John Grisham – The Fictorians

I find little in life more enjoyable than discovering something new, a character, a world, a scene. I love watching how things develop as I discover write them. I’m what they call a Pantser. I wrote of my writing disorder a couple months ago in A Pantser’s Plight.

In one of David Farland‘s workshops he said something to the effect that discovery writing was to him the most enjoyable and the least productive. I have found that to be true. So I’ve worked hard to develop a plot, outline the direction, but I still discovery write the scenes. I’m finding that the story develops and takes life.

Just this past month I wrote a scene that I had loosely outlined for my protagonist who started a new job on Wall Street. As the scene unfolded, a cute red-headed receptionist entered the mix. And suddenly my protagonist took interest and next thing I know they’re digging on each other. I did not see that coming in my outline but it works nicely.

I developed two other characters who, according to my outline, were scheduled to be killed later on in the story. These characters have grown and become significant in the story. I’ve used them to bridge plot gaps and deepen side plots. Now I’m not sure I want to kill them off. I probably still will, but I could see some spin off stories developing, so I’m going to keep discovering where it goes.

This last month I’ve written about 30,000 words on the same book. I haven’t touched anything else. Not the two short stories, brewing in the back of my brain. Not the other three novels half finished. This is pretty significant for me and I wanted to share my newly acquired trick to stay focused.

The Problems

First, as I mention earlier, I get really excited about discovering something new and tend to lose interest in something that I’ve already figured out in my mind though I haven’t written it yet. This usually leads me to ping-ponging from project to project but never finishing anything.

Second, squirrel. I get easily pulled onto something else more exciting and I have a hard time focusing my mind on what it doesn’t want to focus on.

Third, sometimes I discover write my characters into a situation that just doesn’t work with the rest of the story and I get stumped. And sometimes my characters get into a situation they just can’t get out of.

The Solutions

First, I do a light outline to give myself direction. And I try not to over develop. When I do, it usually becomes cliche or boring.

Second, I noticed awhile ago that whatever book or movie or television show I was into would effect which of my projects my brain thought important at the moment. So, as I’m writing a financial thriller, I’ve tricked my brain to staying focused on this book by reading two John Grisham books, watching shows like Better Call Saul and movies like Wall Street. And more importantly I won’t let myself read or watch anything science fiction or fantasy related. It’s working quite well.

Third, I used to revere what my brain discovered as sacred. I credited inspiration. But I’m learning now that sometimes it’s crap and I need to chuck it out the window. I hated rewriting a scene that I had already thought out a different way and I still don’t enjoy it, but the end result makes it worth it. Sometimes I’ve got to suck it up and push through.

Funny thing, writing this post has gotten me excited to discover more on this particular project. It’s called Unknown Soldier and if I can keep it up, I’ll finish it in a couple more months.

I live in Arizona with my family, wife and five kids and a little dog. I write fiction, thrillers and soft sci-fi with a little short horror on the side. I’ve got an MBA and work in finance for a biotechnology firm.

I volunteer with the Boy Scouts, play and write music, and enjoy everything outdoors. I’m also a novice photographer.

You can visit my author website at www.jacekillan.com, and you can read some of my works by visiting my Wattpad page.

A great writer once told me that to be a good writer, I needed to learn all the literary rules and then forget them all.

I remember the first time I shared my craft with a crit group. I remember thinking how lucky they all were to discover my talent. The session didn’t quite go as I thought. They tore apart my writing for one fundamental flaw—Point of View. In the chapter of about fifteen hundred words I switched POV at least seven times. I wrote as if I were watching a movie, each POV a different camera angle. This of course is amateurish and makes for rough reading.

In another crit group, I shared a new piece, expecting agent referrals and publishing contracts. Instead I received fantastic feedback on the concept (new to me at the time) of Showing vs. Telling.

So I upped my game. I avoided any word ending in “ly” and the word “felt” so that I could show instead of tell. (There was a great post on adverbs earlier this month). I wrote much more dialogue and I put my main POV character deep in the scene. I thought that I needed to keep reminding the reader of where my POV character was, how his/her hands were positioned, and where he/she was looking.

Instead of writing, “I picked up the phone.” I might have written something like, “I picked up the phone with my right hand while using my left to shuffle through some papers.

I’d use filtering phrases like “I could see the light glistening through the window from the outside.”

Rather than “Light glistened through the window.”

This type of writing really messes with pacing. I had written a scene as follows:

“Lenny grabbed the back of the trailer with his right hand and while running along he reached as far as he could with his left hand grabbing another part of the trailer and jumped at the same time pulling himself up though he got stuck part way but soon pulled himself up and onto the trailer. “

Rather than, “With some effort, Lenny managed to pull himself into the trailer.”

Also, I failed to give any backstory in my novel for fear of telling rather than showing. So I would get it in by an incredibly long discussion that didn’t quite work. I left my readers with a bunch of questions, because I was too afraid to “tell.”

It seemed as if I swung on the pendulum of poor writing from inappropriate use of POV and too much telling, to the other side of overuse of POV and obscurity.

To address my problems I’ve read, a lot. I take notice of when authors use “ly” words and when they use filtering and why it works or maybe how it could be better. I’ve paid attention to how an author shows a story, how he/she sets it up and establishes setting while still revealing back story, and I think I’m getting it. Maybe those publishing contracts are right around the corner or maybe I’ll have another opportunity to learn and grow or both.

I’m learning that good writing is just one element to a good story. I’ll endure page after page of telling backstory in The Rackateer by John Grisham, because the story is intriguing. I’ll ignore Larry Correia’s overuse of adverbs in his work Monster Hunter International because his story is extremely exciting and funny. I’ll overlook Michael Chrichton’s abundance of point of view filtering in Prey because the story is full of nail-biting suspense. Hopefully someday I can have the privilege of someone critiquing my work after they’ve paid for it.

I think that it is very unlikely that a person just wakes up one day and realizes that he/she is a fantastic writer. Great authors learn how to write great stories well. It takes time and lots of practice.

I think maybe I’m starting to forget some rules.

Tag Archives: John Grisham

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