Tag Archives: inspiration for writers

A Life of Passion

Life of PassionWho do you love?

What do you love?

Everyone needs a little passion.

The interesting people in story, and in life, are those who embrace what they love with passion. It might be a spouse, family, work, or hobbies. We love people who are excited about what they do or who they are. We respond to passion. Easy example is when people tell us about a recent book or movie that we haven’t read or seen yet.

If they say, “It was all right.” No matter what our previous anticipation level might have been, it now falls a notch.

What if they say, “It was awesome! I’m going to camp out at the movie theater right now and wait until it opens tomorrow so I can see it again”?  We can’t help but absorb a little of that passion. It’s contagious and exhilarating.

People do need to find balance in their life, but that doesn’t mean they can’t still feel passion for each component that makes up who they are and what they do. They just can’t let that passion lead to excess and stupid decisions.

One of the most tragic things we see in literature and in life are people who won’t follow their passion. They won’t ask the girl on a date, won’t apply for their dream job, won’t take a chance and LIVE their lives. Thankfully, this character flaw is seen most often only at the beginning of a story to highlight a hero’s dramatic character arc.

A great example is Walter Mitty in The Secret Life of Walter Mitty. Here’s a guy who has buried his passionsWalter Mitty so deep, he has to escape life in lengthy ‘zoned out’ moments where he dreams of doing great things. He has shackled himself to a boring job and refused to live, even though he dreams of it. The story is beautifully told, includes breathtaking scenery, and excellent music as Walter begins to break out of the repressed life he’s lived for so long and embarks on an amazing adventure that changes everything. If you haven’t seen it, I highly recommend it.

In real life, it can be hard sometimes to chase our dreams, to live passionately. Are we Walter Middy before or after the moment where he decides to live?

How many times do we hear someone say, “I’d love to do that!” Only to then banish the thought and turn away. If it’s not illegal or immoral or likely to prove fatal, maybe they should reconsider.

Are you holding back, suppressing your passion?

Fear of failure is often the cause. Sure, we might fail, but at least fail while trying. Failure is a way to learn so much, but society has made failure taboo. The problem is, life is full of failures. Why not fail while doing something we’re passionate about instead of failing at life because we lack the courage to try?  Here’s what a few famous people had to say about failure:

“I can accept failure, everyone fails at something. But I can’t accept not trying.”  (Michael Jordan)

“It’s fine to celebrate success but it is more important to heed the lessons of failure.” (Bill Gates)

“I have not failed. I’ve just found 10,000 ways that won’t work.” (Thomas Edison)

We don’t like stories of cowards, of those too repressed or afraid or timid to live. Usually in stories, cowards are either killed or, if they’re a main character, their initial cowardice is overcome as they rise to become a hero. There’s a good reason for that. Readers don’t buy stories that lack progression.

Not surprisingly, it was hard to find great examples of characters terminally afraid to live their lives, afraid to embrace their passions.

One example that came to mind for me is Pierre Gringoire, the struggling playwright in The Hunchback of Notre Dame who is saved by Esmeralda, but lacks the courage to do anything productive. He is about as completely useless a character as any I’ve ever read. I’ve hated him since I was first forced to read this dark, depressing book as a kid. Pierre refuses to fight for the beautiful woman who saved his life, refuses to fight for anything useful, and eventually slips away from all conflict, taking along Esmeralda’s pet goat, Djali, the only creature who seems capable of dealing with his pitiful life.

So be Walter, not Pierre, and embrace your passions.

What are you waiting for?

Write a Short Story? I’d Rather Floss a Chicken’s Teeth!

Write a short story? I’d rather floss a chicken’s teeth! That’d be much easier.chicken3-240x240

I found myself facing that problem after writing six novels. I couldn’t wrap my head around a shorter piece of work. Everything I tried I sounded like an outline for a novel.

Books on outlining didn’t help. Workshops provided little insight. Critique groups, well, I could help someone to better tell their story, heck, I’d even edited an acclaimed anthology, but I couldn’t tell one myself.

How could I overcome this block?

The problem was, I needed a break from novel writing and I really wanted to know what eluded me about this form. I followed this four step process and I learned how to write a short story:

1) Read short stories, not novels. By reading short stories I learned what forms and genres I really liked and disliked. There’s no point in trying to write in a genre or with a style that doesn’t speak to you.

2) Choose a genre which speaks to you. For example, I love some literary style authors and I love science fiction stories. Literary style I can read but I can’t figure out the voice. With science fiction I understand the voice and the genre, but I’m not as adept as I’d like to be with the science. Hence, I don’t have the confidence to write it. How did I learn this about myself? Check out point number three …

3) Retell the stories that interest you. Be aware of style, plot, character and tropes common to the genre. That’s how I figured out if I had the desire, the passion to write certain stories. When I retold a story, I paid close attention to the plot and how it unfolded. I had to be aware of the tropes. Most importantly, I had to feel the voice and I had to feel the passion for the genre. Once you’ve discovered what stories energize and excite you, the final step is easy.

4) Now, write an original story in the genre and voice that excites you.

That’s it. It’s that easy.

Should you publish or submit a retold story? That’s another matter. Issues of public domain arise and rightly so. Some stories I deleted because my intent was only to learn from them. Others, even if there are no public domain issues, may be published in the future but with full disclosure as to the source of inspiration.

Where did I finally find my voice? With fables and fairy tales and people’s stories of old. I love it. The most curious thing I learned was that it wasn’t about setting for me for I’ve set my stories in worlds of fantasy, science fiction, and yes, there’s even a literary one or two! My real journey was to find my story telling voice.

The cheat of the matter was this: later on, I recognized that my writing voice had always been with me. I had heard it, felt it even and I had tried to squeeze it into forms and stories that didn’t suit it. That was the heart of the problem. That is the heart of this journey – to hear the voice within you and to find the form that fits it.

Love it. Do it.

Do What you loveMerry Christmas!

This is my favorite time of year.  I love Christmas and everything it stands for.  It is a time of good cheer, family, and giving, regardless of religious belief.  I am religious, so I celebrate that part too.

It struck me this week that Santa represents one of the best examples of someone making a crazy career choice and turning it into a successful, long-term enterprise.  Many people regard writers in the same not-quite-connected-to-reality category as Santa Clause.  And when we first start out, it can be hard to see past the detractors and the naysayers and keep pursuing a passion that has absolutely no promise of producing any financial return.

I’m a perfect case in point.  I’ve been writing for almost ten years, and my expense-to-income ratio so far is so lopsided, it’s laughable.  And yet here I am, still writing.

I love it.

I love stories.  I love consuming them in every form, and I love creating them.  Not only do I love to write, but I’ve set ever-challenging goals to drive myself along this writing path.  It may be a long road, but it’s a road I’m happy to travel.

I’m not the only one who believes that working at what we love is the best possible work choice.

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Love. Fall in love and stay in love. Write only what you love, and love what you write. The key word is love. You have to get up in the morning and write something you love, something to live for.

~Ray Bradbury

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There is no scarcity of opportunity to make a living at what you love; there’s only scarcity of resolve to make it happen.

~Wayne Dyer

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If you are not doing what you love, you are wasting your time.

~Billy Joel

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2014 was a banner year for me.  I set extremely high goals, and succeeded at many of them.  But what really made the year was that I managed to work more hours writing than I did at my consulting job.  I’ve been working toward this milestone for years, but I reached it almost without noticing.  I was so busy writing and doing, that I didn’t pause to reflect until I had already made the shift in my schedule.

The purely pragmatic side of me admits to nervousness as I allow my consulting business to trend downward to make more room in my life for writing.  My computer work is still how I pay the bills and support my family, and it’s a job I really enjoy.  However, I LOVE storytelling.  Despite long success in computer-related fields, I made the choice to move toward writing as a full-time career.  It’s taken a very long time to get to this point, but to me it’s worth the effort.

Loving this work means I Work at it.  This year, I completed three new novels (I set the goal to complete four), along with a lot of other work, including a frantic juggling act preparing novels for a fast-approaching publishing blitz.

2015 will be even bigger.  Eight novels published in eight months is the goal, and I’m doing everything in my power to reach it.

I love writing.

So I’ll work harder at this job than any other.

Do what you love.  Commit to it and let nothing stop you or convince you that you can’t.

It may take a while, but the time’s going to pass anyway.  Why not use it working toward a goal that means something to you?

Looking for Progress in a Mirror

It is human nature to compare oneself to others, no matter how unfair that comparison is. I know that I have neither the productivity of Kevin J. Anderson, nor the skill to write the poetic prose of Guy Gavriel Kay, nor the ability to manage massive story lines and milieu like Brandon Sanderson. However, they are all professional writers with many years more experience than I have. Their skills represent goals, markers of achievement that I aspire to. Even looking to my friends who are closer in experience to myself isn’t an apt comparison. We are all different people and very different writers. Ultimately, their skills and successes have no direct impact on my own abilities. They are simply further down the road than I am. I have found that self-comparison is the only reliable and reasonable metric of progress.

As a writer advances through his/her career, growth occurs with every word and work written. I have often heard writers bemoan their old stories, talking about how they would do things differently given the chance. Though, I have written plenty of prose that has made me cringe later, I am more pleased than disgusted by the discovery. My ability to recognize flaws in my old work shows me better than any other metric my own growth as a storyteller.

The original introduction of my first completed novel is a perfect example. Because I largely discovery wrote that book, it took me two full years to complete. Now, I prefer to work in a more focused and deliberate manner, but that initial experience taught me a lot about my own style and craft. Naturally, my skill and tastes grew in that time. My more experienced eyes were able to see that a passage I had thought was filled with compelling characterization and evocative metaphors was little better than navel gazing. I redrafted that particular introduction half a dozen times, and each version was able to leverage my new skills and perspective. By comparing the initial and final drafts, I am able to clearly plot my own growth.

Though there have been times where I have made notes in a manuscript to rewrite or rework a passage during editing, I would not release a story into the wider world until it represented my best work. I have found that it is generally a good assumption that other writers have the same philosophy. What most non-writers have a hard time understanding is that it is almost impossible to track down and eliminate every error in a manuscript, especially since it passes through so many hands during the publishing process.

The way I see it, if I can recognize that some aspect of my old work is garbage, I must have come a long way from the time that I wrote it. Bonus points if I now understand why it is bad and how to fix it. Therefore, my own terrible prose is a marker of my progress as a writer. For me, that’s very motivating. Being a professional writer isn’t a game for those looking for short term benefit. Rather, writers must be continuously growing and learning. After a while, the trajectory of your skill matters more than the absolute value at any particular moment in your career.