Tag Archives: creativity

My Alien Being

I’m sitting on the beach in Essouira, Morocco. No bikinis dot the Sahara-red sand. There’s just kids playing soccer, tourists declining barkers carrying silver trays of delicate sweets rebaked in the afternoon sun and camels carrying giddy riders through sea side dunes. Surf’s high – so high the pulsing ocean is blood red with a ribbon of frothing foam and the sea monster’s mouth snaps shut on the shore. A shard of light spears roiling storm clouds. Awestruck, I gape, ignoring the stinging sand in my eyes and the salty spray turning my hair prematurely white. I want to fall to my knees in reverence knowing that if I wasn’t a child of science, this moment would be my moment of truth because I’ve seen the Angel. From this point forward, my writing would no longer be of fantasy but of prophecy and revelation.

Walking through the Medina, with store keepers cooing enticements of shared tea or special deals for pretty women or special Berber massages, I’m reminded that I’m not simply the observer, I’m the alien being observed. No matter how modestly I’m dressed, how respectful I’m being, I’m still a foreigner in a country where I don’t speak the main language. And I love it. I laugh at the offers, banter with the best all the while noting my reactions and theirs.  But then I’ve had enough. Enough of the smells of sweet spices teasing my nostrils which have just been assaulted by heaps of raw fish. Enough of chickens squawking while docile rabbits nibble grass in the butcher’s stall. Enough of brightly colored linens carefully displayed, leather goods spilling into the street, metal workers hammering out bowls. Enough of watching the ebb and flow of tourists pushing, vendors enticing and arms desperately flailing about to secure a good deal.

Alienness overload. That’s what this is.  

Somewhere deep inside, we all try to understand the alien within ourselves otherwise, we wouldn’t be writing fantasy. But writing is a safe way to practice the alien experience vicariously through the new worlds we’ve built, through plot twists and every character’s angst. Sometimes it’s too safe and our writing suffers for it. When we’re too familiar with something, we lose the rawness of wonder. We need to remember that rawness, that excitement and fear when our character enters a new world. We can’t let our familiarity overshadow the character’s experience.

That’s why I like to travel to countries where I don’t understand the language and the customs are totally new. It’s raw. It’s exciting. Sometimes it’s overwhelming. But always, it reminds me that my characters have their own points of view about the world they’re experiencing. I know that when something so familiar to others is so new to me. It’s safe but it isn’t. It’s fun but it’s scary. It’s awesome and it’s overwhelming. Those feelings are what I must hold on to because my characters can never be as comfortable as I am about the new world I’ve created for them.

I am their interpreter. Bringing their experiences to life on the page. Finding that raw edge, the vulnerability that makes them spin out of control or struggle for control in the alien landscape. I challenge them by committing the cultural faux pas which forces them to take desperate actions to survive.

Understanding the alien within never gets any easier – it only gets more exciting. Our need for belonging and security heightens our awareness yet when those needs are our memories of alienness drift away. So I travel the roads unknown taking care to note the alien nature, the creeping comfort of familiarity and to translate that to the written word. Somewhere in those gems of observations are not only the feelings my characters will have, but the sparks of ingenuity for inspiring deeper, richer worlds where angel swords pierce the heart, sea monsters snatch unwitting victims from the shore and someone falls in love with the alien.

Stocking the Shelves

A while back, I started the second draft of a novel I’ve been working on for some time . . . close to a year by the time I opened version 2.o in Word.

I’d made it through the beginning, trudged through the sticky middle, and was well on my way to the climax when I realized some of the characters weren’t where they were supposed to be, both geographically and emotionally.

I’d strayed from my original outline–I’m more Gardener than Architect, though I do try to outline key events in my stories–and realized some changes were in order. It wasn’t until around the 160k word mark of my first draft that I finally understood some of my characters and realized there were things I needed to change in the beginning in order to get them where they needed to be by the end.

So I started over. I got about 20k words in and was really digging the revisions. My villain was more clearly defined in a shorter amount of time. The conflicts seemed more urgent. The setting was even coming to life in ways it hadn’t until much further on in my first pass.

Then, because writers aren’t immune to outside forces, Life reared its ugly head and gave me a smack in the face, bashing my inspiration into the mud and stomping it into an unrecognizable pulp. Pulling words from my head became about as difficult as pulling an entrenched boot from quicksand.

It’s no surprise we talk so often on this blog about what keeps us writing. Sometimes, nothing seems to work. There is no magical can of Inspiration we can use to grease the creative wheels, no verbal laxative to unplug our plugged minds. If there were, I’d put it in a can and stock an entire pantry. I wouldn’t sell it, I’d want it all for myself! Well, I might sell it for an exorbitant price so I could quit my day job and write full time like when I was unemployed. Oh those were the days!

So what do you do when the words won’t come? Last time I posted, I wrote about my return to reading. Indeed, it worked in the short term, coaxing a few thousand more words of my own onto the screen when I wasn’t working or reading. But the effect didn’t last long.

So I ask again, what do we do when an unfinished project turns stale? Many authors will push on, throwing down words they know they’ll delete at a later date until the levee breaks and good words start flowing again. Unfortunately, I’m not the kind of writer that can do that. I’d rather write 50 great words than 1000 bad ones. I’m a little too much of a perfectionist for my own good at times.

The answer, at least in my case, is simple:  Write something else.

I’m not giving up on the novel I’ve worked on for over a year–far from it–I’m simply taking a break to write something else. Something I can finish, because nothing is as therapeutic to an author as writing “The End”. I started working on a short story, and, lo and behold, the words began moving again. It just so happens it’s a short story I’d actually like to turn into a short, animated film . . . or perhaps an illustrated, not-quite-for-children, children’s book a la Pat Rothfuss’s The Adventures of the Princess and Mr. Whiffle: The Thing Beneath the Bed.

What we write isn’t always as important as actually writing. And the more we write, the better we get. Guaranteed. So, when your darling of a story isn’t behaving like a darling, write the ugly step-child of a story instead. Get the words flowing again, and soon you’ll have your inspiration back. Do that enough times, and you’ll have a virtual shelf–or perhaps a folder on your computer hard drive–filled with ever improving stories.

It can’t be said often enough, the only way to grow as a writer is to write.

Creative Discipline

Creative discipline – that’s an oxymoron for every writer! Creativity conjures images of free flowing thoughts; unfettered imagination spilling effortlessly onto pages and pages. The brilliance of remembered grade school grammar coupled with the adult’s ability to focus childhood imagination – that is every writer’s ability. Turn the tap on when you need it. Shut it off when life interferes. Always the stories will get written.

Or so my family and friends think.

Creativity requires time, space and yes, discipline. My writing got its kick start when I went back to university in my thirties for a degree in Food Science. That coupled with the first degree in English, I can spot an error in any recipe or food safety plan for slaughtering chickens! But, it was those nasty chemistry classes with all their formulas, all those reactions, which gave me the big Aha! and allowed me to write.

Observe. Note. Analyse. Explain. For every action, there is an equal and opposite reaction. Isn’t that what most articles on writing ask us to do? What is the character’s reaction to a given situation or action? If they act, what is everyone else’s reaction? What is the character’s ensuing reaction? Like in chemistry class, writers ask the question, What happens when I mix this with that? Explosions? That’s a good thing. A fizzle? Need better chemistry.

What if? is the magical question that blows worlds apart, creating compelling scenarios, challenging protagonists and readers to explore beyond their comfort zones. What if I as a writer don’t answer the phone or check emails regularly? What if I ignore the house work? Put off the laundry? Make a quick something instead of a feast for dinner? Just as for my protagonist, What If? also throws me out of my comfort zone. Yet, I’ve discovered that when I play by What If’s rules, I don’t starve. The laundry eventually gets done. People rarely need an immediate response. And, most importantly, my characters and worlds flourish because my discipline affords them the time to.

So yes, I’ve discovered that creativity needs discipline to flourish. Disciplined blocks of time and discipline to brainstorm What If? Turn the creative tap on and let it stay on. Otherwise, thoughts get lost, diluted or stale. Thoughts need discipline to be created and to appear on the page.

Now when you’re revising or editing, that’s a different discipline and a different blog!

Just remember, we write because words are our air, the page our playground, and our imagination feeds our spirit.