Tag Archives: Writing

Great Expectations: A Guest Post by Matthew Becket

A guest post by Matthew Becket.

 

Two incredible visuals pop into my head when I think of the writers’ life—George McFly opening a box of books at the end of Back to the Future and Jack Torrance scolding his wife during an unproductive writing session in the movie The Shining. Both scenarios are powerful and affected me as a young movie obsessed kid in the Eighties. I didn’t know any writers personally then and Hollywood hadn’t shown me much in the way of how they should present themselves at home. These guys seemed real to me and I took them seriously.

I remember the warm feeling I got when George showed Marty Mcfly those books. Keep in mind, this was Marty’s perfect nineteen-eighty-five where all his previous problems were fixed. His Dad glowed as he presented Marty with a copy and gave a brief, but optimistic, speech on achievement. The sun was shining, everyone was glowing, and the audience was happy because they wanted George to win. He did it! He had been published! As a twelve year old boy watching this I thought that meant that George had made millions of dollars and would never have to work again. This is what writers do!

Copyright by Warner Bros. and other respective production studios and distributors. Intended for editorial use only.
Copyright by Warner Bros. and other respective production studios and distributors. Intended for editorial use only.

The flip-side, displayed in the movie The Shining, gave me a different impression of writers. Jack Torrance drank heavily, said bizarre things to his wife, talked to ghosts, and ignored his gifted son. Violent outbursts and drinking eventually led him down a literal path to self destruction. There was no sunny day or box of books to share with his son. Nope. Jack Torrance turned into a hunk of frozen meat. Is this what writers do?

As young writers, we hope for the George McFly scenario. But what did that scene not show? Did it show the hours it took to write the first draft of George’s book? It didn’t have to. The George in that reality was a perfect George and an object of Hollywood fantasy. Things came easy to him.

I’m not twelve anymore and I’ve met real writers. I’ve met ones that have put in the hours and sacrifice. I’ve met successful authors and when they talk I listen really closely. These people have found a balance between real life and the writers’ life. They have devised a situation at home where they can create. I’ve picked up some of what they said and, although the following may not wholly pertain to you, I’m sure you’ll get something out of it.

You’re a writer! Tada!

First off, realize that the other members of your household cannot take your writing seriously if you don’t. Anyone can suddenly say: “I’m a writer!”, but there has to be something there. You cannot expect anyone to be supportive unless you’re actively writing. Unfortunately, they may never take it seriously, but they cannot possibly do so unless you take those first steps. You have to write.

If you aren’t taken seriously, others may think it’s a phase. They may just consider it a cute little hobby, and you’ll have to come to terms with that. Do not expect them to be your number one supporter especially if you have nothing to show for it. This will be part of your growth as a writer. You can use this as a catapult hurtling yourself closer to a career. Prove them wrong.

If you do have a supportive spouse or significant other it can be really fantastic. If they’re in the business it can be a no-brainer. Although, supportive family members deserve payback for those years of support. As young authors we have little or no money to show for all our efforts. It is important to meet that support with utter gratitude (and someday, hopefully, money). Again, it goes back to the same idea — you have to write.

Don’t forget to do the laundry and feed the cat.

Next, and this is tricky, you need to nurture your writing career without neglecting family. Writers will always find the time to write, but they need to do this without damaging relationships. This is usually a situation of give and take. Explain to your loved ones how important it is for you to get time to write. Create a schedule in which all the important things you normally do are highlighted and fit your writing time around those things. (Recently I’ve been using a calendar in conjunction with wipe-off boards and just planning ahead has taken a tremendous amount of stress off my shoulders.) When the others in your home notice the lengths you’re taking to make sure you haven’t forgotten you live there too, they will most likely respect your writing time. Don’t give them a reason to resent it. Eventually they’ll see it as a part of your routine. Hopefully, they’ll see it as your job.

The grain of salt.

Another sensitive aspect of having your family or spouse involved in your writing is their critique. These people know you, they will have biases. Just as sometimes we’re too close to our writing, our family members can be too close to it as well. They may say they love everything you do, or quite the opposite – they may shut it down straight away. It isn’t fair to them to think that they should view your writing in the same way a larger fanbase would. Find the largest grain of salt you can and take it when family members read your writing. Of course there are exceptions. Perhaps your spouse is a fantastic line editor and even does this as a profession. I certainly have talented individuals in my family that I run things past. Even as their intentions may be good, realize that the buck certainly doesn’t stop with them.

When it comes to your home life give the writer in yourself gravity and identify with it. Be bold, passionate, and don’t be afraid to say “Yeah, I’m a writer.” The more you vocalize it and let others know, you’ll be less likely to fail and begin to have more expectations – great expectations – for yourself.

You can do this. You’re a writer.

 

About Matthew Becket:

Matthew started lying as soon as he could talk. Thrilled with the reaction he received, he started making the lies bigger. Some of the lies he had kicked around for years became commodiously appropriate for the written word. Matthew has fun lying in the Middle Grade genre, but lately has been taking on the Adult Dark Humor Crime Thriller genre. He is currently working on his novel – The Sommelier.

When not lying, he is usually traveling, or hanging out with his wife and three cats in Celebration, Florida while looking up words like “commodious” on thesaurus.com .

Where do I find this guy?

Facebook: https://www.facebook.com/matthewdavidbecketauthor/?ref=hl

Twitter: https://twitter.com/MatthewBecket

Wattpad: https://www.wattpad.com/user/MatthewBecket

How to Set an Unconventional Writing Schedule

If you have read anything by me on this blog before this post, you know I’m all about the unconventional way of doing things. What works for one person might not work for me, and similarly, what works for most people does not work for me. For example, I don’t write every day. I don’t make myself sit, ass to chair, for hours until something happens. If I couldn’t possibly force myself to write that day, I do something else, usually creative. Sometimes a week goes by and I haven’t brainstormed, written, or edited a single word. On the other side of that coin are some extremely productive spurts. I’ll write a novel in a month. I’ll write a short story in a day. I’ll outline an entire book in a week or less. You can probably deduce where I’m going with this. Absolutely stay true to this one thing, if nothing else: listen and obey what works for you.

What I propose is not an easy road. It requires you to be in-tune with yourself every day, and be honest with yourself. That means if you know you will not produce your best work today, then you might want to do other creative and important activities instead. That also means you should make yourself sit down, ass to chair, if you are perfectly capable of churning out prose but you just don’t feel like it. That’s where being honest with yourself comes in.

As an aside, what other creative things could you do instead?. Plenty. You may be stressed, tired, irritated. Try coloring, cooking, painting, even cleaning if that’s what will satisfy your brain and calm you down. If you sit and write and you’re rushing through every sentence to hit a word count, then what’s the point? Good work can’t be rushed, and if it is, it can’t be expected to be great work. It may even make more work for you in the end as you’re editing.

Ask yourself a series of questions to get an idea of how best you work.

  1. Do I work (not specifically writing) best in the morning or evening? When do I feel the most focused?
  2. Do I like to have people around when I write?
  3. Is silence best when I write? If not, do I prefer ambient noise or music?
  4. At what time durning the day do I start getting tired?
  5. Would I feel better if I got my writing in at the beginning of my day?
  6. Would I feel best if I wrote when my day concluded, all responsibilities done and taken care of?
  7. Have I noticed if my writing is more rushed or hurried if I am hungry, tired, or cold?
  8. Do I tend to nod off when I’m writing? What are the conditions (early morning, too warm, late at night)?
  9. When do I have the most energy in my day?
  10. Have I noticed a certain time of day where I do not feel like writing at all?
  11. Have I noticed a certain emotion that negatively affects my writing? A positive emotion that helps my writing flow better?
  12. Is there a month each year where I’m consistently not writing due to busyness or stress?
  13. After I write a novel or short story, do I prefer to have a time to let the writing rest before jumping right into editing? Do I need to jump right into editing to keep up the momentum?
  14. Under what conditions do I experience burnout?
  15. Are there activities in my life that are in direct odds with my writing and/or writing time?
  16. Do I like to think of work on a project-to-project basis or a day-to-day basis?
  17. Do I like to work on one piece of writing at a time or multiple pieces?

As you answer the questions, you might have some important realizations. If you still aren’t sure or can’t find a good time or season for writing, consider keeping a simple daily log of your writing time and note the time, how you feel, the room temperature, if you’re hungry/full/just right, any large stressors in your life at the time, and how you feel about your project right then. Feel free to add more things to note to the list. Over time, you’ll come across patterns in your writing times, what worked best, and certain things that bombed your working time.

Many writers have kept curious schedules throughout history. Henry Miller’s morning consisted of “if”s: “If groggy, type notes and allocate, as stimulus. If in fine fettle, write.” Ernest Hemingway, who wrote standing, said, “When I am working on a book or a story I write every morning as soon after first light as possible. There is no one to disturb you and it is cool or cold and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit it again.” To read more about other famous writers’ routines, visit https://www.brainpickings.org/2012/11/20/daily-routines-writers/.

https://podio.com/site/creative-routines

Also consider this graph of creative peoples’ routines in a 24-hour period. Note also that these schedules may have changed over time. Because the most important rule is and will always be: do what works for you.

While it can take weeks, months, or even years to nail down a routine that works for you, there’s something to be said for just jumping in. Once you’ve taken a personal inventory of your habits and routines, you may find a suitable writing time daily or a chunk of weeks in which to complete a project. It may not be perfect, but it doesn’t have to be. It will never be the perfect day or the perfect moment to write. The key is hitting a time that nearly is perfect, and running wild.

LTUE – Life, the Universe, and Everything Symposium

A Guest Post by Gama Martinez

LTUE

There are writer conventions and conferences all over the country. Most are small with one or two big guests. Others are large with many more guests, but these often have so many attendees that it’s nearly impossible to have a meaningful conversation with anyone. There are a few conferences where the attendee is low and the number of big names is high. The cost to attend these, however, can be hundreds of dollars. Add to that the cost of travel and lodging if it’s not local, and it becomes unfeasible for many to attend these. In this kind of environment, Life, The Universe, and Everything stands out.

LTUE is a relatively small convention in Provo, Utah, an hour south of Salt Lake City. Largely because of the high concentration of scifi and fantasy authors in Utah, many big name authors attend. Brandon Sanderson, Dave Wolverton, Dan Wells, Larry Correia, and Howard Tayler are regular attendees. Previous keynote speakers have included Orson Scott Card and James Artimus Owen. Additionally, the even draws a number of agents and editors, enough that pitch sessions are a regular feature, something that normally only happens at larger, more expensive conventions. It’s more a writing convention than anything else, and as a result, you get to hear some of the top names in the industry talk about topics that they specialize in.

This being a writer’s convention, there are plenty of writers of all skill levels so not only does it provide the opportunity to learn from more experience writers by also to network with writers at a similar skill level as you. The convention ends on Saturday with a banquet which, by itself, provides fantastic networking opportunities as well as a speech by the keynote speaker.

I’ve mentioned cost. In spite of having so many well-known authors, the price of LTUE is comparable to many smaller local conventions with the price ranging from $55 at the door to only $40 for early bird registration. The convention hotel is relatively affordable as well, only $99. There are other, less expensive hotels in the area as well if that one doesn’t suit. With a little careful budgeting, you can get your hotel, registration, and most of your meals for less than the cost of registration at conventions like WorldCon. In fact, when I lived in Dallas, there was a conference that provided a similar worth, but the cost was so high that it was about the same price as flying to Utah and paying for my hotel. Given with the amount of information and networking opportunities makes LTUE have one of the highest cost to benefit ratios of any convention I’ve been to.

The next Life, the Universe, and Everything takes place February 11-13th in Provo, Utah. It’s one of my favorite conventions, and if you can make it there, you should.

Guest Bio:

Gama Martinez lives near Dallas and collects weapons in case he ever needs to supply a medieval battalion. He greatly resents when work or other real life things get in the way of writing. Other than writing, he does normal things like run from bulls and attempt to leave the Earth to be a Martian colonist. His trilogy, The Oracles of Kurnugi, is available now. Shadowguard, the first book in a seven book series, will be released September 22.

www.GamaRayBurst.com

Laugh! and Get Noticed!

We will discover the nature of our particular genius when we stop trying to conform to our own or to other people’s models, learn to be ourselves, and allow our natural channel to open.
Shakti Gawain

Writers are fun loving people with countless interests, who love a good joke, and truly are kids at heart. Yet, we can feel overwhelmed when we’re in the public eye at book launches and conventions, or when we approach and agent or publisher. Our effervescent, perfectionist selves, our I-wrote-an-awesome-book selves, crumble in a public spotlight. It’s not about our craft (we work hard at that), or our ability to complete a project, nor is it about putting our literary babies up for criticism (we’ve jumped that hurdle a few times to get the manuscript ready). It’s that we’re perfectionists and we all strive to write the next best seller.

Ah, yes. I had written the perfect pitch and had practiced the perfect delivery. With my perfect pitch in hand, I went to my first convention and encountered a publisher’s representative. What was my book about? he asked me. Well, I was prepared, wasn’t I? I had polished that pitch, memorized it and practiced it until I could recite it anywhere. And then….

… FAILURE! For so many reasons it escaped me (I wasn’t doing dishes, taking out the garbage, reciting it to a blank wall – who knows?).  I rolled my eyes back into my head in an effort to mentally read my perfect pitch and I was suddenly, totally mortified. I had blown the perfect opportunity! Solution? Run? Turn a deeper red? I looked him in the face and laughing, I said, “Now that that’s over, let me tell you what the book is really about.” And so I spoke from the heart all the while laughing inside over how silly I’d been.

Artists who seek perfection in everything are those who cannot attain it in anything.
Eugene Delacroix

That encounter didn’t get me the sale but I got a great chortle from the publisher and I had a good conversation with him. But most importantly, I learned to laugh at myself and relax. Publishers, agents and book buyers don’t have it easy trying to find the perfect book either. So once you understand that they have as much at stake in the moment as you do, it takes the pressure off needing to be perfect. Besides, you just want an opportunity to submit the manuscript or for prospective readers at your sales table to buy the book to read later. How does laughing at yourself accomplish that?

          Genuine beginnings begin within us, even when they are brought to our attention by external opportunities.
William Bridges

It’s about being true to yourself and sparking a relationship which in turn creates loyalty. Who are we the most loyal to? Those we are most comfortable around, not those who make us feel squeamish. Think of your best friends. You laugh, you discuss, even argue from time to time and you know what’s important or meaningful to them. So it should be with those we are trying to impress. Like with our friends, we need to listen, ask questions, converse and laugh at ourselves and with them. That’s what creates relationships and opportunities, not a perfectly recited pitch.

So, don’t be so hard on yourself. Laugh at yourself. Laugh with others. View your encounters as if you’re developing a friendship. Ask them what’s important to them. Ask about their interests. Don’t forget to smile. Above all, laugh and relax. But what happens if they aren’t interested in what you’ve written?

The meeting of two personalities is like the contact of two chemical substances: if there is a reaction, both are transformed.
C.G. Jung

A negative response doesn’t mean that your work isn’t good or whatever the awful thing the voice inside your head is sniping. It simply means it isn’t for them or that you’ve got a bit more work to do to answer their questions. You can choose to address the issue or not. You can choose to purse the relationship or not. But what you can always do is laugh and revel in the wonder of how although we are all the same, we are so different.

I cannot believe that the inscrutable universe turns on an axis of suffering; surely the strange beauty of the world must somewhere rest on pure joy!
Louise Bogan.

If you’d like to read more great quotes and learn to overcome limiting beliefs and fears that inhibit the creative process (and keep you from laughing), I recommend you read The Artist’s Way: A Spiritual Path to Higher Creativity by Julia Cameron.