyway. So what if you get rejected? The best writers rack up dozens, if not hundreds, of rejections. It’s not the rejection that defines success but the overcoming of that rejection and the continued consistency.

I spoke with Brandon Sanderson earlier this year and when I mentioned I had been writing for almost ten years he nodded and said, “Great, then you’re just about ready to break in.”

Before lightning can strike, you have to make yourself the lightning rod.
Before you can be the lucky winner, you have to compete.
Before you can become an overnight success, you have to work for years to prepare yourself and develop the skills to break out big.

Some people just need a push, someone to challenge them to make a change goal. If you’re one of those, the music video by Switchfoot for their song “I Dare you to Move” might help. Check it out here.

So this month as we reflect where we are with our goals and compare that against where we want to be in six months or one year or ten years, let’s ask ourselves, “Am I going big or staying home?”

Go Big.

Take Control – Please!

April 7, 2014

Ace Jordyn

Ace Jordyn Character Craft & Skills Ideas & Plotting No Comments

Letting your character take control is essential to maintain the illusion that the events in your story are real. Yes, every story is an illusion and what makes it believable are the details as perceived by the character. When writing a representational story (where the writer never addresses the audience), you will need to let the character not only tell but experience story events in their fullest. That experience becomes believable to the reader when the characters actions, reactions, thoughts and perceptions feel genuine. The only way to make that happen is to let your character take control.

Letting your character take control doesn’t mean the story will run afoul and destroy your plot – it’s about enhancing the plot by making it and your character feel real and not contrived. It is about choosing and placing the important details. It’s about the details that make him tick, that color his world, that give him motive and have created his common sense and hence his intuition.

There are three things you can do to let your character take control effectively:

1. Understand how a character perceives and relates to his world

Physically through the five senses of touch, taste, smell, sight and sound.
Common sense which integrates what we’ve experienced through the five senses. It also helps us see the patterns in our life.
Intuition which recognizes the patterns in our lives and allows us to see or project where those patterns may lead us. Your character makes decisions for a reason which must feel genuine to the reader.Emotions which build upon experience and learning and provide a basis for motive and motivation.
Emotion is a reaction and colors how information is integrated. For example, a character may react to a strict upbringing by either always being afraid and leery of authority, or may have a total disregard for it. Either way, this will affect how he reacts in specific instances, the words he uses (metaphors) to describe places, people and events.

… larger than life characters … have a sense of self regard. Their emotions matter to them. They do not dismiss what they experience. They embrace life. They wonder about their responses to events and what such responses mean. They take themselves seriously…Writing the Breakout Novel by Donald Maass

As your character lives in his world, he’ll perceive it through is senses, color his experience with his emotions, use his version of common sense and apply his intuition to move forward. When he does this successfully, he’ll be in control, his responses genuine and readers will love him for it.

2. Explore your character
This goes beyond the standard descriptions some writing advice advocates. As Les Edgerton points out in Hooked, a character’s physical description – unless markedly different from the norm – does relatively little to draw the reader in. A character doesn’t usually describe himself. He may describe someone else which in turns grounds the reader. But HOW he describes someone or the scenery around him tells us a lot about him and the lens through which he sees the world. He may even have physical reactions such as running his fingers though his hair when he sees someone’s unkempt hair or a desire to vomit at a certain smell. Thus, you can show rather than tell when you know your character well and you let him take control.

…possibilities only emerge when we demand more from the idea, when we ask more why and what result questions. Characters & Viewpoint by Orson Scott Card

The easiest way to do this is to write a detailed background history for your character as if you were there. As you get to know his trials and tribulations, the major influences in his life, his fears and desires and yes, even the little things that comforted him, it will become easier to show him in a genuine and full way because the all the important WHY questions become answered. Why does he do that? Why does he feel that? Why wouldn’t he…? Why, if he’s in a responsible position, acting irresponsibly? Why is he so caring about x and then so obtuse and mean about y?

3. Use the things you know about your character against him.
This puts him in a situation which shows who he is and compels him to act (whether running to or from the situation). If your character takes control of the story, his reactions may surprise you. The added benefit is that it cures your writing of the murky-middle syndrome. Often times I’ll ask my character what he sees and how he feels about things. Between his perceptions and his gut reaction, the story moves forward and I have little work to do except to write.

Fictional Characters come to life by giving them individual traits, real weaknesses and heroic qualities that readers can recognize and empathize with. You play these against each other to achieve drama. For instance, a man who is afraid of heights but who must climb a mountain to save his love. The Fiction Writer by Nina Munteanu

In his book, Writing Fiction for Dummies, Randy Ingermanson sums up why you should let your character take control: A character’s past determines what sort of person you have coming into the story. The past is only the imperfect guide to the future, though. Your character has a free will and can choose to break loose from his past and pursue a new future. But will he succeed? Your goal as a novelist is to make it plausible that he might without making it a certainty.

When you know your character this well, he’ll control the story without you losing control.

Happy Writing!