Tag Archives: craft

Horses – the Motorcycles of the Middle Ages

HorsesWhat’s a wandering hero without his horse?

Not nearly as cool, that’s what.

Perhaps the second most iconic image in fantasy and many other types of fiction, behind the image of the sword, is that of the horse.

But for such a beloved and well-known part of stories set in the pre-modern world, as well as many alternate worlds, there are a number of common mistakes when it comes to how some writers utilize horses. Worse, horse enthusiasts are almost as critical as gun nuts for pointing out inaccuracies or unbelievable claims.

The majority of writers seem to understand that characters who are new at riding will get very sore down below, that the riders’ legs, not the saddle, keep them on a horse, and that bridles are usually quite important (unless both horse and rider are trained to work together by knee commands only).  Horses will not usually leap off of cliffs on command, or pummel snakes and wolves to death with their hooves.

Horses are not motorcycles.

They can’t run at top speed for hours or days without rest, feeding, or care. As writers design their world, they need to consider well the distances their characters must travel. Like travel by ship, travel by horseback actually takes quite a bit of time, particularly if the roads are not good or if the terrain is mountainous.

Admittedly, there are some horses with incredible stamina, such as some Arabian horses, but unless the story is set up to make it clear to readers that such is the case, don’t fall into the trap of assuming a horse can go forever. Long journeys are covered by alternating slow and fast paces, and what’s considered fast depends much on conditions being ridden through.

Another aspect of horses that is often over-utilized is rearing and whinnying. Spend a little time around horses and it becomes clear that rearing is extremely rare, and that they really don’t whinny that much.

Transylvania horsesOne of my favorite misconceptions about horses though are the impossible feats of strength. Most often, they are seen jumping enormous gaps, often while pulling a stagecoach no less.

Take a look at this great example from the movie Van Helsing. This is the great scene where the marvelous Transylvania horses leap a gorge, pulling a stagecoach. I actually love that movie, but that scene always makes me cringe. It’s even more noteworthy because supposedly they just completed galloping non-stp across three mountainous countries too.

So add horses to stories. Horses are great and we love them, but take a little time and thought to how they are portrayed. Do some riding. Make friends with horse owners and ask them questions. They’re usually happy to help.

About the Author: Frank Morin

Author Frank MorinA Stone's Throw coverFrank Morin loves good stories in every form.  When not writing or trying to keep up with his active family, he’s often found hiking, camping, Scuba diving, or enjoying other outdoor activities.  For updates on upcoming releases of his popular Petralist YA fantasy novels, or his fast-paced Facetakers scifi time travel thrillers, check his website:  www.frankmorin.org

Write a short story? I’d Rather Floss Chicken Teeth!

Flossing a chicken’s teeth would be much easier than writing a short story. Or, that’s what I thought.chicken3-240x240

I found myself facing this problem after writing six novels. I couldn’t wrap my head around a shorter piece of work. Everything I tried I sounded like an outline for a novel.

Books on outlining didn’t help. Workshops provided little insight. Critique groups, well, I could help someone to better tell their story. Heck, I’d even edited an acclaimed anthology, but I couldn’t write a good short story to save myself.

How could I overcome this block?

I really wanted to know what eluded me about this form. After many attempts, I found a formula that helped in all aspects of short story writing. This four step process taught me how to write short stories:

1) Read short stories, not novels. By reading short stories I learned what forms and genres I really liked and disliked. There’s no point in trying to write in a genre or with a style that doesn’t speak to you.

2) Choose a genre which speaks to you. For example, I love some literary style authors and I love science fiction stories. Literary style I can read but I can’t figure out the voice. With science fiction I understand the voice and the genre, but I’m not as adept as I’d like to be with the science. Hence, I don’t have the confidence to write it. How did I learn this about myself? Check out point number three …

3) Retell the stories that interest you. This is how I figured out if I had the desire, the passion to write certain stories. When I retold a story, I paid close attention to the plot and how it unfolded. I became aware of style, plot, character and the tropes common to the genre.  Most importantly, I had to feel the voice and the passion for the genre. Once I discovered what stories energized and excited me, the final step was easy.

4) Write an original story in the genre and voice that excites you.

That’s it. It’s that easy.

Should you publish or submit a retold story? That’s another matter. Issues of public domain arise and rightly so. Some stories I deleted because my intent was only to learn from them. Others, even if there are no public domain issues, may be published in the future but with full disclosure as to the source of inspiration.

Where did I finally find my voice? With fables and fairy tales and people’s stories of old. I love it. The most curious thing I learned was that it wasn’t about setting for me for I’ve set my stories in worlds of fantasy, science fiction, and yes, there’s even a literary one or two! My real journey was to find my story telling voice.

The cheat of the matter was this: later on, I recognized that my writing voice had always been with me. I had heard it, felt it even but I had tried to squeeze it into forms and stories that didn’t suit it. That was the heart of the problem. That is the heart of this journey – to hear the voice within you and to find the form that fits it.

Writing While You Condition and Rinse

ShowerAs I am still in the early phases of my writing career, I approached this year with goals that were as much about education as production. I did have specific writing milestones I wanted to achieve, but I also wanted to devote a decent percentage of my time and resources on learning as much as I could about the craft. I attended classes, took workshops (both online and off) and made as many contacts in the industry as I could. Like most new writers, I was looking for advice from every corner I could find.

The most valuable thing I learned this year though was how to tailor all the advice and counsel into a form that worked inside my own life and methods. Different strokes, as they say. For me, the most important lesson was how to integrate the most common advice of all: write every day.

“Write every day” or some version of this is by far the most frequent recommendation I’ve seen, the one piece of counsel most writers seem to agree on. This was something I was aware of in 2014, and by the start of this year I was in already in the habit of sitting down at the keyboard at the same time every night and working through my two hours of blocked out time. Some nights I wrote little, sometimes I wrote a lot. For a while I became very focused on word counts, during the Spring I decided this was less useful than I had hoped.

As the year progressed, I started to look at this time differently – it stopped being writing time and started being typing time. When I entered my two-hour block with a solid idea of what I was there to do, the words would flow quickly and freely. When I tried to use the same time to work out my story’s problems and issues, all the while with hands on the keys and eyes on the screen, I could feel the momentum grind to a halt.

To work on the mechanics of my stories I needed not only a different environment but a different time. That time might come in smaller, harder to predict chunks, but it was there. In the car, at the grocery store or in the shower. I could spend that time thinking about my stories, and that was writing too.I discovered that, for me, writing was not only something I could do at other times of the day, often times it worked better.

To give a specific example, I’d like to dive briefly into a more detailed lesson I learned this year. This came courtesy of an online workshop taught by Dean Wesley Smith. (I found these workshops to be excellent – here’s a link.  The relevant item to my story was the lesson that your character needs to have an opinion about the setting; omitting this will deny both the ability to resonate with the reader. As Dean often says in his lessons, I filed that “in the back of my writer brain” and moved on with my writing.

Fast forward to several months later. I was working on a new short story that I was quite passionate about. I had an interesting setting, a solid premise and what I felt was a really compelling main character. Unfortunately, when I ran the story by my writing group I got very consistent feedback: the readers could not connect with my main character. She was coming off as cold and distant, removed from the story somehow. I racked my brain trying to reason out why that was and eventually that voice from the back of my writer brain reminded me of Dean’s lesson. Taking a second pass at the story, I added her opinions about the setting and got the feedback I was looking for.

The important piece I want to stress here is not really how I solved this particular problem, but where. I didn’t solve that in front of my monitor, hands on the keys. I solved it in the shower, because when I take a shower, I always take it as a writer.

As I said above, I realized earlier this year that I have all my best ideas and breakthroughs when I am isolated. Taking a long walk by myself, driving to the store, or taking a shower. Thus I decided that when I am in those isolated situations, I will always think about my writing. This has allowed me to be mentally present when I am with my family or working my day job, while still getting maximum usage out of my typing time.

One of the most common statements I hear from folks in my position is “It’s hard to find time to write” and I almost agree. Balancing a job, a family, healthy living; all the demands of real life can be quite challenging. Sometimes you can only find a few minutes a day to type, but it can be easier to find time to write if you remove the requirement of a keyboard from the definition.

Just make sure you have a good hot water heater for those long showers.

About the Author: David Heyman

David HeymanDave writes both novels and short stories in the various genres of speculative fiction. His other passions include his family, his job, gaming and reading about mountaineering. Sleep is added to the mix when needed. You can visit him at daveheyman.com

For Me

Amanda cardFor me, writing comes naturally. Writing well takes work.

I decided this year was the year to take a step back and evaluate how well I write. Although reading is a great way to learn about writing, an online class is definitely a more effective way to strengthen your skills.

Time was a consideration for me when deciding to take on “one more thing.” I tend to lead a busy life. I work two jobs as a teacher: one at high school, the other is at college. I am currently enrolled in courses for an additional add-on to my certification. I am going back to school again for yet another degree in January (I already have four). Taking on a writing class was definitely something to really think about since I knew I needed to do it now rather than later.

Honestly, I didn’t take a lot of time. I wanted, no – more like craved – to learn more and become a better writer. Ok. Ready, set, go! I jumped.

I signed up for a few classes with various instructors. All were good classes. I have to say that David Farland’s classes and online lectures were the strongest ones I have taken to date. Listening to his sage advice and techniques had me taking copious notes and reviewing previous things I have written. It has also given me a stronger foundation for future works.

Dave is patient man. Any question I emailed him he has graciously been kind and helpful. No question is “stupid.” The feedback I received from the assignments had corrections and suggestions. Some lessons have more corrections than others, which is ok. I wanted to learn. If I knew it all, I wouldn’t have signed up.

One of the assignments had me build a world. An actual world.  With land and water. With habitable areas. With people and animal potential.

I had to read the assignment again. I was terrified. *deep breath* Ok. I can do this.

I watched the videos a couple of times. I took notes. Then, I started plotting and planning.

I figured the best way was to start large and work my way in. I made a world, then focused in on the major areas. From there, I created cities that were important to the story.

At first, I was stressed. I wanted it to be great. With Dave’s advice, I did it over a few weeks, one step at a time. As my fictional world developed, so did my creative world. The more I added, the more it became real to me. I have even, with the help of my chemistry friend, developed the crystal that is a major prop in the story.

I submitted the assignment. And waited.

My results came back. Dave made comments on everything I had submitted. Although I still have all of the comments, the one that still sticks out for me was, “This is something doable.”

My face hurt from smiling. I did it. I was proud of myself.

Dave has truly inspired me.  I have never created anything this complex. World building is new to me, and I now realize how much work goes into it. There is as much, if not more, work as actually writing the story. I find I keep going back and adding more, creating more detail for myself so as I create the story, that information will filter through. I want to transport the reader to a new world and experience a new adventure.

Yes, I am published. My paranormal mystery, Strength of Spirit, won an award in 2014. I have had short stories, journal articles, and poetry published. I have been published academically, too.

I am a seeker of words, a bibliophile by choice. However, I pray I never become so complacent with my work that I don’t desire to learn more.

About the Author: Amanda Faith

Amanda Faith

Award-winning author Amanda Faith may have been raised in Dayton, but her heart and home is in the South. With a lifelong love of teaching and writing, she had plenty of encouragement from teachers and friends along the way. Loving a good puzzle has always been a fascination, and writing gives her the outlet to put all the pieces together.

Being adventurous and loving to try new things, it wasn’t long before her characters found themselves in unusual situations. She loves to put people from two different worlds into new situations and to see how they interact, taking them on journeys they would never have normally experienced.

Teaching high school English by day, college English by night, writing, and doing paranormal investigations doesn’t slow her down from having a great time with a plethora of hobbies. Her published credits include short stories, poetry, several journal articles, her doctoral dissertation, and her award-winning book Strength of Spirit. She is a staff writer for The Daily Dragon at Dragon Con and an intern for Kevin J. Anderson and Rebecca Moesta at WordFire Press. She has a Bachelor of Arts in English, a Masters in Education-English, and a Doctorate in Education-Teacher Leadership. Check out her website at www.amandafaith.net.